Uploaded December 2020 | Updated September 2026, 2 weeks ago
Megan Donnelly talks with cinematographer Ellen Kuras, ASC (Eternal Sunshine of the Spotless Mind, The Betrayal) about how she used the Sony VENICE on David Byrne's American Utopia.
Learn more about American Utopia: hbo.com/specials/american-utopia
Learn more about the Sony VENICE: abelcine.com/articles/blog-and-knowledge?tag%5B%5D=venice&sort=
Megan Donnelly talks with cinematographer Ellen Kuras, ASC (Eternal Sunshine of the Spotless Mind, The Betrayal) about how she used the Sony VENICE on David Byrne's American Utopia.
Learn more about American Utopia: hbo.com/specials/american-utopia
Learn more about the Sony VENICE: abelcine.com/articles/blog-and-knowledge?tag%5B%5D=venice&sort=
![Cine Gear 2018: ZEISS Supreme Primes
Andy had the chance to stop by the ZEISS booth at Cine Gear 2018 and get his hands on the exciting new line of full format cinema lenses from ZEISS: the Supreme Primes. As Rich Schleuning, Senior Director for the Americas at ZEISS, says in the video above, Were on the cusp of something exciting... [full format] gives the filmmaker another creative tool, another choice. As weve covered previously, these new lenses from ZEISS provide many of the features DPs and focus pullers want to see in a standard set of cinema primes: common diamater fronts, focus rotation, gear positions, and size/weight across the bulk of the expanding 12-lens set.
To read the full post, visit our blog: https://www.abelcine.com/articles/blog-and-knowledge/tech-news/cine-gear-2018-zeiss-supreme-primes Cine Gear 2018: ZEISS Supreme Primes](https://i.ytimg.com/vi/s3TMRh7peYM/mqdefault.jpg)









