Uploaded March 2022 | Updated September 2026, 2 weeks ago
Anthony Edwin Phillips - Born 23 December 1951 (Chiswick, West London, UK)
Anthony PHILLIPS was one of the original founding members of GENESIS featuring Peter GABRIEL, Tony BANKS, and Michael RUTHERFORD. Following "Trespass", GENESIS' second album, PHILLIPS left (purportedly due to stage fright) and was replaced by Steve HACKETT. Nothing was heard again from Anthony until 1977, when he favored us with his first solo, "The Geese and the Ghost", although PHILLIPS wasn't the first member of the band to release a solo album (that honor goes to Steve HACKETT, by releasing "Voyage of the Acolyte", in 1975). A more commercial audience was courted on "Wise After The Event" and "Sides", to no avail, and PHILLIPS spent much of his time releasing instrumental pieces (both old and new) under the "Private Parts & Pieces" series. Steeped in classical, pre-Baroque, and folk influences, he was able to record entire albums featuring only his acoustic instrument. He is one of the world's masters on the twelve string guitar and piano compositions that hark back to GENESIS' original lost innocence. His studio recordings reveal a distinctive character to his compositions on those instruments as well.
Some of his albums are more "progessive" than others, especially "Sides" (INTERESTING CD), "Private Parts and Pieces II" (A MUST! for fans of early GENESIS), "PP&P IX", and "Wise After the Event" (A MASTERPIECE); others are more "classical" in style like "PP&P III", "PP&P V", "PP&P VI" or "poppy" like "Invisible Men" and a few tracks on "Sides". Anthony PHILLIPS' 1977 debut album is one of the best works, but all of them are excellent. This album (1977) by Ant is my second favorite PHILLIPS album after "Wise After the Event". Even more its a jewel for every Rock collection, but in its own particular genre (a mix of those quiet moments of "Trespass" of GENESIS+the medieval folkprog style by GRYPHON). As you well have gathered, "Anthology" (1995) is an album that has a compilation of tracks from his solo career. This album is the perfect introduction to the world of Anthony PHILLIPS.
Sides
Sides is the fourth studio album by English musician and composer Anthony Phillips. It was released in April 1979 by Arista Records in the United Kingdom and in June 1979 on Passport Records in the United States. After completing Private Parts & Pieces (1978), an album of home recordings that Phillips had recorded years before but remained unreleased, Phillips returned to making a commercial record. The UK release saw the first 5,000 copies of Sides packaged with a Collectors Album edition of Private Parts & Pieces
Track listing
All songs and lyrics by Anthony Phillips except where indicated.
Side one ("First half")
- 1. "Um & Aargh"
- 2. "I Want Your Love"
- 3. "Lucy Will"
- 4. "Side Door"
- 5. Holy Deadlock" (Anthony Phillips, Martin Hall)
Side two ("Second half")
- 1. "Sisters of Remindum"
- 2. "Bleak House"
- 3. "Magdalen"
- 4. "Nightmare"
Personnel
Music
- Anthony Phillips (aka "The Vicar" and "Vic Stench"): Guitars, Keyboards, Lead Vocals on "Um & Aargh", "Lucy Will", and "Holy Deadlock", Cellos on "Lucy Will", Bass on "Bleak House"
- Michael Giles: Drums
- John G. Perry: Bass Guitar
- Dale Newman: Lead Vocals on "Bleak House"
- Dan Owen: Lead Vocals on "Side Door" and "I Want Your Love"
- Ray Cooper: Percussion
- Frank Ricotti: Timpani
- Morris Pert: Monotroch, Congas on "Lucy Will"
- Mel Collins: Tenor Saxophone on "Side Door"
- "Ralph Bernascone": Lead vocals on "Nightmare"
- Rupert Hine (aka "Humbert Ruse"): Percussion on "Lucy Will", Cor Anglais on "Sisters of Remindum"
Production
- Rupert Hine: Production
- Richard Austin: Engineering at Essex Studios
- Andy "Poppadom" Pierce: Engineering assistance at Essex Studios
- Nick Bradford: Engineering at Matrix Studios
- Jess "Herbie" Sutcliffe: Engineering assistance
- Steve Short: Mixing at Trident Studios
- Colin Green: Mixing
- John Brand: Mixing
- Mick Shilton-Poole: Equipment
- Peter Cross: Artwork
- Robert Ellis: İnside Cover Photography
- Hit & Run Music, Ltd.: Management
- Tony Smith: Management
Source
- en.wikipedia.org/wiki/Sides_(album)
- progarchives.com/artist.asp?id=779
Website
- anthonyphillips.co.uk
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Anthony Edwin Phillips - Born 23 December 1951 (Chiswick, West London, UK)
Anthony PHILLIPS was one of the original founding members of GENESIS featuring Peter GABRIEL, Tony BANKS, and Michael RUTHERFORD. Following "Trespass", GENESIS' second album, PHILLIPS left (purportedly due to stage fright) and was replaced by Steve HACKETT. Nothing was heard again from Anthony until 1977, when he favored us with his first solo, "The Geese and the Ghost", although PHILLIPS wasn't the first member of the band to release a solo album (that honor goes to Steve HACKETT, by releasing "Voyage of the Acolyte", in 1975). A more commercial audience was courted on "Wise After The Event" and "Sides", to no avail, and PHILLIPS spent much of his time releasing instrumental pieces (both old and new) under the "Private Parts & Pieces" series. Steeped in classical, pre-Baroque, and folk influences, he was able to record entire albums featuring only his acoustic instrument. He is one of the world's masters on the twelve string guitar and piano compositions that hark back to GENESIS' original lost innocence. His studio recordings reveal a distinctive character to his compositions on those instruments as well.
Some of his albums are more "progessive" than others, especially "Sides" (INTERESTING CD), "Private Parts and Pieces II" (A MUST! for fans of early GENESIS), "PP&P IX", and "Wise After the Event" (A MASTERPIECE); others are more "classical" in style like "PP&P III", "PP&P V", "PP&P VI" or "poppy" like "Invisible Men" and a few tracks on "Sides". Anthony PHILLIPS' 1977 debut album is one of the best works, but all of them are excellent. This album (1977) by Ant is my second favorite PHILLIPS album after "Wise After the Event". Even more its a jewel for every Rock collection, but in its own particular genre (a mix of those quiet moments of "Trespass" of GENESIS+the medieval folkprog style by GRYPHON). As you well have gathered, "Anthology" (1995) is an album that has a compilation of tracks from his solo career. This album is the perfect introduction to the world of Anthony PHILLIPS.
Sides
Sides is the fourth studio album by English musician and composer Anthony Phillips. It was released in April 1979 by Arista Records in the United Kingdom and in June 1979 on Passport Records in the United States. After completing Private Parts & Pieces (1978), an album of home recordings that Phillips had recorded years before but remained unreleased, Phillips returned to making a commercial record. The UK release saw the first 5,000 copies of Sides packaged with a Collectors Album edition of Private Parts & Pieces
Track listing
All songs and lyrics by Anthony Phillips except where indicated.
Side one ("First half")
- 1. "Um & Aargh"
- 2. "I Want Your Love"
- 3. "Lucy Will"
- 4. "Side Door"
- 5. Holy Deadlock" (Anthony Phillips, Martin Hall)
Side two ("Second half")
- 1. "Sisters of Remindum"
- 2. "Bleak House"
- 3. "Magdalen"
- 4. "Nightmare"
Personnel
Music
- Anthony Phillips (aka "The Vicar" and "Vic Stench"): Guitars, Keyboards, Lead Vocals on "Um & Aargh", "Lucy Will", and "Holy Deadlock", Cellos on "Lucy Will", Bass on "Bleak House"
- Michael Giles: Drums
- John G. Perry: Bass Guitar
- Dale Newman: Lead Vocals on "Bleak House"
- Dan Owen: Lead Vocals on "Side Door" and "I Want Your Love"
- Ray Cooper: Percussion
- Frank Ricotti: Timpani
- Morris Pert: Monotroch, Congas on "Lucy Will"
- Mel Collins: Tenor Saxophone on "Side Door"
- "Ralph Bernascone": Lead vocals on "Nightmare"
- Rupert Hine (aka "Humbert Ruse"): Percussion on "Lucy Will", Cor Anglais on "Sisters of Remindum"
Production
- Rupert Hine: Production
- Richard Austin: Engineering at Essex Studios
- Andy "Poppadom" Pierce: Engineering assistance at Essex Studios
- Nick Bradford: Engineering at Matrix Studios
- Jess "Herbie" Sutcliffe: Engineering assistance
- Steve Short: Mixing at Trident Studios
- Colin Green: Mixing
- John Brand: Mixing
- Mick Shilton-Poole: Equipment
- Peter Cross: Artwork
- Robert Ellis: İnside Cover Photography
- Hit & Run Music, Ltd.: Management
- Tony Smith: Management
Source
- en.wikipedia.org/wiki/Sides_(album)
- progarchives.com/artist.asp?id=779
Website
- anthonyphillips.co.uk
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![The Baytovens - My House (US Garage Rock Recorded June 14 & June 21, 1966 / Released 2020)
The Baytovens Biography by Stansted Montfichet
Virtual unknowns in the rock pantheon, this San Francisco Bay-area quartet cut only one record the single Waiting for You b/w Such a Fool (Belfast 67-1001, 1967) yet demonstrated a melodic sophistication rivaled by few contemporaries. The Baytovens consisted of brothers Jon and Rich Green (lead and bass guitar, respectively), Carl DePolo (drums) and Dwight Pitcaithley (rhythm guitar). Finalists at the Cow Palace Band Bash on April 5, 1966, the group was also featured at a Paul Revere And The Raiders gig at the Oakland Auditorium that same month, as well as a KFRC-sponsored show at the College of San Mateo on October 15th. An L.A. recording session followed, and in February 1967 the aforementioned tracks made their debut. Pitcaithleys Waiting for You owes more than a passing nod to a certain Fab Foursome, while Such a Fool (graced by haunting minor-key arpeggios) tips its hat to The Beau Brummels. Long out of print, these tracks are slated for eventual rerelease in the 60s anthology series Nuggets from the Golden State (Ace/Big Beat Records). An unreleased, possibly earlier single, My House b/w Luv Look Away, is also rumored to exist.
Discography
- Such a Fool / Waiting for You (1967)
- My House / Luv Look Away ( Recorded June 14 & June 21, 1966 / Released 2020)
V/A Compilation
- You Got Yours!: East Bay Garage 1965-1967 (2007)
Bootleg / Unauthorized
- Appears on: Various Artists - Acid Dreams From the Globe (2020)
My House b/w Luv Look Away
Credits
- Bass, Vocals – Rich Green
- Design [Inside And Sleeve Designed By] – Greg Gutbezahl
- Design [Mojo-Bone Logo And Label Designed By] – Adam Greiss
- Drums, Vocals – Carl DePolo
- Engineer – Leo de Gar Kulka
- Executive-Producer – Birdman
- Guitar, Vocals – Jon Green
- Liner Notes – Alec Palao
- Organ, Guitar, Vocals – Dwight Pitcaithley
- Photography By – Larry White
- Producer – Larry White
- Supervised By [Reissue Supervision By] – Alec Palao
- Written-By – D. Pitcaithley
Notes
Recorded June 14 & June 21, 1966 - previously unreleased on vinyl.
Source
- https://www.allmusic.com/artist/the-baytovens-mn0000950190#biography
- https://www.discogs.com/release/15978032-The-Baytovens-My-House-bw-Luv-Look-Away
- https://rateyourmusic.com/artist/the-baytovens
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![October - Nero (US Jazz Rock/Fusion 1979)
One of the most obscure United States acts from the 70s, OCTOBER were based in Detroit and released two albums with the same line-up on which they showcased an unique mix of symphonic rock and fusion; symphonic elements often realized from the use of diferent keyboards and both acoustic and electric violins. These original privately pressed LPs were made in very small numbers (the album After The Fall in 50 copies or less even had hand painted covers), so its no surprise that there are a few re-releases on CD where their legitimacy is doubtful. Until an official release is made though, this might be the only way to hear this interesting band.
Discography
Albums
- After The Fall (1979)
- October (1979)
October (1979)
Trackslist
- A1. Corean Holiday (Written-By – Krench)
- A2. Aquarium Ballroom (Written-By – Tolinski, Rozany)
- A3. Ghosts (Written-By – Tolinski)
- A4. Nero (Written-By – Tolinski, Rozany)
- B1. Beyond The Treeline (Written-By – Tolinski)
- B2. Mainspring (Written-By – October)
- B3. Egyptian Lullaby (Written-By – Krench)
Companies, etc.
- Jon Anthony Music: Published By
- Charisma Sounds Recording Studio: Recorded At
Credits
- Mark Sterling: Classical Guitar, Acoustic Guitar (7) (tracks: A1)
- Jeff Rozany: Electric Bass, Acoustic Bass, Vocals
- Mark Sterling: Classical Guitar, Acoustic Guitar (7)
- Brad Tolinski: Electric Guitar, Acoustic Guitar (tracks: A2)
- Mark Krench: Electric Piano, Piano, Recorder, Synthesizer
- Brad Tolinski: Electric Violin, Violin, Artwork
- Mark Krench: Soloist [Synthesizer] (tracks: B3) Synthesizer [Mini Moog, Moog Sonic Six, Micro Moog, Elka Strings],
- Pat Carson: Drums, Percussion
- Jon A. Jarvis: Executive-Producer, Engineer [Recording]
- Eric Ambler: Co-producer [Associate]
Notes
Recorded November 78 at Charisma Sounds Recording Studio, Dearborn, MI.
Source
- http://www.progarchives.com/artist.asp?id=7702
- https://www.discogs.com/artist/3381279-October-7
- https://www.discogs.com/release/5227995-October-October
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![Tea - Cool In The Morning (Switzerland Heavy Prog 1974)
TEA is a heavy progressive rock band formed in 1971 in Switzerland. The founding members were drummer Roli EGGLI, guitarist Armand VOLKER, and bassist and vocalist Turo PASHAYAN. The bands name is derived from these three members first initials. In 1972, the band augmented their lineup with lead singer Mark STORACE. The band heavily toured in Switzerland and France, earning a name for themselves before they had even released any material, which led to them landing a spot on television, unheard of for many bands in their day, in 1973. In 1974, the band finally began to release music, beginning with a few singles that led up to, although they were not included on, the bands debut self-titled album in 1974. After the albums release, they even toured with international superstars QUEEN as the bands special guests.
1975 saw the bands second album, The Ship, The album protracted a similar positive buzz as the first album, with many positive reviews published about the album. The band again toured across Europe. In 1976 the band released their third album, Tax Exile. Yet another European tour commenced, which even included singer STORACES native Malta. Although the band had enjoyed great success up to that point, the band played their last concert in 1977.
In 2007, however, EGGLI, VOLKER, and STORACE began thinking about a reunion. The band began rehearsing as a trio, as KIENHOLZ declined to be included in the band and PASHAYAN was discovered to be in a German prison due to fraud charges. 30 years after the bands dissolvement, the band released their fourth album Reloaded, which was a retrospective album that included lesser known works non-album tracks. The band began to play shows again in December of 2009 again, with Chris EGGER on keyboards and Dan ALLENSPACH on bass.
::::Andy Webb, Andyman1125::::
Discography
Albums
- Tea (1974)
- The Ship (1975)
- Tax Exile (1976)
Singles & EPs
- Good Times / Judy (1974)
- Summer In The City (Written-By – J. Sebastian) / Hold Me, Save Me (Written-By – Dierks, Storace) (1975)
- Alexandra (Written-By – T. Paschayan) / Winter Days (Written-By – A. Volker) (1976)
Compilations
- Best Of Tea Vol. I (1978)
- Reloaded (2009)
Appears On
- DJ Mix • Andy Votel - Vertigo Mixed (2005)
V/A Compilation
-Pink Boots & Lipstick 10 (Rare Glam & Bubblegum From the 70s) (2016)
Miscellaneous
- TEA – Mach Die Welt Bunt (2015)
Tea (1974)
Tracklist
- A1. Cool In The Morning
- A2. Glorimont
- A3. Hatred Or Love
- B1. Surfer
- B2. Hazy Colours
- B3. Lady
Credits
- Bass, Twelve-String Guitar [12-Strings], Vocals – Turo Paschayan
- Drums, Percussion – Roli Eggli
- Electric Guitar, Acoustic Guitar, Vocals – Armand Volker
- Engineer – Dieter Dierks
- Engineer [Assistant] – Heiner Friesz
- Keyboards, Vocals – Philippe Kienholz
- Lead Vocals, Percussion – Mark Storace
- Producer [Production By] – Dieter Dierks
- Written-By, Arranged By – Tea
Notes
- Recorded at Dierks-Studios
- A Breeze-Production by Dieter Dierks
- Herausgeber: Phonogram GmbH., Hamburg
Source
- https://www.progarchives.com/artist.asp?id=6699
- https://www.discogs.com/artist/393499-Tea
- https://www.discogs.com/release/2159173-Tea-Tea
- https://rateyourmusic.com/artist/tea
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![Dulcimer - To Need Her (UK Folk Rock&Progressive Folk Recorded 1971 / Released 1992)
Founded In
Gloucestershire, England, United Kingdom
Originally formed in 1967 as Kelpie, Dulcimer consisted of Dave Eaves and Pete Hodges on vocals and guitar, and bassist Jem North. They were originally discovered playing in a Cotswold, Worcestershire restaurant by the British actor Richard Todd in 1970, and subsequently signed by manager Larry Page (yes, the guy who was behind The Troggs), at that time in the process of setting up his own label Nepentha Records. The trio debuted with 1971s oddly titled And I Turned As I Had As a Boy produced by Page and released on Nepentha (Mercury acquiring American distribution rights). Best described as acoustic folk-rock, it attracted favourable reviews for its intriguing blend of English folk (including several references to the groups local Cotswolds environment) and varied instrumentation. Melody Maker magazine, in particular, was effusive, comparing the duo favourably with Simon And Garfunkel. The album additionally featured Richard Todd reading poetry on two of the tracks. It sold well in the USA, Europe and Japan, and the group embarked on recording sessions for their second album, a more rock-orientated affair. Though artwork and packaging were completed, the album was never released, and Eaves and Hodge returned Dulcimer to a semi-professional footing thereafter.
A further small-label album was issued in 1980, A Land Fit For Heroes, jointly credited to local writer Fred Archer who appeared on the recordings. Afterwards Eaves concentrated on his furniture business and Hodge on landscape gardening. Jem North returned to driving lorries. However, due to residual interest in Dulcimer, the central duo reformed the band in 1993 to enter the studio once again. When A Child … was released on President Records and returned to the groups evocative rural style. This was followed by a second comeback set in 1995, Robs Garden, recorded at their own cottage studio. As with each of their earlier releases, there was a strong undercurrent of literature in this project, Creation - The Poet And The Fire Bird concerning a meeting between Igor Stravinsky and Dylan Thomas.
Edited by activewaste on 4 April 2009, 9:57pm
Discography
Albums
- And I Turned As I Had Turned As A Boy... (1971)
- Fred Archer & Dulcimer - A Land Fit For Heroes (Recorded 1973 / Released 1980)
- Room For Thought (Recorded 1971 / Released 1992)
- When A Child... (1993)
- Robs Garden (1995)
- Into The Light... (1997)
Singles & EPs
- Lisas Song / Lisas Song (1971)
Room For Thought (Recorded 1971 / Released 1992)
Tracklist
- 1. To Need Her
- 2. Statues In Maryland
- 3. Mr. Rip Van Winkle
- 4. The Planters Cottage
- 5. Running On Down The Road
- 6. Empty Hallways
- 7. Grey Lady Morning
- 8. Missing In The Head
- 9. Mr. Time
- 10. Sandalwood Sailors
- 11. Scarlet Lady
- 12. But Maybe Not
Credits
- Jem North: Bass, Percussion
- Dave Eaves: Vocals, Strings
- Pete Hodge: Vocals, Strings
- Dulcimer: Written-by [All Compositions By]
- Larry Page: Producer
- Denis Blackham: Remastered By [Digitally]
Notes
Recorded in London 1971.
Source
- https://www.last.fm/music/Dulcimer/+wiki
- https://www.discogs.com/artist/145975-Dulcimer-2
- https://www.discogs.com/release/2653595-Dulcimer-Room-For-Thought
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![Merkin - Watching You (US Psychedelic Rock 1973)
In most corners of America in late 1960s, kids were growing their hair long and partaking in the cultural explosion of the times. Utah, on the other hand, remained staunchly Mormon and conservative. Amid that atmosphere, Merkin sprang out of the small town of Orem. Rocky Baum and Ralph Hemingway were high school friends, and occasionally, Hemingway would sing along with Baums guitar playing as something of a lark. By the summer of 1969, after a few years of playing together, the duo felt the absence of a backbeat, so they set out to make the twosome a rock band. Drummer Alan Newell, bassist Kent Balog, and guitarist Doug Hinkins were added to fill out the combo, and they came up with the odd name Merkin, derived either from the dictionary or from an obscure B-movie. The band rehearsed at Hinkins house, playing cover versions of popular songs. Soon they were writing original material, most of it composed by Baum, and with the addition of schoolmate Rod Olsen as manager, the band began attaining gigs at local high schools, colleges, and other assorted youth hangouts. Newell was replaced by Balogs twin brother Gary in 1970, and Robert Barney replaced Hinkins as lead guitarist. Richard Leavitt was also added on keyboards to round out the Merkin sound. In 1971, the band recorded a live demo that caught the attention of Gay Young of Kommittee Productions, and a recording session was arranged for the band in Los Angeles in 1972. The subsequent album, Music from Merkin Manor, was recorded in four days and gained some airplay in San Francisco, enabling the band to tour Colorado, but the album was not officially released (in a pressing of only 200) until early 1973, by which time Merkin had returned to Utah, and any commercial momentum was stifled. In addition, Baum had received sole songwriting credit on the album, infuriating the rest of the band. He was asked to leave, and Merkin limped on, finally calling it quits in 1974.
Music from Merkin Manor is a strangely interesting album, as might be expected from a group of young longhairs playing a combination of psychedelic, country, and hard rock in smalltown Utah in the early 1970s. The album opens up with Ruby, a song on which Merkin sound something like the Association on acid singing harmonies that sound slightly off-kilter while being backed by Blue Öyster Cult. Odd, to say the least. There are many recognizable influences on the album, but many of the influences wouldnt seem as if they should be within miles of each other. As a result, a song such as Take Some Time has the druggy ambience of early-70s stoner rock moving into pop verses, before it somehow evolves into a jazz jam. Todaze again sounds not unlike the Association (a comparison that consistently holds throughout the album) in terms of the vocals, but only if that pop act was backed by a groovy hard rock band fronted by Carlos Santana that was capable of shifting rhythms at the drop of a dime. Sweet Country, just as the title implies, tries on country-rock without batting an eye, and many of the songs graft similarly across-the-board influences together, and somehow generally do so in a tidy pop song framework of three to four minutes. It is terribly intriguing to listen to at least once, but unfortunately, the influences simply do not jibe well enough most of the time to sustain any sense of enjoyment or appreciation for the music. The album showed promise, but was far too haphazard to make much of an impression. Rocky Baum showed a nice flair for quirky songwriting, and when it worked, it worked well, but sonically Music from Merkin Manor is only half-baked.
Discography
Albums
- Music From Merkin Manor (1973)
V/A Compilation
- Psychedelic Sampler (2001)
- Paul Major: Feel the Music Vol. 1 (2017)
Music From Merkin Manor (1973)
Tracklist
- A1. Ruby
- A2. Take Some Time
- A3. Todaze
- A4. Sweet Country
- A5. Goodbye
- B1. Watching You
- B2. Feelin Kind A Down
- B3. The Right One
- B4. Here Together
- B5. Walkin
Credits
- Bass Guitar – Kent Balog
- Coordinator [Production Co-Oordinator] – John S.A. Larmer
- Design [Cover] – Ambiart
- Drums, Percussion – Gary Balog
- Engineer – Rolf Erickson
- Graphics – Bruce Sutherland, Sandy Sutherland
- Keyboards – Richard Leavitt
- Lacquer Cut By – THM (tracks: A1 to A5)
- Lead Guitar – Robert Barney
- Lead Vocals – Ralph Hemingway
- Management [Personal Management] – Rod Olsen
- Musical Assistance [Vocal Arrangement Assistance] – Joe Webber
- Producer, Arranged By – Gary Young
- Rhythm Guitar, Vocals,Written-By (tracks: A1 to B5– Rocky Baum)
Source
- https://musicfrombutterfly.blogspot.com/2013/04/merkin-manor-psych-country-jazz-rock-usa.html
- https://www.discogs.com/release/5582683-Merkin-Music-From-Merkin-Manor
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![Shark Move - Evil War (Indonesia Symphonic Prog 1970)
Sharkmove was established in Bandung, West Java, Indonesia in 1970 by Benny Soebardja (lead guitarist and vocals) who also wrote songs titled My Life, Butterfly, Evil War, and Insan. Benny, at that time was
registered as student at the Faculty of Agriculture, Padjadjaran University. He invited his best friend, Soman Loebis, a student at ITB (Bandung Institute of Technology) to join Sharkmove as keyboard player as well as percussion. He then contributed writing one song Bingung for the bands debut and only album Ghede Chokras.
They then recruited one of the best bassists in Bandung, Janto and also drummer: Sammy. Janto wrote two songs: Harga and Madat. The music of the band was then recorded in the Musica Studio, one of the well-known label in Indonesia until today, and sponsored by Bhagu Ramchand, an Indian with Indonesian nationality. The contribution of Bhagu was significant as he contributed financial support as well as ideas to make the one and only album of Sharkmove Ghede Chokras became a reality. The band was considered as pioneer in Indonesian rock scene by combining rock music with traditional harmonies and progressive sounds.
Some songs in the album were written using English lyrics while at that time most of Indonesian played sweet music and Indonesian lyrics. It was considered as experimental in the way the album was made. Right after the release of this album in 1970, the band performed frequent gigs in Indonesian big cities like Bandung, Jakarta (capital city), Palembang, and others.
At the end of 1970, a tragic event occurred when Soman Loebis passed away due to traffic accident in Jakarta and Benny Soebardja decided to stop the band and all of its related activities because at that time it was quite difficult to find Somans replacement who could play keyboards as good as him.
After approximately 6 months in vacuum, Benny Soebardja went back to rock music by mid of 1971 and formed a new band called GIANT STEP which was one of important rock bands in Indonesia during the glory days of 70s and 80s.
(The write-up was originally written by Benny Soebardja on October, 2006 as appeared at the remasters sleve notes; modified a bit by Gatot Widayanto - a die hard fan of Sharkmove, Honorary Collaborator of http://www.progarchives.com, Chairman of i-Rock!, Indonesian Rock Music Community)
Why this artist must be listed in www.progarchives.com :
Sharkmoves music is unique as it combines progressive rock with traditional harmonies and its quite original. By that time (1970) there was no major prog releases from Yes, Genesis (Fragile was note releases yet, Foxtrot was not released yet) but this Indonesian prog band proved their capability to compose their own materials. King Crimson In The Court of The Crimson King was already released but Ghede Chokras did not seem to take the influence from King Crimson a lot.
Discography
Album
- Ghede Chokras (1970)
Appears On
- Billy Goat Latin [selector comp] (2011) • Mixtape • Various Artists
V/A Compilation
- Those Shocking Shaking Days (2011)
Ghede Chokras (1970)
Songs / Tracks Listing
- 1. My Life
- 2. Butterfly
- 3. Harga
- 4. Evil War
- 5. Bingung
- 6. Insan
- 7. Madat
Line-up / Musicians
- Benny Soebardja: Vocals, Lead Guitar, Sings on My Life and Butterfly
- Soman Loebis: Vocals, Keyboards, Piano, Percussion, Sings on Bingung
- Janto Diablo: Vocals, Bass, Flute, Sings on Harga, Madat, My Life, Butterfly
- Sammy Zakaria: Srums, Sings on Insan
- Bhagu Ramchand: Promotion, Sings on Evil War
Releases information
- Originally was recorded in Musica Studio (January 2, 1970), distributed throughout Indonesia in LP and cassette format.
- At the end of 2006, Ghede Chokras was re-mastered at Pendulum Studio, Jakarta (Indonesia) and was then issued by Shadoks Music
(Germany) in 2007 for LP and CD format.
Source
- http://www.progarchives.com/artist.asp?id=3670
- http://www.progarchives.com/album.asp?id=18350
- https://rateyourmusic.com/artist/shark_move
This video didnt upload for monetization. If you think this video violates the law of copyright please contact with me through email instead of contact with YouTube. Shark Move - Evil War (Indonesia Symphonic Prog 1970)](https://i.ytimg.com/vi/lDZzcwgBBeE/mqdefault.jpg)