Uploaded May 2025 | Updated September 2026, 3 weeks ago
The world's largest fully-steerable telescope at the U.S. National Science Foundation Observatory at Green Bank, West Virginia, with Scientific Data Analyst Brenne Gregory. greenbankobservatory.org
Subscribe for more youtube.com/TheDailyConversation
GBT factsheet https://public.nrao.edu/telescopes/gbt/
What is Radio Spectrum (US Frequency allocations) transportation.gov/pnt/what-radio-spectrum
The Green Bank Telescope - or GBT - is the most accurate large dish radio telescope on Earth. It has a fully-steerable base, an array of receivers, and a massive dish covering more than 2.3 acres, allowing researchers all over the world to study some of the universe’s great mysteries. In 2013, it discovered an important pair of prebiotic molecules, indicating that some key building blocks for life formed on dusty ice grains floating between stars. The GBT also hosts Breakthrough Listen, a project searching for intelligent extraterrestrial communications.
To learn how all this works, Brenne Gregory - a scientific data analyst at Green Bank - took me on a special insider's tour to the top of the 485-foot telescope and, on our way there, patiently explained the fascinating field of radio astronomy.
Next generation VLA (Very Large Array) youtube.com/watch?v=7X0N-ykxFm0
NASA: Spectrum bandwidths? nasa.gov/general/what-are-the-spectrum-band-designators-and-bandwidths
21st Century Astronomy infographic https://www.skao.int/sites/default/files/styles/ti_1500/public/2022-06/EM%20spectrum%20graphic.png?itok=suhShH9B
Intro:
This is one of the prettiest places on Earth.
The Green Bank Telescope, or GBT, is the most accurate large dish radio telescope on Earth. It has a fully steerable base, an array of receivers, and a massive dish covering more than 2.3 acres, allowing researchers all over the world to study some of the universe's great mysteries.
In 2013, it discovered an important pair of prebiotic molecules, indicating that some key building blocks for life formed on dusty ice grains floating between stars.
The GBT also hosts Breakthrough Listen, a project searching for intelligent extraterrestrial communications.
To learn how all this works, Brian Gregory, a scientific data analyst at Green Bank, took me on a special tour to the top of the 485-foot telescope. On our way there, he patiently explained the fascinating field of radio astronomy.
So the best way to think about radio astronomy is to think about light as the electromagnetic spectrum. We see visible light — that's about 380 to 700 nanometers — and that's the wavelength that allows us to see optical light.
When we think about radio astronomy, we're looking at wavelengths in the centimeter to millimeter range. A lot of people like to say radio astronomy is like listening, but it's easier in my mind to conceptualize it like optical light — just at a different frequency. And because it's a different frequency, we need to use different tools than optical telescopes to look at that light. Those tools are the receivers you'll see up on the GBT. They allow us to "see" that light in a way our eyes can't.
Being up in the mountains helps reduce radio frequency interference — or RFI. Everyone has cell phones, Bluetooth, Wi-Fi — all of these things that make modern life easier are extremely bright to our radio telescope. You can see an 8-watt lightbulb with our telescope from beyond Eris, past Pluto.
So being in the mountains blocks out signals from surrounding towns. That’s why you lost cell phone service on your way in. We’re inside the National Radio Quiet Zone, a large area extending into Virginia, and also within the West Virginia Radio Astronomy Zone, a stricter ten-mile radius around Green Bank where transmitters are tightly limited.
We have a program here called Breakthrough Listen — they’re searching the universe for signs of intelligent life. They point at certain spots in the sky, observe for a while, then come back to check again. So far, no signals. If we ever did find one, trust me, you'd know right away.
Interference — things on Earth mimicking what we’d expect from alien civilizations. That’s why RFI research is so critical.
Frank Drake wrote the famous Drake Equation here at Green Bank. The equation calculates the probability of life in the universe.
Pocahontas County
0:00 Welcome to the GBT
1:02 Radio Astronomy Explained
1:47 National Radio Quiet Zone
3:51 Search for Extraterrestrial Intelligence
5:14 Tour to the top
12:32 How the telescope works
15:25 Taking in the view
16:45 A long walk down
19:32 Getting time on the GBT
27:25 Engineering a moveable 17 million lb structure
31:25 Green Bank's other telescopes
An Inside Tour Of The Largest Moveable Telescope On Earth engineering build building megacity megastructure city cities Baltimore new york chicago india mumbai delhi detroit philadelphia west virginia charlotte la california barcelona
The world's largest fully-steerable telescope at the U.S. National Science Foundation Observatory at Green Bank, West Virginia, with Scientific Data Analyst Brenne Gregory. greenbankobservatory.org
Subscribe for more youtube.com/TheDailyConversation
GBT factsheet https://public.nrao.edu/telescopes/gbt/
What is Radio Spectrum (US Frequency allocations) transportation.gov/pnt/what-radio-spectrum
The Green Bank Telescope - or GBT - is the most accurate large dish radio telescope on Earth. It has a fully-steerable base, an array of receivers, and a massive dish covering more than 2.3 acres, allowing researchers all over the world to study some of the universe’s great mysteries. In 2013, it discovered an important pair of prebiotic molecules, indicating that some key building blocks for life formed on dusty ice grains floating between stars. The GBT also hosts Breakthrough Listen, a project searching for intelligent extraterrestrial communications.
To learn how all this works, Brenne Gregory - a scientific data analyst at Green Bank - took me on a special insider's tour to the top of the 485-foot telescope and, on our way there, patiently explained the fascinating field of radio astronomy.
Next generation VLA (Very Large Array) youtube.com/watch?v=7X0N-ykxFm0
NASA: Spectrum bandwidths? nasa.gov/general/what-are-the-spectrum-band-designators-and-bandwidths
21st Century Astronomy infographic https://www.skao.int/sites/default/files/styles/ti_1500/public/2022-06/EM%20spectrum%20graphic.png?itok=suhShH9B
Intro:
This is one of the prettiest places on Earth.
The Green Bank Telescope, or GBT, is the most accurate large dish radio telescope on Earth. It has a fully steerable base, an array of receivers, and a massive dish covering more than 2.3 acres, allowing researchers all over the world to study some of the universe's great mysteries.
In 2013, it discovered an important pair of prebiotic molecules, indicating that some key building blocks for life formed on dusty ice grains floating between stars.
The GBT also hosts Breakthrough Listen, a project searching for intelligent extraterrestrial communications.
To learn how all this works, Brian Gregory, a scientific data analyst at Green Bank, took me on a special tour to the top of the 485-foot telescope. On our way there, he patiently explained the fascinating field of radio astronomy.
So the best way to think about radio astronomy is to think about light as the electromagnetic spectrum. We see visible light — that's about 380 to 700 nanometers — and that's the wavelength that allows us to see optical light.
When we think about radio astronomy, we're looking at wavelengths in the centimeter to millimeter range. A lot of people like to say radio astronomy is like listening, but it's easier in my mind to conceptualize it like optical light — just at a different frequency. And because it's a different frequency, we need to use different tools than optical telescopes to look at that light. Those tools are the receivers you'll see up on the GBT. They allow us to "see" that light in a way our eyes can't.
Being up in the mountains helps reduce radio frequency interference — or RFI. Everyone has cell phones, Bluetooth, Wi-Fi — all of these things that make modern life easier are extremely bright to our radio telescope. You can see an 8-watt lightbulb with our telescope from beyond Eris, past Pluto.
So being in the mountains blocks out signals from surrounding towns. That’s why you lost cell phone service on your way in. We’re inside the National Radio Quiet Zone, a large area extending into Virginia, and also within the West Virginia Radio Astronomy Zone, a stricter ten-mile radius around Green Bank where transmitters are tightly limited.
We have a program here called Breakthrough Listen — they’re searching the universe for signs of intelligent life. They point at certain spots in the sky, observe for a while, then come back to check again. So far, no signals. If we ever did find one, trust me, you'd know right away.
Interference — things on Earth mimicking what we’d expect from alien civilizations. That’s why RFI research is so critical.
Frank Drake wrote the famous Drake Equation here at Green Bank. The equation calculates the probability of life in the universe.
Pocahontas County
0:00 Welcome to the GBT
1:02 Radio Astronomy Explained
1:47 National Radio Quiet Zone
3:51 Search for Extraterrestrial Intelligence
5:14 Tour to the top
12:32 How the telescope works
15:25 Taking in the view
16:45 A long walk down
19:32 Getting time on the GBT
27:25 Engineering a moveable 17 million lb structure
31:25 Green Bank's other telescopes
An Inside Tour Of The Largest Moveable Telescope On Earth engineering build building megacity megastructure city cities Baltimore new york chicago india mumbai delhi detroit philadelphia west virginia charlotte la california barcelona


![The Future of Visual Effects (VFX)
From crossing the uncanny valley in human animation, to light-field camera technology that will change the way moving images are captured, this is the future of visual effects in films, TV, and VR.
Originally published: 8/12/2017
Video by Bryce Plank
Editing by Robin West
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Script:
Visual effects have come a long way in the 124 years since we first set eyes on the motion picture. Today, the world’s most talented vfx studios create films and TV shows that seamlessly blend the digital image with the analog, allowing artists to make their wildest dreams come to life on the big screen. The full maturation of the tools used by creators working on the cutting edge of the industry - like computer-generated worlds, real-time previewing of motion capture, cloud-based rendering, and hyper realistic digital humans - has laid the groundwork for the media revolution we’re about to experience as 360 degree Virtual Reality goes mainstream.
This is a look at the near-term future of visual effects.
In order to understand where we’re headed, let’s look at where we’ve come from.
[Clip from Jurassic Park]
Many of today’s premier VFX artists were hooked by iconic scenes like this one from Jurassic Park: aha! moments that opened their minds to the power of mixing computer-generated imagery with live action footage.
Today, nearly 25 years after Spielbergs T-Rex changed the game, every single film on the 50 highest grossing movies of all time list relied heavily on visual effects, or was completely animated.
But what might be even more telling is that 25 of them were released in the last five years. That’s an indication of how reliant the big studios are on VFX and how much we, the public, love to see visual effects take us to worlds we otherwise couldn’t visit.
The king of VFX, is director James Cameron. For both Avatar and Titanic — the two highest grossing films of all time — Cameron pioneered a number of new techniques that heavily influenced the blockbuster movie industry, like a motion capture stage six times larger than any before, a way to preview shots in the virtual world in realtime while motion capturing them on set, and a technique to enable full performance capture using small cameras right in front of the actors faces to collect facial expressions and, importantly, eye movement. This allowed Zoe Saldana to breath emotional life into her Neytiri character in a way that was compelling to the audience.
Full performance capture has become an industry standard. But while its become commonplace to bring characters like the Na’vi, Maz Kanata, Caesar, or the Hulk to life using facial capture technology, using it — or any other CG technique — to make a believable fully digital human is another story.
We are getting closer to crossing the uncanny valley. While it’s still cheaper to hire Tom Hanks than to recreate him digitally, we’re a long way from the waxiness of the CG characters he brought to life in The Polar Express.
So far, the most lifelike use of digital humans was Rogue One’s resurrection of Carrie Fisher as Princess Leia and Peter Cushing as Grand Moff Tarkin.
But Industrial Light and Magic had hours of reference footage of both actors, mapped the digital recreation of their faces onto full performances of other actors, and even found a lifecast of Peter Cushing’s face from a previous role.
[Artist] This was gold for us because it was Peter Cushing as he appeared at a certain time in his life.
Neither Leia nor Tarkin’s cameos were very long or involved much movement, and they still didn’t quite look human.
But this technology could be about to take another leap. Last week, Weta Digital finally began post production on the four sequels to Avatar, which are slated for December 2020, 2021, 2024, and 2025 releases.
And Cameron says he wants the films to set a new high bar.
[Quote from director James Cameron] “What Joe Letteri and Weta Digital bring to these stories is impossible to quantify. Since we made Avatar, Weta continued to prove themselves as doing the best CG animation, the most human, the most alive, the most photorealistic effects in the world. And of course, that now means I can push them to take it even further.”
But what really needs this push isn’t traditional films like Avatar, it’s the newest form of entertainment, virtual reality. Because effects studios can make literally anything else look photorealistic, creating believable digital humans seems to be the last big hurdle to creating feature-length films for VR. Why do I say that? The Future of Visual Effects (VFX)](https://i.ytimg.com/vi/V_3gBfHFMQo/mqdefault.jpg)







