Uploaded June 2024 | Updated September 2026, 2 weeks ago
24 was one of the most revolutionary action series in television history. This video is both a love letter and a call to action — a plea to bring back the show that defined real-time storytelling.
While there have been a lot of shows and movies rebooted over the years, but there remains one series in particular that has, sadly, never been brought back to life, and that is 24. Hands down, one of the most action-packed television dramas of the 21st century. It truly pains me to see a show like 24 just disappear from almost all mainstream relevance.
This is my video on why it should come back.
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Thank you to my incredible Patreons for continuing to support this channel. You guys are amazing.
These include the lovely people “Matthew McKinley", "Adam McCarter", "FloNess" and "ThatEvilCanadian” at the time this was made.
If you’d also like the option of becoming a Patreon, head to:
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For more of my reviews, analyses, and other articles:
motioninartmedia.com
Twitter:
twitter.com/motion_in_art
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What is 24?
24 is an American action drama television series created by Joel Surnow and Robert Cochran for Fox. The series stars Kiefer Sutherland as US counter-terrorist federal agent Jack Bauer. Each season covers 24 consecutive hours in Bauer's life using the real time method of narration, which is emphasized by the display of split screens and a digital clock. The show premiered on November 6, 2001, and spanned 204 episodes over nine seasons, with the series finale broadcast on July 14, 2014. In addition, the television film 24: Redemption aired between seasons six and seven, on November 23, 2008. 24 is a joint production by Imagine Television and 20th Century Fox Television.
This video is made under Fair Use for commentary, critique, and educational purposes:
copyright.gov/title17/92c
https://www.copyright.org.au/ACC_Prod
24 was one of the most revolutionary action series in television history. This video is both a love letter and a call to action — a plea to bring back the show that defined real-time storytelling.
While there have been a lot of shows and movies rebooted over the years, but there remains one series in particular that has, sadly, never been brought back to life, and that is 24. Hands down, one of the most action-packed television dramas of the 21st century. It truly pains me to see a show like 24 just disappear from almost all mainstream relevance.
This is my video on why it should come back.
👕 Support the channel: patreon.com/motioninart
🌐 More reviews & essays: motioninartmedia.com
🐦 Twitter: twitter.com/motion_in_art
👥 Reddit – reddit.com/user/motioninart
Thank you to my incredible Patreons for continuing to support this channel. You guys are amazing.
These include the lovely people “Matthew McKinley", "Adam McCarter", "FloNess" and "ThatEvilCanadian” at the time this was made.
If you’d also like the option of becoming a Patreon, head to:
patreon.com/motioninart
For more of my reviews, analyses, and other articles:
motioninartmedia.com
Twitter:
twitter.com/motion_in_art
Reddit:
reddit.com/user/motioninart
What is 24?
24 is an American action drama television series created by Joel Surnow and Robert Cochran for Fox. The series stars Kiefer Sutherland as US counter-terrorist federal agent Jack Bauer. Each season covers 24 consecutive hours in Bauer's life using the real time method of narration, which is emphasized by the display of split screens and a digital clock. The show premiered on November 6, 2001, and spanned 204 episodes over nine seasons, with the series finale broadcast on July 14, 2014. In addition, the television film 24: Redemption aired between seasons six and seven, on November 23, 2008. 24 is a joint production by Imagine Television and 20th Century Fox Television.
This video is made under Fair Use for commentary, critique, and educational purposes:
copyright.gov/title17/92c
https://www.copyright.org.au/ACC_Prod





![The Comedy Nobody Wanted but Loved
This is my video essay on the movie Hot Rod because while cinema has had a long and illustrious history of masterpieces, there’s one that has a special place in my heart. And that film was Hot Rod.
Truly a movie that reached spectacular heights in more ways than one, but sadly, it somehow was a box office flop. Why? In my view, it suffered from what I call “The Back to the Future Effect”. It was simply too revolutionary that people weren’t ready for it.
Critic after critic overlooked its underlying genius, and to bring it justice, I will show you exactly what all the critics missed. Because while it might not be perfect, Hot Rod is by all means a comedy cult classic and, in my opinion, the lonely island’s magnum opus.
This is my video exploring why.
Thank you to my incredible Patreons for continuing to support this channel. You guys are amazing.
At the time of this being made, these include the lovely people: “Matthew McKinley, Dr_Slurp, ThatEvilCanadian”.
If you’d also like the option of becoming a Patreon, head to:
https://www.patreon.com/motioninart
For more of my reviews, analyses, and other articles:
https://motioninartmedia.com/
Twitter:
https://twitter.com/motion_in_art
Reddit:
https://www.reddit.com/user/motioninart
Odysee:
https://odysee.com/@motioninart:3
What is Hot Rod?
Hot Rod is a 2007 American comedy film directed by Akiva Schaffer (in his directorial debut) and written by Pam Brady. The film stars Andy Samberg as amateur stuntman Rod Kimble, whose stepfather, Frank (Ian McShane), continuously mocks and disrespects him. When Frank becomes ill, Rod raises money for his heart operation by executing his largest stunt yet. The film also stars Jorma Taccone, Sissy Spacek, Will Arnett, Danny McBride, Isla Fisher and Bill Hader.
The film was initially drafted by Pam Brady (who retains full writing credit) as a vehicle for Saturday Night Live star Will Ferrell, but the project never commenced. Lorne Michaels convinced Paramount to let The Lonely Island, which was gaining fame for its work on SNL, take over the film. The group subsequently rewrote the movie with a heavy emphasis on offbeat surreal humor. It was shot in Vancouver in the summer of 2006. The score is by former Yes guitarist Trevor Rabin, and the soundtrack features several songs by the Swedish rock band Europe.
Paramount Pictures released Hot Rod on August 3, 2007. It was a box-office failure, grossing only $14 million on a $25 million budget. As its producers predicted, it received mixed reviews, with critics criticizing the films script and humor. It has become a popular cult film on home video.
ot Rod received mixed reviews from film critics upon its initial release. On Metacritic, it has an average score of 43 out of 100, based on 27 reviews, indicating mixed or average reviews. On Rotten Tomatoes, it has a score of 39% from 117 reviews, with an average rating of 4.92/10. The sites consensus reads Hot Rod has brazen silliness and a few humorous set pieces on its side, but its far too inconsistent to satisfy all but the least demanding slapstick lovers. After its release, Paper wrote, Depending on whom you talk to, Hot Rod is either a terrible stinker or a really strange and wonderful movie that you cant believe they got away with making. Audiences polled by CinemaScore gave the film an average grade of B− on an A+ to F scale.
The Hollywood Reporters Frank Scheck criticized the films formulaic script and humor, but commended Sambergs reasonably engaging and sweet comedic screen presence.” No one seems to have told the Lonely Island boys that the stakes are a little higher in features than they are in music videos and that underlighted shots and sloppy editing are more distracting on the big screen than on television, wrote Marjorie Baumgarten of The Austin Chronicle. Wesley Morris of The Boston Globe called the film playfully dumb, commenting, The filmmakers [...] have skipped right past the kitsch of tribute and gone straight for jokey delusion [...] And in that sense, Hot Rod is post-parody, taking nothing seriously, not even being a movie. Peter Travers of Rolling Stone wrote, The films low-key Waynes World vibe takes it only so far. I laughed, then I wished it was funnier, then I just wished it would end. Peter Debruge of Variety called the movie yet another example of a comedy that refuses to be taken seriously—concept as clothesline for all manner of silliness. Nick Schager of Slant Magazine noted that the trio care far less about clever plotting than random ridiculousness, deeming the film a tired rehash of every SNL alums big-screen debut since Adam Sandlers Billy Madison.
And if you’re still reading this – hello.
This video is made through Fair Use under copyright law for the purposes of education in criticism or review; as well as parody or satire.
https://www.copyright.gov/title17/92c
https://www.copyright.org.au/ACC_Prod The Comedy Nobody Wanted but Loved](https://i.ytimg.com/vi/UOqiRBSb04E/mqdefault.jpg)




