Uploaded July 2022 | Updated September 2026, 2 weeks ago
Simon Waters
KEYNOTE: Observations and Entanglements: The Early Stages of the Analogue-Digital Shift in Music’s Infrastructure and Organisation
DOI:10.5920/AnalogueDigitalShift
Rethinking the History of Technology-based Music
Centre for Research in New Music (CeReNeM)
University of Huddersfield, 9-11 June 2022
research.hud.ac.uk/music/conferences/technologybasedmusic research.hud.ac.uk/institutes-centres/cerenem
Simon Waters
KEYNOTE: Observations and Entanglements: The Early Stages of the Analogue-Digital Shift in Music’s Infrastructure and Organisation
DOI:10.5920/AnalogueDigitalShift
Rethinking the History of Technology-based Music
Centre for Research in New Music (CeReNeM)
University of Huddersfield, 9-11 June 2022
research.hud.ac.uk/music/conferences/technologybasedmusic research.hud.ac.uk/institutes-centres/cerenem
![Frederic Dufeu: Max/MSP as a tool for the study of creative coding [14.12.2017]](https://i.ytimg.com/vi/oCqckG-Xnd8/mqdefault.jpg "Frederic Dufeu: Max/MSP as a tool for the study of creative coding [14.12.2017]
Dr Frederic Dufeu discusses the use of Max/MSP as a tool for analysing creative coding and electroacoustic music in the Technology and Creativity in Electroacoustic Music (TaCEM) project
https://pure.hud.ac.uk/en/persons/frederic-dufeu
https://research.hud.ac.uk/institutes-centres/tacem/
http://www.cerenem.org/")
