Uploaded October 2018 | Updated September 2026, 2 weeks ago
Join Jem Schofield of theC47 in this multi-part camera series where he takes you through six modern digital cinema cameras that cost $10,000 US or less.
New episodes of the series will be released weekly in which Jem covers one of the six candidate cameras. He breaks down each camera's core features and where he sees each one fitting in Small to No Crew production environments. Jem, along with the AbelCine team, also highlight three identical shooting scenarios for each of the cameras and provide downloadable source footage for you to make informed decisions in terms of which camera or cameras might be right for your productions.
Week one is the Overview Video breaks down the criteria for the chosen candidate cameras.
Week two will focus on the Panasonic AU-EVA1
Week three will focus on the Blackmagic Design URSA Mini Pro 4.6K
Week four will focus on the Sony PXW-FS5 II
Week five will focus on the Canon EOS C200
Week Six will focus on the Sony PMW-FS7 II
Week Seven will focus on the Canon EOS C300MKII
Read more about the series on our blog: abelcine.com/articles/blog-and-knowledge/tutorials-and-guides/introducing-4k-for-10k-with-jem-schofield
Join Jem Schofield of theC47 in this multi-part camera series where he takes you through six modern digital cinema cameras that cost $10,000 US or less.
New episodes of the series will be released weekly in which Jem covers one of the six candidate cameras. He breaks down each camera's core features and where he sees each one fitting in Small to No Crew production environments. Jem, along with the AbelCine team, also highlight three identical shooting scenarios for each of the cameras and provide downloadable source footage for you to make informed decisions in terms of which camera or cameras might be right for your productions.
Week one is the Overview Video breaks down the criteria for the chosen candidate cameras.
Week two will focus on the Panasonic AU-EVA1
Week three will focus on the Blackmagic Design URSA Mini Pro 4.6K
Week four will focus on the Sony PXW-FS5 II
Week five will focus on the Canon EOS C200
Week Six will focus on the Sony PMW-FS7 II
Week Seven will focus on the Canon EOS C300MKII
Read more about the series on our blog: abelcine.com/articles/blog-and-knowledge/tutorials-and-guides/introducing-4k-for-10k-with-jem-schofield








![Cine Gear 2018: ZEISS Supreme Primes
Andy had the chance to stop by the ZEISS booth at Cine Gear 2018 and get his hands on the exciting new line of full format cinema lenses from ZEISS: the Supreme Primes. As Rich Schleuning, Senior Director for the Americas at ZEISS, says in the video above, Were on the cusp of something exciting... [full format] gives the filmmaker another creative tool, another choice. As weve covered previously, these new lenses from ZEISS provide many of the features DPs and focus pullers want to see in a standard set of cinema primes: common diamater fronts, focus rotation, gear positions, and size/weight across the bulk of the expanding 12-lens set.
To read the full post, visit our blog: https://www.abelcine.com/articles/blog-and-knowledge/tech-news/cine-gear-2018-zeiss-supreme-primes Cine Gear 2018: ZEISS Supreme Primes](https://i.ytimg.com/vi/s3TMRh7peYM/mqdefault.jpg)

