Uploaded August 2019 | Updated September 2026, 2 weeks ago
This is a rare custom made variant of the 1882 French infantry officers sword. It features a bronze hilt with extra bars on the outside and inside of the guard, and an early example of an 1896 style cavalry blade, with a single fuller and single edge. It is stiff, and narrow, and well suited to thrusting style of combat. I hypothesize it was made for a mounted infantry officer, as it is optimised more for a cavalryman than an infantryman.
This example is 820 grams, and 104.5cm long overall, and was produced by Barre and Fils, Paris, an outfitter who made many custom swords including some very highly decorated presentation swords.
This is a rare custom made variant of the 1882 French infantry officers sword. It features a bronze hilt with extra bars on the outside and inside of the guard, and an early example of an 1896 style cavalry blade, with a single fuller and single edge. It is stiff, and narrow, and well suited to thrusting style of combat. I hypothesize it was made for a mounted infantry officer, as it is optimised more for a cavalryman than an infantryman.
This example is 820 grams, and 104.5cm long overall, and was produced by Barre and Fils, Paris, an outfitter who made many custom swords including some very highly decorated presentation swords.







[https://www.mdpi.com/2310-2861/9/3/191](https://www.mdpi.com/2310-2861/9/3/191)
Precedent for using EDTA and citric acid on antique swords also shown in this article:
[https://www.academia.edu/6832514/Treatment_and_restoration_of_antique_sword_from_Ottoman_period_13_th_AH_19_th_AD_century_at_the_National_Military_Museum_Saladin_Citadel_in_Egypt](https://www.academia.edu/6832514/Treatment_and_restoration_of_antique_sword_from_Ottoman_period_13_th_AH_19_th_AD_century_at_the_National_Military_Museum_Saladin_Citadel_in_Egypt)
Overall, each side of the blade took 6 applications of gel. Each gel layer must react for 1 to 2 hours. The entire process took many hours - including the various cleaning steps that occur between gel applications - which will be included in the full video.
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**Ethics Considerations:**
This particular antique was corroded to a substantial extent and its structural integrity was threatened, as corrosion products developing in the crack of the blade can worsen the crack and potentially fully break the blade.
Conservation and restoration allowed for stabilisation of artefact as well as for the underlying construction method of the steel to be respectfully revealed and appreciated by addressing the deterioration, and also allowed for preservation of the object for the future.
Care was taken to ensure no undue losses were incurred, and the work was conducted only to a degree where the object was stable, and free of active corrosion products.
#restoration #antique #conservation
Music: Hej Sokoly. Commonly attributed to Tymko (Tomasz) Padura. Digital Synth. Restoration of an Indian Golia / Tulwar via Chelation (Preview)](https://i.ytimg.com/vi/dCltNiN_LGc/mqdefault.jpg)



