Uploaded November 2015 | Updated September 2026, 2 weeks ago
Here's a virtual movie of the great William Shakespeare reading "All the world's a stage"
"All the world's a stage" is the phrase that begins a monologue from William Shakespeare's As You Like It, spoken by the melancholy Jaques in Act II Scene VII. The speech compares the world to a stage and life to a play, and catalogues the seven stages of a man's life, sometimes referred to as the seven ages of man:[1] infant, schoolboy, lover, soldier, justice, Pantalone and old age, facing imminent death. It is one of Shakespeare's most frequently quoted passages.
You Can See the lovely 78 rpm record playing that the soundtrack for this virtual movie came from here..
youtube.com/watch?v=L5LyPBnIFC4
The division of human life into a series of ages was a commonplace of art and literature, which Shakespeare would have expected his audiences to recognize. The number of ages varied: three and four being the most common among ancient writers such as Aristotle. The concept of seven ages derives from medieval philosophy, which constructed groups of seven, as in the seven deadly sins, for theological reasons. The seven ages model dates from the 12th century.[4] King Henry V had a tapestry illustrating the seven ages of man.[5]
According to T. W. Baldwin, Shakespeare's version of the concept of the ages man is based primarily upon Palingenius' book Zodiacus Vitae, a school text he would have studied at the Stratford Grammar School, which also enumerates stages of human life. He also takes elements from Ovid and other sources known to him but not.[6]
Kind Regards
Jim Clark
A;ll rights are reserved on this video recording copyright Jim Clark 2015
Here's a virtual movie of the great William Shakespeare reading "All the world's a stage"
"All the world's a stage" is the phrase that begins a monologue from William Shakespeare's As You Like It, spoken by the melancholy Jaques in Act II Scene VII. The speech compares the world to a stage and life to a play, and catalogues the seven stages of a man's life, sometimes referred to as the seven ages of man:[1] infant, schoolboy, lover, soldier, justice, Pantalone and old age, facing imminent death. It is one of Shakespeare's most frequently quoted passages.
You Can See the lovely 78 rpm record playing that the soundtrack for this virtual movie came from here..
youtube.com/watch?v=L5LyPBnIFC4
The division of human life into a series of ages was a commonplace of art and literature, which Shakespeare would have expected his audiences to recognize. The number of ages varied: three and four being the most common among ancient writers such as Aristotle. The concept of seven ages derives from medieval philosophy, which constructed groups of seven, as in the seven deadly sins, for theological reasons. The seven ages model dates from the 12th century.[4] King Henry V had a tapestry illustrating the seven ages of man.[5]
According to T. W. Baldwin, Shakespeare's version of the concept of the ages man is based primarily upon Palingenius' book Zodiacus Vitae, a school text he would have studied at the Stratford Grammar School, which also enumerates stages of human life. He also takes elements from Ovid and other sources known to him but not.[6]
Kind Regards
Jim Clark
A;ll rights are reserved on this video recording copyright Jim Clark 2015
![England in 1819 - Percy Bysshe Shelley - Poem - Animation
Heres a virtual movie of the great Percy Bysshe Shelley reading his bitter diatribe of a Poem England in 1819
England in 1819 is a political sonnet by the English Romantic poet Percy Bysshe Shelley, and reflects his liberal ideals.[1] Composed in 1819, it was not published until 1839 in the four-volume The Poetical Works of Percy Bysshe Shelley (London: Edward Moxon) edited by Mary Shelley.
The sonnet describes a very forlorn reality. The poem passionately attacks Englands, as the poet sees it, decadent, oppressive ruling class. King George III referred to by old, mad, blind, despised, and dying. The leech-like nobility (princes) metaphorically suck the blood from the people, who are, in the sonnet, oppressed, hungry, and hopeless, their fields untilled. Meanwhile, the army is corrupt and dangerous to liberty, the laws are harsh and useless, religion has lost its morality, and Parliament (the Senate) is a relic. In addition, the civil rights of the Catholic minority are non-existent Times worst statute unrepealed. In a startling burst of optimism, the last two lines express the hope that a glorious Phantom may spring forth from this decay and illumine our tempestuous day.
This poem was written as a response to the brutal Peterloo Massacre in August 1819.
Kind Regards
Jim Clark
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![Charles Graves - Poems With The Classics in Mind - Poem - Animation
Heres a virtual movie of Charles Graves poet and brother of Robert Graves reading Poems With The Classics in Mind. Four of the poems are his original poems Myrra & Damon A love poem probably from Greek mythology , The Pool of Narcissus is based on the Greek myth of a boy who fell in love with his own reflected image on water who fell in and drowned, At The Grave of Drummond of Hawthornden Is a tribute to celebrated 16th Century poet William Drummond,Mildred is a love poem not sure of the origin perhaps it was to his wife. The final Poem is his translation The Glass that Knew Your Weeping - Le Miroir Quoi av u Tes by the 19th Century Swiss Poet Henry Speiss.
n Greek mythology, Narcissus (/nɑrˈsɪsəs/; Greek: Νάρκισσος, Narkissos) was a Hunter from Thespiae in Boeotia who was known for his beauty. He was the son of the river god Cephissus and nymph Liriope.[1] He was proud, in that he disdained those who loved him. Nemesis noticed this behavior and attracted Narcissus to a pool, where he saw his own reflection in the water and fell in love with it, not realizing it was merely an image. Unable to leave the beauty of his reflection, Narcissus drowned. Narcissus is the origin of the term narcissism, a fixation with oneself and ones physical appearance.
Charles Ranke Patrick Graves (1 December 1899 – 21 February 1971) was a journalist and writer, and brother of Robert Graves.
He was born in Wimbledon, England. His father was Alfred Perceval Graves (born in Dublin, 22 July 1846) who was a poet of high standing, writing many charming poems and ballads. His mother was Amalie (Amy) Elizabeth Sophie (or Sophia) von Ranke.[1]
He worked on the Sunday Express, Daily Mail and many other newspapers. He published 46 books in all including the Thin Blue Line or Adventures in the RAF. He also wrote a continuation (more than a sequel) called The Avengers. His hobbies were golf and gin rummy.
Two of his books are of special interest, his Ireland Revisited (1949) and his autobiography The Bad Old Days (1951). In Ireland Revisited he takes the reader on an informative and humorous tour of Ireland.
He begins his autobiography:
Those were the days, the Bad Old Days – primarily of large families, but also of could look the dollar in the eye without flinching or wincing, when cigarettes were 11d. for 20 and beef was unrationed and champagne was 5s. a bottle.
and he concludes it as follows:
What is happiness? I did not yet know. But I had already learnt that to have any chance of success in life one must be able to ‘take it’; that tact can be worth all the genius in the world; that unless you specialise you will never make more than £800 a year; that it is madness to disbelieve in luck and the cycles of luck; that you have to spend money to make money; that you must at all costs keep your youthful enthusiasms; that the two greatest influences in a man’s life are his mother and his wife; that marriage will either make you or break you, because it can never leave you the same.
Kind Regards
Jim Clark
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![The Journey Work of the Stars - Walt Whitman - Poem - Animation
Heres a virtual movie of the great Walt Whitman reading from poetic masterpiece Leaves of Grass this segment I have called The Journey Work of the Stars this most memorable of segments expresses the notion than that the simplest of things can in fact be the most wondrous. The poem states, “I believe a leaf of grass is no less than the journeywork of the stars...” Whitman explains how even the simplest blade of grass is an extremely complex, important thing, and thus of immense value. In essence, he is saying that everything is valuable, so why can humanity not focus on getting along instead of declaring war upon itself ?
Leaves of Grass is a poetry collection by the American poet Walt Whitman (1819–1892). Though the first edition was published in 1855, Whitman spent his entire life writing and re-writing Leaves of Grass,[1] revising it in several editions until his death. This resulted in vastly different editions over four decades—the first a small book of twelve poems and the last a compilation of over 400 poems.
The poems of Leaves of Grass are loosely connected and each represents Whitmans celebration of his philosophy of life and humanity. This book is notable for its discussion of delight in sensual pleasures during a time when such candid displays were considered immoral. Where much previous poetry, especially English, relied on symbolism, allegory, and meditation on the religious and spiritual, Leaves of Grass (particularly the first edition) exalted the body and the material world. Influenced by Ralph Waldo Emerson and the Transcendentalist movement, itself an offshoot of Romanticism, Whitmans poetry praises nature and the individual humans role in it. However, much like Emerson, Whitman does not diminish the role of the mind or the spirit; rather, he elevates the human form and the human mind, deeming both worthy of poetic praise.
With one exception, the poems do not rhyme or follow standard rules for meter and line length. Among the poems in the collection are Song of Myself, I Sing the Body Electric, Out of the Cradle Endlessly Rocking. Later editions included Whitmans elegy to the assassinated President Abraham Lincoln, When Lilacs Last in the Dooryard Bloomd.
Walter Walt Whitman (/ˈhwɪtmən/; May 31, 1819 – March 26, 1892) was an American poet, essayist and journalist. A humanist, he was a part of the transition between transcendentalism and realism, incorporating both views in his works. Whitman is among the most influential poets in the American canon, often called the father of free verse.[1] His work was very controversial in its time, particularly his poetry collection Leaves of Grass, which was described as obscene for its overt sexuality.
Born in Huntington on Long Island, Whitman worked as a journalist, a teacher, a government clerk, and—in addition to publishing his poetry—was a volunteer nurse during the American Civil War. Early in his career, he also produced a temperance novel, Franklin Evans (1842). Whitmans major work, Leaves of Grass, was first published in 1855 with his own money. The work was an attempt at reaching out to the common person with an American epic. He continued expanding and revising it until his death in 1892. After a stroke towards the end of his life, he moved to Camden, New Jersey, where his health further declined. When he died at age 72, his funeral became a public spectacle.[2][3]
Whitmans sexuality is often discussed alongside his poetry. Though biographers continue to debate his sexuality, he is usually described as either homosexual or bisexual in his feelings and attractions. However, there is disagreement among biographers as to whether Whitman had actual sexual experiences with men.[4]
Whitman was concerned with politics throughout his life. He supported the Wilmot Proviso and opposed the extension of slavery generally. His poetry presented an egalitarian view of the races, though his attitude in life reflected many of the racial prejudices common to nineteenth-century America and his opposition to slavery was not necessarily based on belief in the equality of races per se.[5] At one point he called for the abolition of slavery, but later he saw the abolitionist movement as a threat to democracy.
Kind Regards
Jim Clark
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![The Guest House - Rumi - Poem animation
Heres a virtual movie of the 12th Century Persian Poet and Mystic Rumi reading his much loved philosophical Poem The Guest House This reading ends part way into the poem,but encapsulates the essential meaning of the poem - To always endeavor to Keep an open and welcoming heart
Jalāl ad-Dīn Muhammad Rūmī (Persian: جلالالدین محمد رومی), also known as Jalāl ad-Dīn Muhammad Balkhī (جلالالدین محمد بلخى), Mawlānā (مولانا, our master), Mevlânâ, Mevlevî (مولوی Mawlawī, my master), and more popularly simply as Rūmī (1207 – 17 December 1273), was a 13th-century Persian[1][8] poet, jurist, Islamic scholar, theologian, and Sufi mystic.[9] Rumis influence transcends national borders and ethnic divisions: Iranians, Tajiks, Turkish, Greeks, Pashtuns, other Central Asian Muslims, and the Muslims of South Asia have greatly appreciated his spiritual legacy for the past seven centuries.[10] His poems have been widely translated into many of the worlds languages and transposed into various formats. Rumi has been described as the most popular poet[11] and the best selling poet in the United States.[12][13]
Rumis works are written mostly in Persian, but occasionally he also used Greek,[14][15][16] Arabic, and Turkish in his verse.[17][18] His Mathnawī, composed in Konya, remains one of the purest literary glories of the Persian language.[19][20] His works are widely read today in their original language across Greater Iran and the Persian-speaking world.[21] Translations of his works are very popular, most notably in Turkey, Azerbaijan, the United States, and South Asia.[22] His poetry has influenced Persian literature, but also Turkish, Punjabi, Hindi, and Urdu, as well as the literature of some other Turkic, Iranian, and Indo-Aryan languages including Chagatai, Pashto, and Bengali.
Kind Regards
Jim Clark
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![The Irish Question - George Bernard Shaw - Literary animation
Heres a virtual movie of the great George Bernard Shaw reading from his 1934 essay 1916 Rising John Bull’s Other Island which gave a critical appraisal of the Easter Rising of 1916 . The voice of George Bernard Shaw on this video was recorded by the late celebrated Australian/Irish actor and historian Peter Oshaughnessy (1923 - 2013).
1916 Rising (Appendix to Preface of John Bull’s Other Island [1906], 1929): ‘[T]he sequel to these events confirmed my unheeded warning with a sanguinary completely of which I had no prevision. At Easter 1916 a handful of Irishmen seized the Dublin Post Office and proclaimed an Irish Republic, with one of their number, a schoolmaster named Pearse, as President. If all Ireland had risen at this gesture it would have been a serious matter for England, then up to her neck in the war against the Central Empires. But there was no response: the gesture was a complete failure. All that was necessary was to blockade the Post Office until its microcosmic republic was starved out and made ridiculous. What actually happened would be incredible if there were not so many living witnesses of it. […] Thus by fire and bullet, murder and torture and devastation, a situation was produced in which the British Government [470] had either to capitulate at the cost of a far more complete concession of self-government to Ireland than that decreed by the repudiated Home Rule Act, or to let loose the military strength of England in a Cromwellian reconquest, massacre, and replantation which it knew that public opinion in England and America would not tolerate; for some of the most conspicuous English champions of Ulster warned the Government that they could stand no more of the Black and Tan terrorism. And so we settled the Irish Question, not as civilised and reasonable men should have settled it, but as dogs settle a dispute over a bone.’ (Complete Prefaces, London 1934, pp.470-71.)
Kind Regards
Jim Clark
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