Uploaded January 2022 | Updated September 2026, 1 week ago
This is Jake Runestad's gorgeous 3-movement choral work "American Triptych" for SATB choir and piano, in which the texts span the USA from East to West featuring authors Henry David Thoreau (Massachusetts), Wendell Berry (Kentucky), and John Muir (California). Each movement expresses an aspect of our human connection with the natural world and journeys through a rushing river, a peaceful lakefront, and a wind storm in the Western Sierra mountains.
COMPOSER: Jake Runestad
POETS: Henry David Thoreau, Wendell Berry, John Muir
CONDUCTOR: Craig Hella Johnson
CHOIR: Conspirare
PIANO: Michael Jones
TRACKLIST:
0:00 - I. Reflections
7:15 - II. The Peace of Wild Things
12:32 - III. Come to the Woods
TEXTS:
I. Reflections (Henry David Thoreau)
We live but a fraction of our life.
We do not fill all our pores with our blood;
we do not inspire and expire fully and entirely enough,
so that the wave of each inspiration
shall break on our farthest shores,
rolling ’til it meets the sand which bounds us,
and the sound of the surf comes back [to us].
Why do we not let on the flood,
raise the gates,
and set all our wheels in motion?
There is the calmness of the lake
when there is not a breath of wind;
so it is with us.
Sometimes we are clarified and calmed
as we never were before.
We become like a still lake of purest crystal
and without an effort
our depths are revealed to ourselves.
All the world goes by us
and is reflected in our deeps.
Such clarity!
Obtained by such pure means!
By simple living,
by honesty of purpose.
To be calm, to be serene!
II. The Peace of Wild Things (Wendell Berry)
When despair for the world grows in me
and I wake in the night at the least sound
in fear of what my life and my children’s lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.
III. Come to the Woods (John Muir)
Another glorious day, the air as delicious
to the lungs as nectar to the tongue.
The day was full of sparkling sunshine,
and at the same time enlivened with one of
the most bracing wind storms.
The mountain winds bless the forests with love.
They touch every tree, not one is forgotten.
When the storm began to sound,
I pushed out into the woods to enjoy it.
I should climb one of the trees for a wider look.
The sounds of the storm were glorious with
wild exuberance of light and motion.
Bending and swirling backward and forward, round and round,
in this wild sea of pines.
The storm-tones died away, and turning toward the east,
I beheld the trees, hushed and tranquil.
The setting sun filled them with amber light, and seemed to say,
“Come to the woods, for here is rest.”
Please be aware that all of the music (and images) featured in this video belong to their respective owners, and I or this channel does not claim any right over them. I upload these solely for archiving purposes, and for the sharing and enjoyment of great music. Monetization is not enabled. If you are the rightful owner of copyrighted material used and would like the video removed from YouTube, please, instead of reporting/striking my channel, leave a comment below with your statement and I will take the video down effective immediately.
This is Jake Runestad's gorgeous 3-movement choral work "American Triptych" for SATB choir and piano, in which the texts span the USA from East to West featuring authors Henry David Thoreau (Massachusetts), Wendell Berry (Kentucky), and John Muir (California). Each movement expresses an aspect of our human connection with the natural world and journeys through a rushing river, a peaceful lakefront, and a wind storm in the Western Sierra mountains.
COMPOSER: Jake Runestad
POETS: Henry David Thoreau, Wendell Berry, John Muir
CONDUCTOR: Craig Hella Johnson
CHOIR: Conspirare
PIANO: Michael Jones
TRACKLIST:
0:00 - I. Reflections
7:15 - II. The Peace of Wild Things
12:32 - III. Come to the Woods
TEXTS:
I. Reflections (Henry David Thoreau)
We live but a fraction of our life.
We do not fill all our pores with our blood;
we do not inspire and expire fully and entirely enough,
so that the wave of each inspiration
shall break on our farthest shores,
rolling ’til it meets the sand which bounds us,
and the sound of the surf comes back [to us].
Why do we not let on the flood,
raise the gates,
and set all our wheels in motion?
There is the calmness of the lake
when there is not a breath of wind;
so it is with us.
Sometimes we are clarified and calmed
as we never were before.
We become like a still lake of purest crystal
and without an effort
our depths are revealed to ourselves.
All the world goes by us
and is reflected in our deeps.
Such clarity!
Obtained by such pure means!
By simple living,
by honesty of purpose.
To be calm, to be serene!
II. The Peace of Wild Things (Wendell Berry)
When despair for the world grows in me
and I wake in the night at the least sound
in fear of what my life and my children’s lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.
III. Come to the Woods (John Muir)
Another glorious day, the air as delicious
to the lungs as nectar to the tongue.
The day was full of sparkling sunshine,
and at the same time enlivened with one of
the most bracing wind storms.
The mountain winds bless the forests with love.
They touch every tree, not one is forgotten.
When the storm began to sound,
I pushed out into the woods to enjoy it.
I should climb one of the trees for a wider look.
The sounds of the storm were glorious with
wild exuberance of light and motion.
Bending and swirling backward and forward, round and round,
in this wild sea of pines.
The storm-tones died away, and turning toward the east,
I beheld the trees, hushed and tranquil.
The setting sun filled them with amber light, and seemed to say,
“Come to the woods, for here is rest.”
Please be aware that all of the music (and images) featured in this video belong to their respective owners, and I or this channel does not claim any right over them. I upload these solely for archiving purposes, and for the sharing and enjoyment of great music. Monetization is not enabled. If you are the rightful owner of copyrighted material used and would like the video removed from YouTube, please, instead of reporting/striking my channel, leave a comment below with your statement and I will take the video down effective immediately.
![François Rabbath — Two Miniatures for Double Bass and Piano (1992) [w/ score]
From the Red Mark Records CD “Carmen!”, this is François Rabbath’s “Two Miniatures for Double Bass and Piano”. The movements are “Incantation pour Junon” (Meditation and prayer to the goddess Juno) and “Reitba” (A portrait of the African desert). Two Miniatures was recorded 7-14-1992 at WGUC Studios in Cincinnati, OH (Brent Reider, recording engineer). Pianist on the recording is composer and bassist Frank Proto, whom has been a lifelong friend of Rabbath, and has written multiple concertos for double bass and orchestra for him.
COMPOSER: François Rabbath
DOUBLE BASS: François Rabbath
PIANO: Frank Proto
TRACKLIST:
0:00 - Introduction
0:06 - I. Incantation pour Junon
3:01 - II. Reitba
Please be aware that all of the music (and images) featured in this video belong to their respective owners, and I or this channel does not claim any right over them. I upload these solely for archiving purposes, and for the sharing and enjoyment of great music. Monetization is not enabled. If you are the rightful owner of copyrighted material used and would like the video removed from YouTube, please, instead of reporting/striking my channel, leave a comment below with your statement and I will take the video down effective immediately.
#scorefollower #contemporaryclassical #classicalmusic François Rabbath — Two Miniatures for Double Bass and Piano (1992) [w/ score]](https://i.ytimg.com/vi/ETjORn9Srss/mqdefault.jpg)

![Mobile Suit Gundam: Hathaway (2021) (FULL SOUNDTRACK) by Hiroyuki Sawano
This is Hiroyuki Sawanos score to the 2021 Netflix exclusive film Mobile Suit Gundam: Hathaway, the first of three planned anime films adapting Yoshiyuki Tomino’s manga series from 1989-90. It’s also a piece of the endless Gundam franchise sprawl, which spans dozens of TV series, films and comics dating back to the late 1970s, and tells stories of giant human-controlled military robots battling against the backdrop of a future in which humans have begun migrating off Earth before they render it uninhabitable. Heres a film synopsis:
Thanks to the sacrifices of war heroes like Amuro Ray, the Universal Centurys 105th year sees an era of hard-won but short-lived peace. The Earth Federation keeps a militaristic hold on the planet and its surrounding space colonies. Although Char Aznables rebellion against the neglectful Federation met its ultimate failure, his revolutionary philosophy of true freedom for all human beings lives on. Despite being the son of a famous Federation commander, Hathaway Noa embodies both the undying loyalty of soldier Amuro Ray and the militant passion of rebel leader Char Aznable. Haunted by memories of Chars Rebellion, Hathaway leads a dissident faction of his own known as Mafty. He adopts the alias Mafty Navue Erin and commits acts of violence in revolt against the growing tyranny of the Federation. After thwarting the hostile takeover of a plane by a terrorist group fraudulently claiming to be Mafty, Hathaways secret identity is discovered by a young woman named Gigi Andalucia. Hathaway befriends both Gigi and Federation colonel Kenneth Sleg, but his double life endangers them as the armed conflict between Mafty and the Federation comes to a head.
COMPOSER: Hiroyuki Sawano
TRACKLIST:
0:00 - Möbius
3:52 - XI
8:11 - EARth
13:13 - CC・・・12yl
18:24 - MANhUNTer
22:02 - KNS
27:49 - uc0105
35:13 - 83UeI
40:47 - MNE
44:00 - TRACER
47:23 - G1×2
49:31 - mSgH
54:59 - car5p3 / PENELOPE
1:00:18 - ESIRNUS
1:05:28 - kdk-GT
1:07:27 - UCNT0100
1:11:14 - [I]
1:13:59 - 20200723zr
Please be aware that all of the music (and images) featured in this video belong to their respective owners, and I or this channel does not claim any right over them. I upload these solely for archiving purposes, and for the sharing and enjoyment of great music. Monetization is not enabled. If you are the rightful owner of copyrighted material used and would like the video removed from YouTube, please, instead of reporting/striking my channel, leave a comment below with your statement and I will take the video down effective immediately. Mobile Suit Gundam: Hathaway (2021) (FULL SOUNDTRACK) by Hiroyuki Sawano](https://i.ytimg.com/vi/EumdtkMPMFQ/mqdefault.jpg)

![Nahre Sol — Little Fishy Upstream Swimming (2020) (piano version) [w/ score]
From Nahre Sols album of original works for keyboard, “Alice in Wonderland”, is the piano version of her short piece, “Little Fishy Upstream Swimming.” This short little jingle was written originally for two synthesizers (specifically the Arturia Minibrute 2 and a Rhodes patch of a Nord keyboard). Similar in style to her piece “Sideways”, this piece is very creative, graceful, and constantly shifting. Once again, the recording was brilliantly performed by Nahre herself.
COMPOSER: Nahre Sol
PIANO: Nahre Sol
Please be aware that all of the music (and images) featured in this video belong to their respective owners, and I or this channel does not claim any right over them. I upload these solely for archiving purposes, and for the sharing and enjoyment of great music. Monetization is not enabled. If you are the rightful owner of copyrighted material used and would like the video removed from YouTube, please, instead of reporting/striking my channel, leave a comment below with your statement and I will take the video down effective immediately.
#scorefollower #contemporaryclassical #classicalmusic Nahre Sol — Little Fishy Upstream Swimming (2020) (piano version) [w/ score]](https://i.ytimg.com/vi/FGTouq-_9Uk/mqdefault.jpg)





