Uploaded July 2024 | Updated September 2026, 2 weeks ago
New remaster, sourced from the DCC of Straight Up.
"Name of the Game" is the sixth track from power pop band Badfinger's 1971 album, Straight Up. The song was written by Pete Ham.
After the release of their album No Dice, Badfinger began work on an untitled follow-up. Geoff Emerick produced sessions for the songs that were to be on the album, among them being "Name of the Game". "Name of the Game" was also intended to be released as the lead single from this album, backed with "Suitcase", a track written by Joey Molland, but, despite efforts from George Harrison (who was impressed greatly by the track) to remix the song, the single, as well as the rest of the album, were canceled due to input from Phil Spector. This single edit appeared on some reissues of Straight Up.
When George Harrison returned to produce a new album for Badfinger, one of the songs that he worked on was "Name of the Game". However, upon his departure due to The Concert for Bangladesh, Todd Rundgren came to finish the album. Upon its completion, the album, now titled Straight Up, featured "Name of the Game" at the end of side one.
New remaster, sourced from the DCC of Straight Up.
"Name of the Game" is the sixth track from power pop band Badfinger's 1971 album, Straight Up. The song was written by Pete Ham.
After the release of their album No Dice, Badfinger began work on an untitled follow-up. Geoff Emerick produced sessions for the songs that were to be on the album, among them being "Name of the Game". "Name of the Game" was also intended to be released as the lead single from this album, backed with "Suitcase", a track written by Joey Molland, but, despite efforts from George Harrison (who was impressed greatly by the track) to remix the song, the single, as well as the rest of the album, were canceled due to input from Phil Spector. This single edit appeared on some reissues of Straight Up.
When George Harrison returned to produce a new album for Badfinger, one of the songs that he worked on was "Name of the Game". However, upon his departure due to The Concert for Bangladesh, Todd Rundgren came to finish the album. Upon its completion, the album, now titled Straight Up, featured "Name of the Game" at the end of side one.
![The Beatles - Drive My Car (2023 Stereo Mix)
New DES [Digitally-Extracted Stereo] mix, sourced from the original 1965 stereo mix.
Drive My Car is a song by the English rock band the Beatles, written primarily by Paul McCartney, with lyrical contributions from John Lennon. It was first released on the bands 1965 album Rubber Soul as the opening track. The song later appeared in North America on the Yesterday and Today collection, again to open the record, as the track had been dropped from the American version of Rubber Soul.
A woman tells the songs male narrator that she is going to be a famous movie star, and she offers him the opportunity to be her chauffeur, adding: and maybe Ill love you. When he objects that his prospects [are] good, she retorts, Working for peanuts is all very fine/But I can show you a better time. When he agrees to her proposal, she admits, I got no car and its breakin my heart/But Ive found a driver and thats a start. According to McCartney, Drive my car was an old blues euphemism for sex. This expression was more common in the pre-automatic shift era of automobiles.
When McCartney arrived at Lennons Weybridge home for a writing session, he had the tune in his head, but the lyrics were disastrous, and I knew it. The chorus began, You can buy me diamond rings, a cliché they had used twice before, in Cant Buy Me Love and I Feel Fine (as well as in the discarded If Youve Got Trouble). Lennon dismissed the lyrics as crap and too soft. They decided to rewrite the lyrics and after some difficulty – McCartney said it was one of the stickiest writing sessions – they settled on the drive my car theme (which Bob Spitz credits to Lennon) and the rest of the lyrics flowed easily from that.
It has been suggested that the song also refers to the relationship between Cilla Black and her then boyfriend Bobby Willis (whom she later married). Black was both a friend of the Beatles and a protégée of Brian Epstein. As the TV mini-series Cilla revealed, Willis was also offered a recording contract by Epstein, but Black objected, saying that she was the star and Willis was to be the road manager who would drive my car.
Drive My Car was recorded on 13 October 1965 during the Beatles first recording session to extend past midnight.[ McCartney worked closely with George Harrison on the basic rhythm track, the pair playing, in author Ian MacDonalds description, similar riffing lines on bass and low guitar, respectively, as per Harrisons suggestion. Harrison had been listening to Otis Reddings Respect at the time and, as a result of this influence, Drive My Car contains more bottom end than previous Beatles recordings, mimicking the bass-heavy sound captured in Reddings Memphis studio; as Ian MacDonald points out, the bassline appears to be directly derived from the bassline of Reddings version of Respect. Author Robert Rodriguez describes the track as an overt R&B workout and a rare example of the Beatles demonstrating their admiration of Stax and Motown artists on the mostly folk rock-oriented Rubber Soul.
McCartney sang the main vocal part, giving it an energetic push that journalist Richie Unterberger calls a commanding ... hard rock vocal. The vocal rides above a simple two-chord funk riff in the verse, and a much more complex chorus containing piano-driven jazz-style key modulations. McCartney overdubbed both the piano part and the slide guitar solo. The song opens with a bluesy riff played on two electric guitars, before the bass enters. This opening section was also overdubbed onto the basic track. According to musicologist Walter Everett, it provides an ametrical and off-balance introduction, with its blue notes presaging what is to come. The Beatles - Drive My Car (2023 Stereo Mix)](https://i.ytimg.com/vi/xLHG8Ly9Nu8/mqdefault.jpg)

![Pink Floyd - Matilda Mother (2025 Stereo Mix)
New stereo mix, applying AI extraction to the original stereo mix.
Matilda Mother is a song by the English rock band Pink Floyd, featured on their 1967 debut album, The Piper at the Gates of Dawn. Written by Syd Barrett, it is sung mostly by Richard Wright with Barrett joining in on choruses and singing the whole last verse. It was the first song recorded for the album.
The lyrics quote fragments of fairy tales as read from a book to the singer by his mother (read[ing] the scribbly black, referring to writing in a book as a child sees it), and in the chorus he implores her to tell me more. Matilda Mother represents a common theme in Barretts work: his nostalgia for childhood and awareness that it could not be regained.
Barrett originally wrote the song around verses from Hilaire Bellocs Cautionary Tales, in which a series of naughty children, including Matilda, receive their (often gruesome) comeuppance. He was forced to rewrite and re-record the track when Bellocs estate unexpectedly denied permission to use these lyrics. Pink Floyd - Matilda Mother (2025 Stereo Mix)](https://i.ytimg.com/vi/xP_smQwxRbI/mqdefault.jpg)







