Wagner Leitmotifs | 2 Remorse : Tannhäuser @wagnerleitmotifs7654 | Uploaded July 2014 | Updated October 2024, 10 hours ago.
This leitmotif is first heard in the overture.
This painful motifs heard, always, as part of a ascending sequence, in juxtaposition to the descending chromatic scale within each figure. It represents Tannhäuser's latent sorrow at having forgone the world of men, and Elizabeth fro the pleasures of Venus.
Progenitor leitmotifs:
None
Related Leitmotifs:
None
Subsidiary Leitmotifs:
None
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.
This video is designed for the purpose of teaching the viewer about the leitmotifs in Wagner's Operas, where they appear and how the work. This clearly comes under the umbrella of fair use. NO COPYRIGHT INFRINGEMENT INTENDED.
This leitmotif is first heard in the overture.
This painful motifs heard, always, as part of a ascending sequence, in juxtaposition to the descending chromatic scale within each figure. It represents Tannhäuser's latent sorrow at having forgone the world of men, and Elizabeth fro the pleasures of Venus.
Progenitor leitmotifs:
None
Related Leitmotifs:
None
Subsidiary Leitmotifs:
None
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.
This video is designed for the purpose of teaching the viewer about the leitmotifs in Wagner's Operas, where they appear and how the work. This clearly comes under the umbrella of fair use. NO COPYRIGHT INFRINGEMENT INTENDED.
