Uploaded July 2024 | Updated September 2026, 2 weeks ago
"Rocky Mountain Way" is a 1973 song by rock guitarist Joe Walsh and his band Barnstorm, with writing credits given to all four band members: Walsh, Rocke Grace, Kenny Passarelli, and Joe Vitale. The song was originally released on the album The Smoker You Drink, the Player You Get.
Walsh appeared in studio on The Howard Stern Show on June 12, 2012, and talked about how the lyrics to the song came to him in 1972 shortly after releasing his first solo effort, Barnstorm.
"I'm living in Colorado and I'm mowing the lawn. I look up and there's the Front Range of the Rocky Mountains and there's snow on them in the summer. And it knocked me back because it was just beautiful. And I thought, 'Well I have committed. I'm already in Colorado and it's too late to regret the James Gang. The Rocky Mountain way is better than the way I had, because the music was better.' I got the words. Bam!"
Walsh has varied that story over the years, however, telling the Rocky Mountain News that he wrote the lyrics while recording the album at Caribou Ranch Recording Studio. The song features Walsh using a guitar talk box manufactured by sound engineer Bob Heil, inventor of the Heil high-powered talk box. The distinct tone "... gives Walsh's blues stomp a futuristic wave, as if a hulking mechanical beast was looming just over those rocky mountains."
The song was used as the title to Walsh's 1985 compilation album, which featured previously released singles and tracks from his albums Barnstorm, The Smoker You Drink, the Player You Get and So What.
In Jake Brown's 2014 book Behind the Boards II, producer Bill Szymczyk writes about how Walsh first came up with an instrumental "blues-shuffle" recorded at the Criteria studio, then stripped down to drums alone at the Caribou studio and rebuilt from there, adding lyrics to make the final version. Walsh is described as having layered about "six or seven" guitars on the recording, playing through a small amp with one Shure SM57 microphone aimed at it. Szymczyk says the thick guitar sound is from Walsh himself, not from studio trickery.
"Rocky Mountain Way" is a 1973 song by rock guitarist Joe Walsh and his band Barnstorm, with writing credits given to all four band members: Walsh, Rocke Grace, Kenny Passarelli, and Joe Vitale. The song was originally released on the album The Smoker You Drink, the Player You Get.
Walsh appeared in studio on The Howard Stern Show on June 12, 2012, and talked about how the lyrics to the song came to him in 1972 shortly after releasing his first solo effort, Barnstorm.
"I'm living in Colorado and I'm mowing the lawn. I look up and there's the Front Range of the Rocky Mountains and there's snow on them in the summer. And it knocked me back because it was just beautiful. And I thought, 'Well I have committed. I'm already in Colorado and it's too late to regret the James Gang. The Rocky Mountain way is better than the way I had, because the music was better.' I got the words. Bam!"
Walsh has varied that story over the years, however, telling the Rocky Mountain News that he wrote the lyrics while recording the album at Caribou Ranch Recording Studio. The song features Walsh using a guitar talk box manufactured by sound engineer Bob Heil, inventor of the Heil high-powered talk box. The distinct tone "... gives Walsh's blues stomp a futuristic wave, as if a hulking mechanical beast was looming just over those rocky mountains."
The song was used as the title to Walsh's 1985 compilation album, which featured previously released singles and tracks from his albums Barnstorm, The Smoker You Drink, the Player You Get and So What.
In Jake Brown's 2014 book Behind the Boards II, producer Bill Szymczyk writes about how Walsh first came up with an instrumental "blues-shuffle" recorded at the Criteria studio, then stripped down to drums alone at the Caribou studio and rebuilt from there, adding lyrics to make the final version. Walsh is described as having layered about "six or seven" guitars on the recording, playing through a small amp with one Shure SM57 microphone aimed at it. Szymczyk says the thick guitar sound is from Walsh himself, not from studio trickery.
![Pink Floyd - Matilda Mother (2025 Stereo Mix)
New stereo mix, applying AI extraction to the original stereo mix.
Matilda Mother is a song by the English rock band Pink Floyd, featured on their 1967 debut album, The Piper at the Gates of Dawn. Written by Syd Barrett, it is sung mostly by Richard Wright with Barrett joining in on choruses and singing the whole last verse. It was the first song recorded for the album.
The lyrics quote fragments of fairy tales as read from a book to the singer by his mother (read[ing] the scribbly black, referring to writing in a book as a child sees it), and in the chorus he implores her to tell me more. Matilda Mother represents a common theme in Barretts work: his nostalgia for childhood and awareness that it could not be regained.
Barrett originally wrote the song around verses from Hilaire Bellocs Cautionary Tales, in which a series of naughty children, including Matilda, receive their (often gruesome) comeuppance. He was forced to rewrite and re-record the track when Bellocs estate unexpectedly denied permission to use these lyrics. Pink Floyd - Matilda Mother (2025 Stereo Mix)](https://i.ytimg.com/vi/xP_smQwxRbI/mqdefault.jpg)








![Small Faces - Tin Soldier (2026 Stereo Mix)
Tin Soldier is a song released by the English rock band Small Faces on 2 December 1967, written by Steve Marriott (credited to Marriott/Lane). The song peaked at number nine in the UK singles chart and number 38 in Canada. It has since been covered by many other notable rock artists.
Tin Soldier was originally written by Steve Marriott for singer P. P. Arnold, but Marriott liked it so much he kept it himself.[5] It was a song that he wrote to his first wife, Jenny Rylance. P. P. Arnold can be heard singing backing vocals on the song and also performed as guest singer at television recordings of the song. The song signalled a return to the bands R&B roots whilst continuing their forays into psychedelic rock and other musical experiments. When Tin Soldier was released the BBC informed the band that the last line of the song had to be removed from all TV and radio broadcasts, mistakenly believing that Marriott sang sleep with you, when in fact the lyric is sit with you. Marriott explained that the song was about getting into someones mind—not their body. Tin Soldier reached number nine in the UK Singles Chart and remains one of Small Faces best known songs.
Talking about the song, and the influence of his wife Jenny, Marriott stated:
The meaning of the song is about getting into somebodys mind—not their body. It refers to a girl I used to talk to all the time and she really gave me a buzz. The single was to give her a buzz in return and maybe other people as well. I dig it. Theres no great message really and no physical scenes.
The song seems to have been influenced by Hans Christian Andersens fairy tale The Steadfast Tin Soldier, the story of an imperfect tin soldiers desire for a paper ballerina. The opening lyric is I am a little tin soldier that wants to jump into your fire.
Upon reaching No. 73 in the U.S. with this single, their label Immediate Records abandoned its attempts to penetrate the American market. Tin Soldier would ultimately be the last song performed live by the Small Faces during their original incarnation; It was performed on 8 March 1969 at Springfield Ballroom (now demolished and replaced by the football stand of Springfield Stadium) in Jersey.
Steve Marriott – lead and backing vocals, acoustic and electric guitars
Ronnie Lane – bass guitar, backing vocals
Ian McLagan – acoustic and electric pianos, Hammond organ, backing vocals
Kenney Jones – drums
P. P. Arnold – backing vocals Small Faces - Tin Soldier (2026 Stereo Mix)](https://i.ytimg.com/vi/zs9jntOguHE/mqdefault.jpg)
![Bread - Baby Im-a Want You (2023 Remaster)
Baby Im-a Want You is a song by American soft rock band Bread. The single was released in October 1971 and became the title track for the album of the same name, released in January 1972.
It was one of Breads highest-charting singles in both the U.S. and UK. In the U.S., it reached No. 3 on the Billboard Hot 100 chart in November 1971, the third of Breads four top-five hits (Make It with You, No. 1 in 1970; If, No. 4 earlier in 1971; and Everything I Own, from the same album, No. 5 in 1972). Baby Im-a Want You reached the top of the Easy Listening chart and rose to No. 14 on the UK Singles Chart in February 1972.
Billboard called it a powerful ballad performance. Cash Box called it a soft ballad [that] returns Bread to their original sound. Record World said that with this song Bread returns to its original hit sound and the guys should back to the upper chart regions.
It was certified as a gold record by the RIAA. As with virtually all of the bands well-known recordings, the song was both written and produced by the bands lead vocalist, David Gates.
New remaster from the Bread Anthology. Bread - Baby Im-a Want You (2023 Remaster)](https://i.ytimg.com/vi/zx4Wi6vCd84/mqdefault.jpg)