Uploaded October 2011 | Updated September 2026, 5 hours ago
Continuing my series on Plural Eyes and the Zoom H4n/D7000 combo.
In this long form piece at the State Fair of Virginia I let the H4n run and collected random shots with the D7000, put the whole mess on a timeline in PrePro CS5.5 left it to Plural Eyes to sort it out with no help from me.
"Editing" consisted of merely deleting the gaps between shots and erasing the audio captured by the D7000.
As in previous tests, no attempt was made regards proper mic placement or in capturing video as far as getting good stuff goes. In fact, some if the video is out of focus. This is to test sync ONLY
D7000/Zoom H4n mounted on camera/Sennheiser ME 66 - microphone mounted on camera
shot at 1080p 24fps and 48/24 on the Zoom H4n
Continuing my series on Plural Eyes and the Zoom H4n/D7000 combo.
In this long form piece at the State Fair of Virginia I let the H4n run and collected random shots with the D7000, put the whole mess on a timeline in PrePro CS5.5 left it to Plural Eyes to sort it out with no help from me.
"Editing" consisted of merely deleting the gaps between shots and erasing the audio captured by the D7000.
As in previous tests, no attempt was made regards proper mic placement or in capturing video as far as getting good stuff goes. In fact, some if the video is out of focus. This is to test sync ONLY
D7000/Zoom H4n mounted on camera/Sennheiser ME 66 - microphone mounted on camera
shot at 1080p 24fps and 48/24 on the Zoom H4n
