Uploaded September 2021 | Updated September 2026, 1 week ago
Arash Yazdani, may contain choking hazard (2020)
International Contemporary Ensemble
Levy Lorenzo, percussion & electronics
Nicholas Houfek & Adele Fournet, videographers
Felipe Wurst, video editor
Maciej Lewandowski, audio engineer
Produced in partnership between International Contemporary Ensemble and the Centre for Research in New Music (CeReNeM), University of Huddersfield, for the 2020–21 CeReNeM ‘Virtual’ Ensemble in Residence programme and the Re.Co.Lab (Remote Composers Laboratory) project of International Contemporary Ensemble
Arash Yazdani, may contain choking hazard (2020)
International Contemporary Ensemble
Levy Lorenzo, percussion & electronics
Nicholas Houfek & Adele Fournet, videographers
Felipe Wurst, video editor
Maciej Lewandowski, audio engineer
Produced in partnership between International Contemporary Ensemble and the Centre for Research in New Music (CeReNeM), University of Huddersfield, for the 2020–21 CeReNeM ‘Virtual’ Ensemble in Residence programme and the Re.Co.Lab (Remote Composers Laboratory) project of International Contemporary Ensemble
![James Bradbury: Refracted Touch [excerpt] (2019)](https://i.ytimg.com/vi/9UOjR94Cf2Y/mqdefault.jpg "James Bradbury: Refracted Touch [excerpt] (2019)
https://jamesbradbury.xyz/
http://www.elision.org.au/
http://www.cerenem.org/
James Bradbury: Refracted Touch [excerpt] (2019)
for electric lap steel guitar and electronics [world premiere]
Performed 29 April 2019, St Pauls Hall, University of Huddersfield, UK
Daryk Buckley | percussion
ELISION Ensemble
Film by Angela Guyton")
![Michael Winter: Over 300 years ago Leibniz predicted many current trends in music [12.10.2016]](https://i.ytimg.com/vi/AGnEr2EG2Bg/mqdefault.jpg "Michael Winter: Over 300 years ago Leibniz predicted many current trends in music [12.10.2016]
Michael Winter (the wulf, LA) discusses current trends in contemporary music predicted by Leibniz, including combinatorics, harmonic space, and computability
http://www.unboundedpress.org/
http://www.cerenem.org/")
![Aaron Cassidy: The wreck of former boundaries (2014-16) [TRAILER]](https://i.ytimg.com/vi/AmV1evBIWGs/mqdefault.jpg "Aaron Cassidy: The wreck of former boundaries (2014-16) [TRAILER]
Composer Aaron Cassidy and members of the ELISION Ensemble introduce his work The wreck of former boundaries during its rehearsal and performance at //hcmf2017. A recording of the work is available to purchase on Huddersfield Contemporary Records - HCR13CD The wreck of former boundaries.
https://www.nmcrec.co.uk/huddersfield-contemporary-records/wreck-former-boundaries
http://aaroncassidy.com/
http://www.elision.org.au/")
![Amnon Wolman: Composing space and social context as part of the sound [30.01.2018]](https://i.ytimg.com/vi/ArfnD_BArGM/mqdefault.jpg "Amnon Wolman: Composing space and social context as part of the sound [30.01.2018]
Composer Amnon Wolman discusses the notion of experimental music as a practice, and his approach to working within this practice, with regards to the role space and social context plays as part of sound.
https://www.amnonwolman.org/
http://www.cerenem.org/")
![Ben Hackbarth: AudioGuide – Creating new tools for authoring music [26.03.2019]](https://i.ytimg.com/vi/BEwTCZxx9r0/mqdefault.jpg "Ben Hackbarth: AudioGuide – Creating new tools for authoring music [26.03.2019]
Ben Hackbarth presents AudioGuide, a free program for concatenative synthesis that he collaboratively authored with researchers at IRCAM starting in 2011.
http://www.benhackbarth.com/audioGuide/
https://www.liverpool.ac.uk/music/staff/ben-hackbarth/
https://research.hud.ac.uk/institutes-centres/cerenem/projects/creativecodinglab/
Ill speak broadly about concatenative synthesis as a tool, arguing that, while this type of software can be seen as radical, it can also be seen as building off of ideas present in the acoustic composition tradition. Ill go through how the program works technically and highlight certain innovative aspects as well as certain aesthetic choices that we made. Finally, Ill provide several examples which enumerate ways the software can be extended, including writing for instruments (écriture musicale), working with synthesis and real-time processing, and working with film.")
