Uploaded February 2022 | Updated September 2026, 2 weeks ago
One of the leading folk groups to call Montreal 'home' at the dawn of the 1970s, Tapestry was the brainchild of Jack Winters, Along with Judy Harmon and Heather Woodburn, the trio worked their way into a deal with Polydor, releasing their self-titled debut album, and the single, "Love Me Brother". Produced by The Bells' Cliff Edwards, it got enough attention to land on the now highly regarded compilation, the first in the "Maple Music" series.
Recpetion was good and trying to expand musically, Winters stepped in as producer, and the follow-up "Country Music" got decent airplay, they rode the wave of some of the biggest festivals, including the Maple Music Junket. The follow-up single "The Music Doesn't Seem To Be Going Anywhere" followed and they even landed a gig at Hugh Hefner's Playboy Club before the end of the year.
But by the spring of '73 Harmon left, leaving Winters and Woodburn (who'd by now gotten married) to carry on with session players for their first full album, DOWN BY THE MAPLE RIVER. Recorded at Quebec Sound Studios in Montreal and released that summer, Winters again produced, and "Everything Is Bringin' Me Down" was pushed prior to the lp's light of day. High hopes disappointed, and the title track didn't really do much better. Musically, critics said the album was too polished, despite some listenable moments in "Oldtimer" and "Cowboy Song.".
Polydor released one more single, "California" but other sounds were taking over and the duo called it quits. The label released "I Need Your Lovin'" under the name 'Winters' before the end of the year. Engineered by Leon Aaronson (who'd been working on the last few years' worth of recordings, and Ron Capone handling strings arrangement, it featured both long and short versions, but went nowhere."
Winters continued to work for Polydor, teaming with Aaronson again for Sonora's "See Me Run" in '75. Winters also did some jingles and dabbled in other projects over the years, including studio work with Solstice in 2010. That same year, Tapestry's only album was re-released, with "California" added as a bonus.
With notes from Leon Aaronson, Jaimie Vernon
Discography
Albums
- Down By Maple River (1973)
Singles & EPs
- Love Me Brother / Coming Into Los Angeles (1972)
- The Music Doesn't Seem To Be Going Anywhere / I Believe In Loving You (1972)
- Love Me Brother (Written-By – Jack Winters) / Coming Into Los Angeles
(Arranged By – Peter Mann Written-By – Arlo Guthrie) (7", Single, Mono) (1972)
- Country Music / Begin With You & Me (7", Single, Mono) (1972)
- California / Silver Bird (1973)
- Everything Is Bringin' Me Down (Runnin' From The Years) / Everything Is Bringin' Me Down (Runnin' From The Years) (1973)
- Down By Maple River / (7", Single, Mono) (1973)
- Down By Maple River / Cowboy Song (1973)
V/A Compilation
- Maple Music Vol. 1 (1972)
Down By Maple River (1973)
Tracklist
- A1. Everything Is Bringin' Me Down (Runnin' From The Years)
- A2. Oldtimer
- A3. Lonely Trip Back
- A4. I Wish I Was Going Back Home
- A5. Down By Maple River
- B1. Years Goin' By
- B2. Dance (Till The Mornin' Comes)
- B3. Cowboy Song
- B4. He Has Changed
- B5. Silverbird
Bonus re-release (2010):
- California
Credits
- Heather Winters: Vocals (tracks: A1 - A5, B1 - B3, B5)
- Jack Winters: Acoustic Guitar (tracks: A1, A4, A5, B1 - B4), Electric Guitar (tracks: A2), Vocals (tracks: A1 - A5, B1 - B3, B5), Written-By, Producer
- Dougie Trineer: Acoustic Guitar (tracks: B3)
- J. P. Lauzon: Acoustic Guitar (tracks: A3), Electric Guitar (tracks: B1, B2, B4) , Slide Guitar (tracks: A1)
- Ross Holloway: Backing Vocals (tracks: A3, A5), Harmonica (tracks: A4)
- Don Habib: Bass (tracks: A1, A2, A4, B2)
- Florien Richard: Bass (tracks: A5, B1, B3, B4)
- David Glead: Electric Bass (tracks: A2)
- Ron Dan: Steel Guitar (tracks: A1, A3, A5)
- Richard Provençal: Drums (tracks: A1, A2, A5, B1 - B4)
- Leon Aronson: Organ (tracks: B4) , Piano tracks: B2, B5) ,Arranged By (tracks: A4)
- Claude Demers: Synthesizer (tracks: B2)
- Cliff Edwards: Producer (tracks: A4)
- Ian Terry: Engineer
Source
- canadianbands.com/Tapestry.html
- discogs.com/artist/1225483-Tapestry-3
- discogs.com/release/5353266-Tapestry-Down-By-Maple-River
- rateyourmusic.com/artist/tapestry_f2
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One of the leading folk groups to call Montreal 'home' at the dawn of the 1970s, Tapestry was the brainchild of Jack Winters, Along with Judy Harmon and Heather Woodburn, the trio worked their way into a deal with Polydor, releasing their self-titled debut album, and the single, "Love Me Brother". Produced by The Bells' Cliff Edwards, it got enough attention to land on the now highly regarded compilation, the first in the "Maple Music" series.
Recpetion was good and trying to expand musically, Winters stepped in as producer, and the follow-up "Country Music" got decent airplay, they rode the wave of some of the biggest festivals, including the Maple Music Junket. The follow-up single "The Music Doesn't Seem To Be Going Anywhere" followed and they even landed a gig at Hugh Hefner's Playboy Club before the end of the year.
But by the spring of '73 Harmon left, leaving Winters and Woodburn (who'd by now gotten married) to carry on with session players for their first full album, DOWN BY THE MAPLE RIVER. Recorded at Quebec Sound Studios in Montreal and released that summer, Winters again produced, and "Everything Is Bringin' Me Down" was pushed prior to the lp's light of day. High hopes disappointed, and the title track didn't really do much better. Musically, critics said the album was too polished, despite some listenable moments in "Oldtimer" and "Cowboy Song.".
Polydor released one more single, "California" but other sounds were taking over and the duo called it quits. The label released "I Need Your Lovin'" under the name 'Winters' before the end of the year. Engineered by Leon Aaronson (who'd been working on the last few years' worth of recordings, and Ron Capone handling strings arrangement, it featured both long and short versions, but went nowhere."
Winters continued to work for Polydor, teaming with Aaronson again for Sonora's "See Me Run" in '75. Winters also did some jingles and dabbled in other projects over the years, including studio work with Solstice in 2010. That same year, Tapestry's only album was re-released, with "California" added as a bonus.
With notes from Leon Aaronson, Jaimie Vernon
Discography
Albums
- Down By Maple River (1973)
Singles & EPs
- Love Me Brother / Coming Into Los Angeles (1972)
- The Music Doesn't Seem To Be Going Anywhere / I Believe In Loving You (1972)
- Love Me Brother (Written-By – Jack Winters) / Coming Into Los Angeles
(Arranged By – Peter Mann Written-By – Arlo Guthrie) (7", Single, Mono) (1972)
- Country Music / Begin With You & Me (7", Single, Mono) (1972)
- California / Silver Bird (1973)
- Everything Is Bringin' Me Down (Runnin' From The Years) / Everything Is Bringin' Me Down (Runnin' From The Years) (1973)
- Down By Maple River / (7", Single, Mono) (1973)
- Down By Maple River / Cowboy Song (1973)
V/A Compilation
- Maple Music Vol. 1 (1972)
Down By Maple River (1973)
Tracklist
- A1. Everything Is Bringin' Me Down (Runnin' From The Years)
- A2. Oldtimer
- A3. Lonely Trip Back
- A4. I Wish I Was Going Back Home
- A5. Down By Maple River
- B1. Years Goin' By
- B2. Dance (Till The Mornin' Comes)
- B3. Cowboy Song
- B4. He Has Changed
- B5. Silverbird
Bonus re-release (2010):
- California
Credits
- Heather Winters: Vocals (tracks: A1 - A5, B1 - B3, B5)
- Jack Winters: Acoustic Guitar (tracks: A1, A4, A5, B1 - B4), Electric Guitar (tracks: A2), Vocals (tracks: A1 - A5, B1 - B3, B5), Written-By, Producer
- Dougie Trineer: Acoustic Guitar (tracks: B3)
- J. P. Lauzon: Acoustic Guitar (tracks: A3), Electric Guitar (tracks: B1, B2, B4) , Slide Guitar (tracks: A1)
- Ross Holloway: Backing Vocals (tracks: A3, A5), Harmonica (tracks: A4)
- Don Habib: Bass (tracks: A1, A2, A4, B2)
- Florien Richard: Bass (tracks: A5, B1, B3, B4)
- David Glead: Electric Bass (tracks: A2)
- Ron Dan: Steel Guitar (tracks: A1, A3, A5)
- Richard Provençal: Drums (tracks: A1, A2, A5, B1 - B4)
- Leon Aronson: Organ (tracks: B4) , Piano tracks: B2, B5) ,Arranged By (tracks: A4)
- Claude Demers: Synthesizer (tracks: B2)
- Cliff Edwards: Producer (tracks: A4)
- Ian Terry: Engineer
Source
- canadianbands.com/Tapestry.html
- discogs.com/artist/1225483-Tapestry-3
- discogs.com/release/5353266-Tapestry-Down-By-Maple-River
- rateyourmusic.com/artist/tapestry_f2
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![Dulcimer - To Need Her (UK Folk Rock&Progressive Folk Recorded 1971 / Released 1992)
Founded In
Gloucestershire, England, United Kingdom
Originally formed in 1967 as Kelpie, Dulcimer consisted of Dave Eaves and Pete Hodges on vocals and guitar, and bassist Jem North. They were originally discovered playing in a Cotswold, Worcestershire restaurant by the British actor Richard Todd in 1970, and subsequently signed by manager Larry Page (yes, the guy who was behind The Troggs), at that time in the process of setting up his own label Nepentha Records. The trio debuted with 1971s oddly titled And I Turned As I Had As a Boy produced by Page and released on Nepentha (Mercury acquiring American distribution rights). Best described as acoustic folk-rock, it attracted favourable reviews for its intriguing blend of English folk (including several references to the groups local Cotswolds environment) and varied instrumentation. Melody Maker magazine, in particular, was effusive, comparing the duo favourably with Simon And Garfunkel. The album additionally featured Richard Todd reading poetry on two of the tracks. It sold well in the USA, Europe and Japan, and the group embarked on recording sessions for their second album, a more rock-orientated affair. Though artwork and packaging were completed, the album was never released, and Eaves and Hodge returned Dulcimer to a semi-professional footing thereafter.
A further small-label album was issued in 1980, A Land Fit For Heroes, jointly credited to local writer Fred Archer who appeared on the recordings. Afterwards Eaves concentrated on his furniture business and Hodge on landscape gardening. Jem North returned to driving lorries. However, due to residual interest in Dulcimer, the central duo reformed the band in 1993 to enter the studio once again. When A Child … was released on President Records and returned to the groups evocative rural style. This was followed by a second comeback set in 1995, Robs Garden, recorded at their own cottage studio. As with each of their earlier releases, there was a strong undercurrent of literature in this project, Creation - The Poet And The Fire Bird concerning a meeting between Igor Stravinsky and Dylan Thomas.
Edited by activewaste on 4 April 2009, 9:57pm
Discography
Albums
- And I Turned As I Had Turned As A Boy... (1971)
- Fred Archer & Dulcimer - A Land Fit For Heroes (Recorded 1973 / Released 1980)
- Room For Thought (Recorded 1971 / Released 1992)
- When A Child... (1993)
- Robs Garden (1995)
- Into The Light... (1997)
Singles & EPs
- Lisas Song / Lisas Song (1971)
Room For Thought (Recorded 1971 / Released 1992)
Tracklist
- 1. To Need Her
- 2. Statues In Maryland
- 3. Mr. Rip Van Winkle
- 4. The Planters Cottage
- 5. Running On Down The Road
- 6. Empty Hallways
- 7. Grey Lady Morning
- 8. Missing In The Head
- 9. Mr. Time
- 10. Sandalwood Sailors
- 11. Scarlet Lady
- 12. But Maybe Not
Credits
- Jem North: Bass, Percussion
- Dave Eaves: Vocals, Strings
- Pete Hodge: Vocals, Strings
- Dulcimer: Written-by [All Compositions By]
- Larry Page: Producer
- Denis Blackham: Remastered By [Digitally]
Notes
Recorded in London 1971.
Source
- https://www.last.fm/music/Dulcimer/+wiki
- https://www.discogs.com/artist/145975-Dulcimer-2
- https://www.discogs.com/release/2653595-Dulcimer-Room-For-Thought
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![Merkin - Watching You (US Psychedelic Rock 1973)
In most corners of America in late 1960s, kids were growing their hair long and partaking in the cultural explosion of the times. Utah, on the other hand, remained staunchly Mormon and conservative. Amid that atmosphere, Merkin sprang out of the small town of Orem. Rocky Baum and Ralph Hemingway were high school friends, and occasionally, Hemingway would sing along with Baums guitar playing as something of a lark. By the summer of 1969, after a few years of playing together, the duo felt the absence of a backbeat, so they set out to make the twosome a rock band. Drummer Alan Newell, bassist Kent Balog, and guitarist Doug Hinkins were added to fill out the combo, and they came up with the odd name Merkin, derived either from the dictionary or from an obscure B-movie. The band rehearsed at Hinkins house, playing cover versions of popular songs. Soon they were writing original material, most of it composed by Baum, and with the addition of schoolmate Rod Olsen as manager, the band began attaining gigs at local high schools, colleges, and other assorted youth hangouts. Newell was replaced by Balogs twin brother Gary in 1970, and Robert Barney replaced Hinkins as lead guitarist. Richard Leavitt was also added on keyboards to round out the Merkin sound. In 1971, the band recorded a live demo that caught the attention of Gay Young of Kommittee Productions, and a recording session was arranged for the band in Los Angeles in 1972. The subsequent album, Music from Merkin Manor, was recorded in four days and gained some airplay in San Francisco, enabling the band to tour Colorado, but the album was not officially released (in a pressing of only 200) until early 1973, by which time Merkin had returned to Utah, and any commercial momentum was stifled. In addition, Baum had received sole songwriting credit on the album, infuriating the rest of the band. He was asked to leave, and Merkin limped on, finally calling it quits in 1974.
Music from Merkin Manor is a strangely interesting album, as might be expected from a group of young longhairs playing a combination of psychedelic, country, and hard rock in smalltown Utah in the early 1970s. The album opens up with Ruby, a song on which Merkin sound something like the Association on acid singing harmonies that sound slightly off-kilter while being backed by Blue Öyster Cult. Odd, to say the least. There are many recognizable influences on the album, but many of the influences wouldnt seem as if they should be within miles of each other. As a result, a song such as Take Some Time has the druggy ambience of early-70s stoner rock moving into pop verses, before it somehow evolves into a jazz jam. Todaze again sounds not unlike the Association (a comparison that consistently holds throughout the album) in terms of the vocals, but only if that pop act was backed by a groovy hard rock band fronted by Carlos Santana that was capable of shifting rhythms at the drop of a dime. Sweet Country, just as the title implies, tries on country-rock without batting an eye, and many of the songs graft similarly across-the-board influences together, and somehow generally do so in a tidy pop song framework of three to four minutes. It is terribly intriguing to listen to at least once, but unfortunately, the influences simply do not jibe well enough most of the time to sustain any sense of enjoyment or appreciation for the music. The album showed promise, but was far too haphazard to make much of an impression. Rocky Baum showed a nice flair for quirky songwriting, and when it worked, it worked well, but sonically Music from Merkin Manor is only half-baked.
Discography
Albums
- Music From Merkin Manor (1973)
V/A Compilation
- Psychedelic Sampler (2001)
- Paul Major: Feel the Music Vol. 1 (2017)
Music From Merkin Manor (1973)
Tracklist
- A1. Ruby
- A2. Take Some Time
- A3. Todaze
- A4. Sweet Country
- A5. Goodbye
- B1. Watching You
- B2. Feelin Kind A Down
- B3. The Right One
- B4. Here Together
- B5. Walkin
Credits
- Bass Guitar – Kent Balog
- Coordinator [Production Co-Oordinator] – John S.A. Larmer
- Design [Cover] – Ambiart
- Drums, Percussion – Gary Balog
- Engineer – Rolf Erickson
- Graphics – Bruce Sutherland, Sandy Sutherland
- Keyboards – Richard Leavitt
- Lacquer Cut By – THM (tracks: A1 to A5)
- Lead Guitar – Robert Barney
- Lead Vocals – Ralph Hemingway
- Management [Personal Management] – Rod Olsen
- Musical Assistance [Vocal Arrangement Assistance] – Joe Webber
- Producer, Arranged By – Gary Young
- Rhythm Guitar, Vocals,Written-By (tracks: A1 to B5– Rocky Baum)
Source
- https://musicfrombutterfly.blogspot.com/2013/04/merkin-manor-psych-country-jazz-rock-usa.html
- https://www.discogs.com/release/5582683-Merkin-Music-From-Merkin-Manor
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![Shark Move - Evil War (Indonesia Symphonic Prog 1970)
Sharkmove was established in Bandung, West Java, Indonesia in 1970 by Benny Soebardja (lead guitarist and vocals) who also wrote songs titled My Life, Butterfly, Evil War, and Insan. Benny, at that time was
registered as student at the Faculty of Agriculture, Padjadjaran University. He invited his best friend, Soman Loebis, a student at ITB (Bandung Institute of Technology) to join Sharkmove as keyboard player as well as percussion. He then contributed writing one song Bingung for the bands debut and only album Ghede Chokras.
They then recruited one of the best bassists in Bandung, Janto and also drummer: Sammy. Janto wrote two songs: Harga and Madat. The music of the band was then recorded in the Musica Studio, one of the well-known label in Indonesia until today, and sponsored by Bhagu Ramchand, an Indian with Indonesian nationality. The contribution of Bhagu was significant as he contributed financial support as well as ideas to make the one and only album of Sharkmove Ghede Chokras became a reality. The band was considered as pioneer in Indonesian rock scene by combining rock music with traditional harmonies and progressive sounds.
Some songs in the album were written using English lyrics while at that time most of Indonesian played sweet music and Indonesian lyrics. It was considered as experimental in the way the album was made. Right after the release of this album in 1970, the band performed frequent gigs in Indonesian big cities like Bandung, Jakarta (capital city), Palembang, and others.
At the end of 1970, a tragic event occurred when Soman Loebis passed away due to traffic accident in Jakarta and Benny Soebardja decided to stop the band and all of its related activities because at that time it was quite difficult to find Somans replacement who could play keyboards as good as him.
After approximately 6 months in vacuum, Benny Soebardja went back to rock music by mid of 1971 and formed a new band called GIANT STEP which was one of important rock bands in Indonesia during the glory days of 70s and 80s.
(The write-up was originally written by Benny Soebardja on October, 2006 as appeared at the remasters sleve notes; modified a bit by Gatot Widayanto - a die hard fan of Sharkmove, Honorary Collaborator of http://www.progarchives.com, Chairman of i-Rock!, Indonesian Rock Music Community)
Why this artist must be listed in www.progarchives.com :
Sharkmoves music is unique as it combines progressive rock with traditional harmonies and its quite original. By that time (1970) there was no major prog releases from Yes, Genesis (Fragile was note releases yet, Foxtrot was not released yet) but this Indonesian prog band proved their capability to compose their own materials. King Crimson In The Court of The Crimson King was already released but Ghede Chokras did not seem to take the influence from King Crimson a lot.
Discography
Album
- Ghede Chokras (1970)
Appears On
- Billy Goat Latin [selector comp] (2011) • Mixtape • Various Artists
V/A Compilation
- Those Shocking Shaking Days (2011)
Ghede Chokras (1970)
Songs / Tracks Listing
- 1. My Life
- 2. Butterfly
- 3. Harga
- 4. Evil War
- 5. Bingung
- 6. Insan
- 7. Madat
Line-up / Musicians
- Benny Soebardja: Vocals, Lead Guitar, Sings on My Life and Butterfly
- Soman Loebis: Vocals, Keyboards, Piano, Percussion, Sings on Bingung
- Janto Diablo: Vocals, Bass, Flute, Sings on Harga, Madat, My Life, Butterfly
- Sammy Zakaria: Srums, Sings on Insan
- Bhagu Ramchand: Promotion, Sings on Evil War
Releases information
- Originally was recorded in Musica Studio (January 2, 1970), distributed throughout Indonesia in LP and cassette format.
- At the end of 2006, Ghede Chokras was re-mastered at Pendulum Studio, Jakarta (Indonesia) and was then issued by Shadoks Music
(Germany) in 2007 for LP and CD format.
Source
- http://www.progarchives.com/artist.asp?id=3670
- http://www.progarchives.com/album.asp?id=18350
- https://rateyourmusic.com/artist/shark_move
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![Satisfaction - Sharing (UK Jazz Rock/Fusion 1970)
British jazz rock band active in early 70s. Evolved from The Mike Cotton Sound.
The group was formed by trumpet player Mike Cotton, a musician who had fronted bands since the late 1950s (The Mike Cotton Jazzmen/The Mike Cotton Band/The Mike Cotton Sound). In an attempt to intercept the new sounds resulting from the psychedelic revolution, in 1970 he formed Satisfaction together with former Artwoods guitarist Derek Griffiths, featuring John Beecham on trombone, Lem Lubin and Nick Newell (saxophones) and Bernie Higginson (drums). This new band, although jazz influenced, also had a stronger rock and soul edge to their approach and soon secured a contract with Decca records in 1970. Short afterwards they recorded some sessions in the Deccas studios with the production of David Hitchcock (who would later find acclaim as producer of Caravan, Camel and Genesis). Their eponymous album was issued in 1970 and gained very favourable reviews. Then Decca released two singles in quick succession to try to break the band into the UK singles chart. But although a very positive response from the British music press both singles failed to secure a chart placing. Within months of the appearance of the album and singles, Satisfaction had ceased to exist. In 2014 Acid Jazz Records released Three Ages of Man, the groups long-lost never issued second album, recorded in 1971 and 1972.
Discography
Albums
- Satisfaction (1970)
- Three Ages of Man [archival] (2014)
Singles & EPs
- Love It Is / Cold Summer (1971)
- Dont Rag the Lady / Gregory Shant (1971)
V/A Compilation
- Strange Pleasures - Further Sounds of the Decca Underground (2008)
- The Electric Asylum - Rare British Acid Freakrock Vol. 1 (2009)
Satisfaction (1970)
Tracklist
- A1. Just Lay Back And Enjoy It
Flugelhorn [Solos] – Mike
Guitar [Solo] – Derek
Vocals – Berni, Lem, Mike
Written-By – Griffiths, Cotton
Written-By [Flute Passage], Performer [Flute Passage] – Nick
- A2. She Follows The Band
Vocals – Berni, Lem, Mike
Written-By – Lubin
- A3. Cold Summer
Guitar [Solo] – Derek
Vocals – Berni
Written-By – Higginson
- A4. Sharing
Alto Saxophone – Nick
Cornet [Pocket] – Mike
Trombone – John
Vocals – Lem
Written-By – Griffiths, Beecham
- B1. Call You Liar, Liar
Guitar [Solo] – Derek
Vocals – Lem
Written-By – Lubin
- B2. You Upset The Grace Of Living When You Lie
Alto Saxophone [Solo] – Nick
Vocals – Lem
Written-By – Hardin
- B3. Just Like Friends
Guitar [Solo] – Derek
Vocals – Berni, Derek, Lem
Written-By – Griffiths
- 4. Go Through Changes
Cornet [Pocket, Solo] – Mike
Guitar [Solo] – Derek
Tenor Saxophone [Solo] – Nick
Trombone [Solo] – John
Vocals – Berni, Derek, Lem, Mike
Written-By – Griffiths, Lubin
2008 CD Bonus Tracks
- Love It Is ( A-side of single - released as Decca F 13129 in 1971)
Written-By – Lubin
- Dont Rag The Lady (A & B sides of single - released as Decca F 13207 in 1971.
Written-By – Beecham, Lubin
- Gregory Shant (A & B sides of single - released as Decca F 13207 in 1971.)
Written-By – Higginson, Newell
Credits
- Arranged By – Mike Cotton
- Engineer – John Punter
- Engineer [Assistant] – Heather Jeynes, Simaen Skolfield
- Flute, Alto Saxophone, Tenor Saxophone, Trumpet – Nick Newall
- Lacquer Cut By – W
- Producer – David Hitchcock
- Trombone, Tuba – John Beecham
- Vocals, Bass Guitar, Acoustic Guitar – Lem Lubin
- Vocals, Drums, Bongos – Bernie Higginson
- Vocals, Lead Guitar – Derek Griffiths
- Vocals, Trumpet, Flugelhorn, Cornet [Pocket], Harmonica – Mike Cotton
Source
- https://rateyourmusic.com/artist/satisfaction
- https://www.discogs.com/artist/1846031-Satisfaction-2
- https://www.discogs.com/release/2313903-Satisfaction-Satisfaction
- https://www.discogs.com/release/5331317-Satisfaction-Satisfaction
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![Company Caine - The Day Superman Got Busted (Australia Progressive Rock, Jazz Rock/Fusion 1971
Company Caine, also styled as Co. Caine and Company Kane, were an Australian progressive rock band. They were formed in March 1970 by Ray Arnott on drums (ex-Chelsea Set, Browns, Cam-Pact), Cliff Edwards on bass guitar (ex-Cam-Pact), Jeremy Noone (aka Jeremy Kellock) on saxophone and keyboards (ex-Leo and Friends), Gulliver Smith on lead vocals (ex-Little Gulliver and the Children, Dr Kandys Third Eye) and Russell Smith (no relation) on guitar and vocals (ex-Cam-Pact).
Recordings
In July 1970 Arnott left and was replaced by Eric Cairns (ex-Somebodys Image, Image, HeartnSoul) on drums and was replaced, in turn, two months later by John McInerny. At that time Edwards was replaced by Tim Partridge (ex-Clockwork Oringe) on bass guitar. In 1971 the line up of McInerny, Noone, Gulliver Smith and Russell Smith were joined by Arthur Eizenberg on bass guitar (ex-Square Circle, Dr Kandys Third Eye, HeartnSoul) and Ian Mawson on keyboards. In June that line up recorded their debut single, Trixie Stonewalls Wayward Home for Young Women (September) and, in July, their first album, A Product of a Broken Reality (November) on Generation Records.[1] They used the TCS Studio in Richmond, it was produced by Gus McNeil and engineered by John French. The album reached the top 40 on the Kent Music Report Albums Chart. Australian musicologist, Ian McFarlane, described the album as a milestone of the early 1970s progressive rock era as their music was more expansive, more out there than just about every band of the day.
Noone left in August 1971 to join King Harvest, and later that year Mal Capewell joined on saxophone and flute (ex-Phil Jones and the Unknown Blues, Dr Kandys Third Eye). The group relocated to Sydney and were promoted as Co. Caine. Early in the following year Dave Kain joined on rhythm guitar (ex-Dr Kandys Third Eye, Space) and they issued another single, Dear Caroline. They disbanded in October 1972, Gulliver Smith continued his solo career and released his debut album, The Bands Alright but the Singer Is..., in the following year. Russell Smith had joined Duck and then became a member of Mighty Kong, which later included Arnott.
In 1975 Gulliver and Russell Smith formed Metropolis before being renamed, Company Caine, with returning member John McIverney, Geoff Burstin on guitar (ex-Gutbucket, Rock Granite and the Profiles), John Power on bass guitar (ex-Foreday Riders), and Shirley Smith (Russells wife) as co-lead vocalist (ex-Lizard). McFarlane felt that the new line-up was superior in some respects to the original, and played the Melbourne and Sydney concert/dance circuit for a year before calling it quits again. In September that year they recorded studio tracks for one side of their second album, Dr. Chop (1975), three tracks were produced by Ross Wilson, the rest were extended versions of previously issued singles recorded with McNeil. The other side had live tracks, with McFarlane describing the album as excellent and ultra-rare.
Company Caine inspired fellow Australian artists: the Church, the Sports and John Farnham. Gulliver Smith died in November 2014 after a long illness.
Personnel
- Gulliver Smith — lead vocals (March 1970-October 1972; 1975-1976)
- Russell Smith — guitars, backing and lead vocals (March 1970-October 1972; 1975-1976)
- Jeremy Noone — saxophone, keyboards (March 1970-August 1971)
- Cliff Edwards — bass (March-September 1970)
- Ray Arnott — drums (March-July 1970)
- Eric Cairn — drums (July-September 1970)
- John McInerny — drums (September 1970-October 1972; 1975-1976)
- Tim Partridge — bass (September 1970-Early 1971)
- Ian Mawson — keyboards (Early 1971-October 1972)
- Arthur Eizenberg — bass (Early 1971-October 1972)
- Mal Capewell — saxophone, flute (Late 1971-October 1972)
- Dave Kain — rhythm guitar (Early 1972-October 1972)
- Shirley Smith — lead vocals (1975-1976)
- Geoff Burstin — guitars (1975-1976)
- John Power — bass, backing vocals (1975-1976)
Discography
Albums
- A Product Of A Broken Reality (1971)
- Dr. Chop (1976)
Singles & EPs
- Trixie Stonewells Wayward Home for Young Women / Its Up To You (1971)
- Dear Carolyn / Now Im Together (1972)
V/A Compilation
- 20 Chartstoppers Vol. 2 (1971)
- Golden Miles: Australian Progressive Rock 1969-1974 (1994)
- The GTK Tapes Vol. 1 (1994)
- The GTK Tapes Vol. 2 (1994)
A Product Of A Broken Reality (1971)
Tracklist
- A1. Symptoms
- A2. Trixie Stonewalls Wayward Home For Young Women
- A3. The Cell
- A4. Theme For Vishdungarius
- A5. Woman With Reason
- B1. Simple Song Of Spring
- B2. The Day Superman Got Busted
- B3. Its Up To You
- B4. Go See The Gypsy
- B5. The Last Scene
Source
- https://en.wikipedia.org/wiki/Company_Caine
- https://rateyourmusic.com/artist/company-caine
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![The Queens Nectarine Machine - 4th Dimension (US Psychedelic Rock 1969)
From New Jersey, their album (ABC ABCS 666 / 1969) was a Super K production by Kasenetz-Katz, with a psychedelic side and a bubblegum side. Among its better tracks are 4th Dimension and Seance, and overall its worth hearing. One of the tracks, The Seance started when Jeff Katz came into the studio whilst the engineer was trying to get a volume and EQ level. As usual, the band were goofin-off - playing dissonant jibberish to irritate and annoy the engineer, but Jeff thought that THAT SOUND was just what he was looking for to finish the album... One track from the album, Mysterious Martha has been compiled on Psychosis From The 13th Dimension. (taken from Fuzz, Acid & Flowers)
Jimmie Jersie - Vocals
Joe Ribaudo - Guitars
Guy Rigano - Drums
Drew Troeder - Bass
Jimmie Jersie was a member of the Queens Nectarine Machine, who recorded the 1968 psychedelic album The Mystical Powers of Roving Tarot Gamble. The Queens Nectarine Machine were based in Garfield, New Jersey, and released only the one album during their run.
I was fortunate enough to get a copy of it from singer Jimmie Jersie, but it is otherwise extremely difficult to find. One track from the LP, Mysterious Martha Garoo, has appeared on Psychcosis from the Thirteenth Dimension. According to Jimmie, the trippy band name and the occult theme of the LP were the idea of their production company, Super K. The band was much more of a rock & roll band, influenced more by the Rascals, Rolling Stones and the Beatles. Still, this album is a prime example of late-1960s psych—as is the bands appearance.
Jimmie, who identified himself as the wierdo in the flowered pants, did his part in establishing the bands look. The flowered pants? Imported from Italy. In fact, all of the shirts that the band members are wearing are Jimmies.
Jimmie was also for a time a member of the Del-Aires, a band with a career as interesting as the Queens Nectarine Machine. The Del-Aires appeared in the movie The Horror of Party Beach, which aired on Mystery Science Theater 3000. The website Bad Movie Planet called the Del-Aires The Greatest B-Movie Band Ever? The Del-Aires also were playing in the Angel Lounge in Lodi, New Jersey, on the night of the infamous killings that left two police officers dead, chronicled in David Stouts book Night of the Devil.
Discography
Album
- The Mystical Powers of Roving Tarot Gamble (1969)
Singles & EPs
- Gypsy Lady / I Got Troubles (You Got Troubles) (1969)
Compilations
- The Queens Nectarine Machine / Bit A Sweet - Bit A Sweet (2012)
V/A Compilation
- The Sixties - Lost Songs of the Decade, Vol. 3 (2013)
- Retro Psych Summer Rock (2013)
- Weirdsville - The Surf Creature (2013)
Bootleg / Unauthorized
- Various Artists - Psychosis From the Thirteenth Dimension: Sixteen Eccentric Heavy Psych Songs From 1967-1973 (2000)
The Mystical Powers Of Roving Tarot Gamble (1969)
Tracklist
- A1. Where Are We Goin (Written-By – M. Lane)
- A2. 4th Dimension (Written-By – G. Willet, J. Katz, J. Kasenetz, S. Dworkin)
- A3. Gypsy Lady (Written-By – J. Katz, J. Kasenetz, J. Palmes)
- A4. I Got Troubles (You Got Troubles) (Written-By – J. Katz, J. Kasenetz, J. Jersie, J. Ribaudo)
- A5. The Seance (Written-By – J. Kasenetz, J. Katz)
- B1. Mysterious Martha Garoo (Written-By – G. Willet, J. Katz, J. Kasenetz, S. Dworkin)
- B2. The Book (Written-By – F. Marcus)
- B3. Land Of Krepus (Written-By – G. Willet, J. Katz, J. Kasenetz, S. Dworkin)
- B4. Mrs. Fortune Teller (Written-By – G. Willet, J. Katz, J. Kasenetz, S. Dworkin)
- B5. Everybodys Got A Song To Sing (Written-By – G. Willet, J. Katz, J. Kasenetz, S. Dworkin)
Credits
- Jimmie (Jimmie Jersie): Vocals
- Joe (Joe Ribaudo): Guitar
- Guy (Guy Rigano): Drums
- Sharon Harris: Artwork
- Byron Goto: Design [Cover And Liner]
- Henry Epstein: Design [Cover And Liner]
-Norman Trigg: Photography By
- G. Willet: Producer (tracks: A2, A4, B1, B3 to B5)
- J. Kasenetz-J. Katz: Producer (tracks: A1 to B2)
- S. Dworkin: Producer (tracks: A2, A4, B1, B3 to B5)
Source
- https://savagesaints.blogspot.com/2013/04/the-queens-nectarine-machine-mystical.html
- https://www.discogs.com/artist/2819015-The-Queens-Nectarine-Machine
- https://www.discogs.com/release/4243542-The-Queens-Nectarine-Machine-The-Mystical-Powers-Of-Roving-Tarot-Gamble
- https://rateyourmusic.com/artist/the_queens_nectarine_machine
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