Uploaded April 2025 | Updated September 2026, 2 weeks ago
New stereo mix using AI.
"Jumpin' Jack Flash" is a song by the English rock band the Rolling Stones, released as a non-album single in 1968. Called "supernatural Delta blues by way of Swinging London" by Rolling Stone magazine, the song was seen as the band's return to their blues roots after the baroque pop and psychedelia heard on their preceding albums.
Written by Mick Jagger and Keith Richards, recording on "Jumpin' Jack Flash" began during the Beggars Banquet sessions of 1968. Regarding the song's distinctive sound, guitarist Richards has said:
"I used a Gibson Hummingbird acoustic tuned to open D, six string. Open D or open E, which is the same thing – same intervals – but it would be slackened down some for D. Then there was a capo on it, to get that really tight sound. And there was another guitar over the top of that, but tuned to Nashville tuning. I learned that from somebody in George Jones' band in San Antonio in 1964. The high-strung guitar was an acoustic, too. Both acoustics were put through a Philips cassette recorder. Just jam the mic right in the guitar and play it back through an extension speaker."
Richards has stated that he and Jagger wrote the lyrics while staying at Richards' country house, when they were awoken one morning by the clumping footsteps of his gardener Jack Dyer walking past the window. Surprised, Jagger asked what it was, and Richards responded: "Oh, that's Jack – that's jumpin' Jack." The lyrics evolved from there. Humanities scholar Camille Paglia speculated that the song's lyrics might have been partly inspired by William Blake's poem "The Mental Traveller": "She binds iron thorns around his head / And pierces both his hands and feet / And cuts his heart out of his side / To make it feel both cold & heat." The main riff is similar to their song "(I Can't Get No) Satisfaction".
Jagger said in a 1995 interview with Rolling Stone that the song arose "out of all the acid of Satanic Majesties. It's about having a hard time and getting out. Just a metaphor for getting out of all the acid things." And in a 1968 interview, Brian Jones described it as "getting back to ... the funky, essential essence" following the psychedelia of Their Satanic Majesties Request.
In his autobiography Stone Alone, Bill Wyman has said that he came up with the song's distinctive main guitar riff, working on it with Brian Jones and Charlie Watts before it was ultimately credited to Jagger and Richards. In Rolling with the Stones, Wyman credits Jagger with vocals, Richards with guitar and bass guitar, Jones with guitar, Watts with drums and himself with organ on the track with producer Jimmy Miller adding backing vocals.
According to the book Keith Richards: The Biography by Victor Bockris, the line "I was born in a crossfire hurricane", was written by Richards, and refers to his being born amid the bombing and air raid sirens of Dartford, England, in 1943 during World War II.
New stereo mix using AI.
"Jumpin' Jack Flash" is a song by the English rock band the Rolling Stones, released as a non-album single in 1968. Called "supernatural Delta blues by way of Swinging London" by Rolling Stone magazine, the song was seen as the band's return to their blues roots after the baroque pop and psychedelia heard on their preceding albums.
Written by Mick Jagger and Keith Richards, recording on "Jumpin' Jack Flash" began during the Beggars Banquet sessions of 1968. Regarding the song's distinctive sound, guitarist Richards has said:
"I used a Gibson Hummingbird acoustic tuned to open D, six string. Open D or open E, which is the same thing – same intervals – but it would be slackened down some for D. Then there was a capo on it, to get that really tight sound. And there was another guitar over the top of that, but tuned to Nashville tuning. I learned that from somebody in George Jones' band in San Antonio in 1964. The high-strung guitar was an acoustic, too. Both acoustics were put through a Philips cassette recorder. Just jam the mic right in the guitar and play it back through an extension speaker."
Richards has stated that he and Jagger wrote the lyrics while staying at Richards' country house, when they were awoken one morning by the clumping footsteps of his gardener Jack Dyer walking past the window. Surprised, Jagger asked what it was, and Richards responded: "Oh, that's Jack – that's jumpin' Jack." The lyrics evolved from there. Humanities scholar Camille Paglia speculated that the song's lyrics might have been partly inspired by William Blake's poem "The Mental Traveller": "She binds iron thorns around his head / And pierces both his hands and feet / And cuts his heart out of his side / To make it feel both cold & heat." The main riff is similar to their song "(I Can't Get No) Satisfaction".
Jagger said in a 1995 interview with Rolling Stone that the song arose "out of all the acid of Satanic Majesties. It's about having a hard time and getting out. Just a metaphor for getting out of all the acid things." And in a 1968 interview, Brian Jones described it as "getting back to ... the funky, essential essence" following the psychedelia of Their Satanic Majesties Request.
In his autobiography Stone Alone, Bill Wyman has said that he came up with the song's distinctive main guitar riff, working on it with Brian Jones and Charlie Watts before it was ultimately credited to Jagger and Richards. In Rolling with the Stones, Wyman credits Jagger with vocals, Richards with guitar and bass guitar, Jones with guitar, Watts with drums and himself with organ on the track with producer Jimmy Miller adding backing vocals.
According to the book Keith Richards: The Biography by Victor Bockris, the line "I was born in a crossfire hurricane", was written by Richards, and refers to his being born amid the bombing and air raid sirens of Dartford, England, in 1943 during World War II.

![Small Faces - Tin Soldier (2026 Stereo Mix)
Tin Soldier is a song released by the English rock band Small Faces on 2 December 1967, written by Steve Marriott (credited to Marriott/Lane). The song peaked at number nine in the UK singles chart and number 38 in Canada. It has since been covered by many other notable rock artists.
Tin Soldier was originally written by Steve Marriott for singer P. P. Arnold, but Marriott liked it so much he kept it himself.[5] It was a song that he wrote to his first wife, Jenny Rylance. P. P. Arnold can be heard singing backing vocals on the song and also performed as guest singer at television recordings of the song. The song signalled a return to the bands R&B roots whilst continuing their forays into psychedelic rock and other musical experiments. When Tin Soldier was released the BBC informed the band that the last line of the song had to be removed from all TV and radio broadcasts, mistakenly believing that Marriott sang sleep with you, when in fact the lyric is sit with you. Marriott explained that the song was about getting into someones mind—not their body. Tin Soldier reached number nine in the UK Singles Chart and remains one of Small Faces best known songs.
Talking about the song, and the influence of his wife Jenny, Marriott stated:
The meaning of the song is about getting into somebodys mind—not their body. It refers to a girl I used to talk to all the time and she really gave me a buzz. The single was to give her a buzz in return and maybe other people as well. I dig it. Theres no great message really and no physical scenes.
The song seems to have been influenced by Hans Christian Andersens fairy tale The Steadfast Tin Soldier, the story of an imperfect tin soldiers desire for a paper ballerina. The opening lyric is I am a little tin soldier that wants to jump into your fire.
Upon reaching No. 73 in the U.S. with this single, their label Immediate Records abandoned its attempts to penetrate the American market. Tin Soldier would ultimately be the last song performed live by the Small Faces during their original incarnation; It was performed on 8 March 1969 at Springfield Ballroom (now demolished and replaced by the football stand of Springfield Stadium) in Jersey.
Steve Marriott – lead and backing vocals, acoustic and electric guitars
Ronnie Lane – bass guitar, backing vocals
Ian McLagan – acoustic and electric pianos, Hammond organ, backing vocals
Kenney Jones – drums
P. P. Arnold – backing vocals Small Faces - Tin Soldier (2026 Stereo Mix)](https://i.ytimg.com/vi/zs9jntOguHE/mqdefault.jpg)
![Bread - Baby Im-a Want You (2023 Remaster)
Baby Im-a Want You is a song by American soft rock band Bread. The single was released in October 1971 and became the title track for the album of the same name, released in January 1972.
It was one of Breads highest-charting singles in both the U.S. and UK. In the U.S., it reached No. 3 on the Billboard Hot 100 chart in November 1971, the third of Breads four top-five hits (Make It with You, No. 1 in 1970; If, No. 4 earlier in 1971; and Everything I Own, from the same album, No. 5 in 1972). Baby Im-a Want You reached the top of the Easy Listening chart and rose to No. 14 on the UK Singles Chart in February 1972.
Billboard called it a powerful ballad performance. Cash Box called it a soft ballad [that] returns Bread to their original sound. Record World said that with this song Bread returns to its original hit sound and the guys should back to the upper chart regions.
It was certified as a gold record by the RIAA. As with virtually all of the bands well-known recordings, the song was both written and produced by the bands lead vocalist, David Gates.
New remaster from the Bread Anthology. Bread - Baby Im-a Want You (2023 Remaster)](https://i.ytimg.com/vi/zx4Wi6vCd84/mqdefault.jpg)