Uploaded December 2024 | Updated September 2026, 2 weeks ago
There are times when you watch a film that is so genuinely good, so genuinely creative, and so genuinely hilarious that it makes you think to yourself: I am just absolutely glad to be alive to see it, and I cannot thank the people who have brought this film to life enough.
Hundreds of Beavers is that exact film, and while I know it will be nowhere near the top of anyone’s viewing watchlist, I just cannot, in good consciousness, leave this film alone and not talk about it as a must-watch recommendation for anyone who loves cinema. So, while yes, other critics and YouTubers will talk about popular mainstream films released this year, some of which I’ve covered already, please allow me to introduce to you and explain why this film is so special and do not worry, I’ll refrain as much as I can from spoilers.
Thank you to my incredible Patreons for continuing to support this channel. You guys are amazing.
These include the lovely people “Matthew McKinley", "Adam McCarter", "FloNess" and "ThatEvilCanadian” at the time this was made.
If you’d also like the option of becoming a Patreon, head to:
patreon.com/motioninart
For more of my reviews, analyses, and other articles:
motioninartmedia.com
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What is Hundreds of Beavers?
Hundreds of Beavers is a 2022 American slapstick comedy film directed by Mike Cheslik and written by Cheslik and Ryland Brickson Cole Tews. It was inspired by the slapstick comedy of 1920s and 1930s artists. The film stars Tews as an applejack maker in a conflict with beavers, trying to win the hand of a merchant's daughter.
Cheslik and Tews, who previously collaborated on multiple projects, developed the idea for Hundreds of Beavers in October 2018. The film was shot in rural Wisconsin and Michigan across twelve weeks in the winter of 2019 and 2020. Editing and post-production were completed by 2022.
Hundreds of Beavers premiered at Fantastic Fest on September 29, 2022, and has been met with critical praise. The film was self-distributed and received a video on demand release on April 15, 2024.
Mike Cheslik and Ryland Tews met at Whitefish Bay High School and came to collaborate on film projects. The duo made Lake Michigan Monster, a black-and-white film that cost $7,000, in 2018. The idea for Hundreds of Beavers was created by Cheslik and Tews while at a bar in Milwaukee, Wisconsin, in October 2018. Cheslik directed, wrote, edited, and created the visual effects for the film while Tews played the lead role.
Enough money was raised to film the first act, which was shot over the course of three to four weeks. The footage was then shown to other investors which allowed the rest of the film to be shot. The black-and-white film had a budget of $150,000. It was shot over the course of twelve weeks by a six-person crew using a Panasonic GH5, which filmed it in 1080p, in winter in 2019 and 2020. The crew stayed at a cabin in Manitowish Waters. Nine weeks of filming was done in Stephenson, Michigan, and the northern Wisconsin towns of Manitowish Waters, Pembine, and Superior.
The beaver suits were purchased online from a Chinese mascot website, with the teeth being modified by the filmmakers. Eric West, Daniel Long, Jay Brown, and Mike Wesolowski wore the beaver costumes. Over 1,500 visual effects were made using Adobe After Effects. Editing and post-production took two years to complete. Tews' father Wayne composed and performed songs for the film.
Inspiration was drawn from the Mario video games, America's Funniest Home Videos, and the slapstick comedy of Abbott and Costello, Buster Keaton, Charlie Chaplin, and The Three Stooges. Ernst Lubitsch's The Wildcat also inspired the film. Tews based his movements in the film on Jackie Chan. A scene in Seven Chances, in which Keaton is chased by a horde of angry women, is referenced in the film. The second act of the film was designed to be like watching a let's play. Hundreds of Beavers's poster is similar to the poster for It's a Mad, Mad, Mad, Mad World.
And if you’re still reading this – hello.
This video is made through Fair Use under copyright law for the purposes of education in criticism or review; as well as parody or satire. copyright.gov/title17/92c https://www.copyright.org.au/ACC_Prod
There are times when you watch a film that is so genuinely good, so genuinely creative, and so genuinely hilarious that it makes you think to yourself: I am just absolutely glad to be alive to see it, and I cannot thank the people who have brought this film to life enough.
Hundreds of Beavers is that exact film, and while I know it will be nowhere near the top of anyone’s viewing watchlist, I just cannot, in good consciousness, leave this film alone and not talk about it as a must-watch recommendation for anyone who loves cinema. So, while yes, other critics and YouTubers will talk about popular mainstream films released this year, some of which I’ve covered already, please allow me to introduce to you and explain why this film is so special and do not worry, I’ll refrain as much as I can from spoilers.
Thank you to my incredible Patreons for continuing to support this channel. You guys are amazing.
These include the lovely people “Matthew McKinley", "Adam McCarter", "FloNess" and "ThatEvilCanadian” at the time this was made.
If you’d also like the option of becoming a Patreon, head to:
patreon.com/motioninart
For more of my reviews, analyses, and other articles:
motioninartmedia.com
Twitter:
twitter.com/motion_in_art
Reddit:
reddit.com/user/motioninart
Odysee:
odysee.com/@motioninart:3
To join the channel's Super Friends members:
youtube.com/channel/UCqKD9LycFTu8MxYCaX9Z8XA/join
What is Hundreds of Beavers?
Hundreds of Beavers is a 2022 American slapstick comedy film directed by Mike Cheslik and written by Cheslik and Ryland Brickson Cole Tews. It was inspired by the slapstick comedy of 1920s and 1930s artists. The film stars Tews as an applejack maker in a conflict with beavers, trying to win the hand of a merchant's daughter.
Cheslik and Tews, who previously collaborated on multiple projects, developed the idea for Hundreds of Beavers in October 2018. The film was shot in rural Wisconsin and Michigan across twelve weeks in the winter of 2019 and 2020. Editing and post-production were completed by 2022.
Hundreds of Beavers premiered at Fantastic Fest on September 29, 2022, and has been met with critical praise. The film was self-distributed and received a video on demand release on April 15, 2024.
Mike Cheslik and Ryland Tews met at Whitefish Bay High School and came to collaborate on film projects. The duo made Lake Michigan Monster, a black-and-white film that cost $7,000, in 2018. The idea for Hundreds of Beavers was created by Cheslik and Tews while at a bar in Milwaukee, Wisconsin, in October 2018. Cheslik directed, wrote, edited, and created the visual effects for the film while Tews played the lead role.
Enough money was raised to film the first act, which was shot over the course of three to four weeks. The footage was then shown to other investors which allowed the rest of the film to be shot. The black-and-white film had a budget of $150,000. It was shot over the course of twelve weeks by a six-person crew using a Panasonic GH5, which filmed it in 1080p, in winter in 2019 and 2020. The crew stayed at a cabin in Manitowish Waters. Nine weeks of filming was done in Stephenson, Michigan, and the northern Wisconsin towns of Manitowish Waters, Pembine, and Superior.
The beaver suits were purchased online from a Chinese mascot website, with the teeth being modified by the filmmakers. Eric West, Daniel Long, Jay Brown, and Mike Wesolowski wore the beaver costumes. Over 1,500 visual effects were made using Adobe After Effects. Editing and post-production took two years to complete. Tews' father Wayne composed and performed songs for the film.
Inspiration was drawn from the Mario video games, America's Funniest Home Videos, and the slapstick comedy of Abbott and Costello, Buster Keaton, Charlie Chaplin, and The Three Stooges. Ernst Lubitsch's The Wildcat also inspired the film. Tews based his movements in the film on Jackie Chan. A scene in Seven Chances, in which Keaton is chased by a horde of angry women, is referenced in the film. The second act of the film was designed to be like watching a let's play. Hundreds of Beavers's poster is similar to the poster for It's a Mad, Mad, Mad, Mad World.
And if you’re still reading this – hello.
This video is made through Fair Use under copyright law for the purposes of education in criticism or review; as well as parody or satire. copyright.gov/title17/92c https://www.copyright.org.au/ACC_Prod




![The Comedy Nobody Wanted but Loved
This is my video essay on the movie Hot Rod because while cinema has had a long and illustrious history of masterpieces, there’s one that has a special place in my heart. And that film was Hot Rod.
Truly a movie that reached spectacular heights in more ways than one, but sadly, it somehow was a box office flop. Why? In my view, it suffered from what I call “The Back to the Future Effect”. It was simply too revolutionary that people weren’t ready for it.
Critic after critic overlooked its underlying genius, and to bring it justice, I will show you exactly what all the critics missed. Because while it might not be perfect, Hot Rod is by all means a comedy cult classic and, in my opinion, the lonely island’s magnum opus.
This is my video exploring why.
Thank you to my incredible Patreons for continuing to support this channel. You guys are amazing.
At the time of this being made, these include the lovely people: “Matthew McKinley, Dr_Slurp, ThatEvilCanadian”.
If you’d also like the option of becoming a Patreon, head to:
https://www.patreon.com/motioninart
For more of my reviews, analyses, and other articles:
https://motioninartmedia.com/
Twitter:
https://twitter.com/motion_in_art
Reddit:
https://www.reddit.com/user/motioninart
Odysee:
https://odysee.com/@motioninart:3
What is Hot Rod?
Hot Rod is a 2007 American comedy film directed by Akiva Schaffer (in his directorial debut) and written by Pam Brady. The film stars Andy Samberg as amateur stuntman Rod Kimble, whose stepfather, Frank (Ian McShane), continuously mocks and disrespects him. When Frank becomes ill, Rod raises money for his heart operation by executing his largest stunt yet. The film also stars Jorma Taccone, Sissy Spacek, Will Arnett, Danny McBride, Isla Fisher and Bill Hader.
The film was initially drafted by Pam Brady (who retains full writing credit) as a vehicle for Saturday Night Live star Will Ferrell, but the project never commenced. Lorne Michaels convinced Paramount to let The Lonely Island, which was gaining fame for its work on SNL, take over the film. The group subsequently rewrote the movie with a heavy emphasis on offbeat surreal humor. It was shot in Vancouver in the summer of 2006. The score is by former Yes guitarist Trevor Rabin, and the soundtrack features several songs by the Swedish rock band Europe.
Paramount Pictures released Hot Rod on August 3, 2007. It was a box-office failure, grossing only $14 million on a $25 million budget. As its producers predicted, it received mixed reviews, with critics criticizing the films script and humor. It has become a popular cult film on home video.
ot Rod received mixed reviews from film critics upon its initial release. On Metacritic, it has an average score of 43 out of 100, based on 27 reviews, indicating mixed or average reviews. On Rotten Tomatoes, it has a score of 39% from 117 reviews, with an average rating of 4.92/10. The sites consensus reads Hot Rod has brazen silliness and a few humorous set pieces on its side, but its far too inconsistent to satisfy all but the least demanding slapstick lovers. After its release, Paper wrote, Depending on whom you talk to, Hot Rod is either a terrible stinker or a really strange and wonderful movie that you cant believe they got away with making. Audiences polled by CinemaScore gave the film an average grade of B− on an A+ to F scale.
The Hollywood Reporters Frank Scheck criticized the films formulaic script and humor, but commended Sambergs reasonably engaging and sweet comedic screen presence.” No one seems to have told the Lonely Island boys that the stakes are a little higher in features than they are in music videos and that underlighted shots and sloppy editing are more distracting on the big screen than on television, wrote Marjorie Baumgarten of The Austin Chronicle. Wesley Morris of The Boston Globe called the film playfully dumb, commenting, The filmmakers [...] have skipped right past the kitsch of tribute and gone straight for jokey delusion [...] And in that sense, Hot Rod is post-parody, taking nothing seriously, not even being a movie. Peter Travers of Rolling Stone wrote, The films low-key Waynes World vibe takes it only so far. I laughed, then I wished it was funnier, then I just wished it would end. Peter Debruge of Variety called the movie yet another example of a comedy that refuses to be taken seriously—concept as clothesline for all manner of silliness. Nick Schager of Slant Magazine noted that the trio care far less about clever plotting than random ridiculousness, deeming the film a tired rehash of every SNL alums big-screen debut since Adam Sandlers Billy Madison.
And if you’re still reading this – hello.
This video is made through Fair Use under copyright law for the purposes of education in criticism or review; as well as parody or satire.
https://www.copyright.gov/title17/92c
https://www.copyright.org.au/ACC_Prod The Comedy Nobody Wanted but Loved](https://i.ytimg.com/vi/UOqiRBSb04E/mqdefault.jpg)





