Uploaded November 2020 | Updated September 2026, 2 weeks ago
Bryn Harrison, Surface Forms (repeating) (2009)
ELISION Ensemble
Manuel Nawri, conductor
Kings Place, London, Hall Two
15 March 2010
Director, Scott Myers
Sound, Bruno Silva
Camera Operator, Andrew Cattanach
Video Editing, Matthew Dove
Produced as part of the 2009-10 ELISION Ensemble residency at the Centre for Research in New Music (CeReNeM) at the University of Huddersfield, supported through the University Research Fund.
cerenem.org
http://www.elision.org.au
Bryn Harrison, Surface Forms (repeating) (2009)
ELISION Ensemble
Manuel Nawri, conductor
Kings Place, London, Hall Two
15 March 2010
Director, Scott Myers
Sound, Bruno Silva
Camera Operator, Andrew Cattanach
Video Editing, Matthew Dove
Produced as part of the 2009-10 ELISION Ensemble residency at the Centre for Research in New Music (CeReNeM) at the University of Huddersfield, supported through the University Research Fund.
cerenem.org
http://www.elision.org.au
![Miller Puckette: Designing electronic music instruments [28.03.2017]](https://i.ytimg.com/vi/jzSDCwfeC2E/mqdefault.jpg "Miller Puckette: Designing electronic music instruments [28.03.2017]
Visiting Researcher Miller Puckette discusses his approach to designing electronic music instruments, and modelling instrumental behaviour, in Pure Data at CeReNeMs Creative Coding Lab.
http://msp.ucsd.edu/
https://research.hud.ac.uk/institutes-centres/cerenem/projects/creativecodinglab/
http://www.cerenem.org/
Of the many roles that computer and electronic technology can play in music making (production tool, composers assistant, improvising partner, and so on), the one that I think is giving rise to the most interesting new music today is that of the musical instrument. This could encompass both the use of electronics to enhance the sonic or other possibilities afforded by an existing instrument or developing a new musical interface (and starting from scratch learning to play the thing). Its instrumental behaviour could take the form of directly mapping performance gestures into parameters of sound generation or, alternatively, affect the fate of an existing sound stream. Using two recent instrument designs of my own as examples, in this talk Ill try to shed light on where I see new possibilities to explore and what design principles Ive arrived at in my own attempts.")
![Frederic Dufeu: Max/MSP as a tool for the study of creative coding [14.12.2017]](https://i.ytimg.com/vi/oCqckG-Xnd8/mqdefault.jpg "Frederic Dufeu: Max/MSP as a tool for the study of creative coding [14.12.2017]
Dr Frederic Dufeu discusses the use of Max/MSP as a tool for analysing creative coding and electroacoustic music in the Technology and Creativity in Electroacoustic Music (TaCEM) project
https://pure.hud.ac.uk/en/persons/frederic-dufeu
https://research.hud.ac.uk/institutes-centres/tacem/
http://www.cerenem.org/")
