Uploaded April 2023 | Updated September 2026, 2 weeks ago
Put simply, minikatana calls themselves DTC (direct to consumer). But actually, they are a importer, a reseller and a most importantly a marketer, specialising not in swords, but short format video marketing.
They do not manufacture the products they sell, like a true DTC business does.
They import swords from Longquan, China, where they are made, and then sent in batches of 7000 fully completed swords per container, with margins of 45% (including their warehousing and shipping costs). That margin is pure profit, and doesn't translate to a better product.
It's the same sword, just at a higher cost to the consumer.
This is incidentally also why they struggle with quality assurance and quality control. It's a lot of swords to individually check, and apparently they're not doing very comprehensive checks. This is illustrated here by a recent reddit post of a sword which should not have been shipped to the customer bent, a flaw which cannot have occured dueing shipping and is indead due to poor manufacturing and poor QC.
This means you pay more, for the same Chinese replicas available directly from the makers.
They can be bought directly from a number of aliexpress / TaoBao type store fronts.
If you're happy to pay more, for the same cheap replicas, then go ahead.
#minikatana
(Thumbnail by dom1n8a - dom1n8a.carrd.co )
Put simply, minikatana calls themselves DTC (direct to consumer). But actually, they are a importer, a reseller and a most importantly a marketer, specialising not in swords, but short format video marketing.
They do not manufacture the products they sell, like a true DTC business does.
They import swords from Longquan, China, where they are made, and then sent in batches of 7000 fully completed swords per container, with margins of 45% (including their warehousing and shipping costs). That margin is pure profit, and doesn't translate to a better product.
It's the same sword, just at a higher cost to the consumer.
This is incidentally also why they struggle with quality assurance and quality control. It's a lot of swords to individually check, and apparently they're not doing very comprehensive checks. This is illustrated here by a recent reddit post of a sword which should not have been shipped to the customer bent, a flaw which cannot have occured dueing shipping and is indead due to poor manufacturing and poor QC.
This means you pay more, for the same Chinese replicas available directly from the makers.
They can be bought directly from a number of aliexpress / TaoBao type store fronts.
If you're happy to pay more, for the same cheap replicas, then go ahead.
#minikatana
(Thumbnail by dom1n8a - dom1n8a.carrd.co )




[https://www.mdpi.com/2310-2861/9/3/191](https://www.mdpi.com/2310-2861/9/3/191)
Precedent for using EDTA and citric acid on antique swords also shown in this article:
[https://www.academia.edu/6832514/Treatment_and_restoration_of_antique_sword_from_Ottoman_period_13_th_AH_19_th_AD_century_at_the_National_Military_Museum_Saladin_Citadel_in_Egypt](https://www.academia.edu/6832514/Treatment_and_restoration_of_antique_sword_from_Ottoman_period_13_th_AH_19_th_AD_century_at_the_National_Military_Museum_Saladin_Citadel_in_Egypt)
Overall, each side of the blade took 6 applications of gel. Each gel layer must react for 1 to 2 hours. The entire process took many hours - including the various cleaning steps that occur between gel applications - which will be included in the full video.
If you enjoy this content, consider supporting the creation of more conservation videos.
patreon.com/IPostSwords
**Ethics Considerations:**
This particular antique was corroded to a substantial extent and its structural integrity was threatened, as corrosion products developing in the crack of the blade can worsen the crack and potentially fully break the blade.
Conservation and restoration allowed for stabilisation of artefact as well as for the underlying construction method of the steel to be respectfully revealed and appreciated by addressing the deterioration, and also allowed for preservation of the object for the future.
Care was taken to ensure no undue losses were incurred, and the work was conducted only to a degree where the object was stable, and free of active corrosion products.
#restoration #antique #conservation
Music: Hej Sokoly. Commonly attributed to Tymko (Tomasz) Padura. Digital Synth. Restoration of an Indian Golia / Tulwar via Chelation (Preview)](https://i.ytimg.com/vi/dCltNiN_LGc/mqdefault.jpg)






