The MetIn 2017, the exhibition “Age of Empires: Chinese Art of the Qin and Han Dynasties (221 B.C.–A.D. 220)” brought to The Met the terracotta warrior sculptures that were buried with the Emperor Qin Shi Huang to protect him in the afterlife. To celebrate this extraordinary exhibition, The Met commissioned a new work from composer Tan Dun—Symphony of Colors: Terracotta, based on music from his opera The First Emperor. Also on the program was “Triple Concerto: Hero” for violin, cello, piano, and orchestra, with music drawn from the composer's score to Zhang Yimou's film Hero.
This performance was presented in conjunction with the exhibition “Age of Empires: Chinese Art of the Qin and Han Dynasties (221 B.C.–A.D. 220)”, which was on view at The Met Fifth Avenue from April 3 through July 16, 2017.
Recorded Friday, March 31, 2017
Credits This commission was made possible by The Howard & Sarah D. Solomon Foundation.
Tan Dun—Symphony of Colors: Terracotta and Triple Concerto: HeroThe Met2024-05-01 | In 2017, the exhibition “Age of Empires: Chinese Art of the Qin and Han Dynasties (221 B.C.–A.D. 220)” brought to The Met the terracotta warrior sculptures that were buried with the Emperor Qin Shi Huang to protect him in the afterlife. To celebrate this extraordinary exhibition, The Met commissioned a new work from composer Tan Dun—Symphony of Colors: Terracotta, based on music from his opera The First Emperor. Also on the program was “Triple Concerto: Hero” for violin, cello, piano, and orchestra, with music drawn from the composer's score to Zhang Yimou's film Hero.
This performance was presented in conjunction with the exhibition “Age of Empires: Chinese Art of the Qin and Han Dynasties (221 B.C.–A.D. 220)”, which was on view at The Met Fifth Avenue from April 3 through July 16, 2017.
Recorded Friday, March 31, 2017
Credits This commission was made possible by The Howard & Sarah D. Solomon Foundation.
I feel like work is most successful when it is communicating with others and helping you to sort of bridge a gap. — Mildred Beltré
The Brooklyn Hi-Art! Machine began when artists Mildred Beltré and Oasa DuVerney started making art together in each other’s apartments. Sharing stories and experiences as they worked, they wondered if they could bring a similar experience to other neighbors. Dubbing themselves the “Official Unofficial Artists in Residence” of their block, they co-founded a collaborative public art project in the summer of 2010 that explores art-making as a community-building tool. The Brooklyn Hi-Art! Machine is their community based, socially engaged project in Crown Heights, Brooklyn.
During their CPP Residency, the artists will be interviewing residents on their block and photographing cherished family-owned objects. The words and images will then be published in a book that documents their concept of a community-based museum. As part of their on-going practice, they invited neighbors to post for family portraits on a day when they also interviewed members of the community.
The Met’s Civic Practice Partnership (CPP), launched in 2017, catalyzes and implements creative projects that advance healthy communities by bringing the skills and interests of neighborhood stakeholders together with those of The Met and artists who are socially minded in their practice. Invited CPP artists work in their own neighborhoods across New York City and at The Met to develop and implement ambitious projects and forge meaningful collaborations.
In December 2022, as part of their Met residency, Catalyst Quartet presented an immersive dive into Bach’s behemoth Goldberg Variations, featuring their own acclaimed string quartet arrangement of the beloved keyboard work. Performance artist and “theatrical genius” (The New Yorker) Machine Dazzle responded in real time, interpreting the music’s inescapable evolution through a personal, emotional lens. Through pleasure, pain, laughter, and longing, “Bassline Fabulous” continues to engage audiences with the transformative power of the dynamic composition.
“Bassline Fabulous” conceived by Machine Dazzle and Catalyst Quartet
Music: Goldberg Variations, BWV 988 by Johann Sebastian Bach (1685-1750) arr. Catalyst Quartet
Machine Dazzle, performance artist
Catalyst Quartet: Karla Donehew Perez, violin Abi Fayette, violin Paul Laraia, viola Karlos Rodriguez, cello
Geoff Sobelle, director Jeremy Lydic, director of production Alban Sardzinski, lighting design
***Please note that this performance contains sexual content.***
Recorded on Friday, December 16, 2022, in The Vanderlyn Panorama Room (Gallery 735) of The American Wing.
This performance was made possible by the Adrienne Arsht Fund for Resilience through Art.
Additional support was provided by Barbara Tober, the Muriel Kallis Steinberg Newman Fund, and the Grace Jarcho Ross and Daniel G. Ross Concert Fund.
MetLiveArts thanks Barbara Tober for generously hosting the invited dress rehearsal, and The Frederick R. Koch Foundation for its support of the special event.
Throughout art museums around the world, you’ll find ancient stone statues of rulers and marble monuments immortalizing noblemen. These objects were made to survive decay and destruction, to remain intact and whole. But from the moment that stone is extracted from the earth, it is bound to become a more fragmented version of itself–chiseled, chipped, and sometimes shattered over time.
In this episode, we examine the many ways that stone breaks. How can a statue’s cracks and cavities tell a more complex story of our humanity?
Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy.
Production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith.
Sound design by Ariana Martinez and Kristin Muller. Original music by Austin Fisher. Fact-checking by Mary Mathis and Claire Hyman.
Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund.
Immaterial, The Metropolitan Museum of Art’s marquee podcast, is back with eight more episodes that reveal the emotional origins and transformative power of art through the lens of materials.
This season we learn from Mexican artisans keeping centuries-old traditions alive; we go to ancient Mesopotamia to understand time travel; and we find a mythical tree in Belize that’s been making music for decades.
From traditional materials like stone and wood, to more abstract ones like space and time, the podcast explores how these materials shape the inner lives of artworks and the human experiences they reflect.
Season 2 of Immaterial drops June 4.
#MetImmaterial
Follow Immaterial wherever you listen to podcasts.
Suhaly Bautista-Carolina, creator of Moon Mother Apothecary and senior managing educator of audience development, Education, The Metropolitan Museum of Art
Marco Leona, David H. Koch Scientist in Charge, Scientific Research, The Metropolitan Museum of Art
Allison Rudnick, associate curator, Drawings and Prints, The Metropolitan Museum of Art
Alexander Chee, poet, author, and professor of English and creative writing, Dartmouth College
Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camile Dungy. This episode was produced by Adwoa Gyimah-Brempong and Rachel Smith.
Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise. This episode was produced by Adwoa Gyimah-Brempong and Eleanor Kagan.
Special thanks to Holly Phillips, Jessica Ranne-Cardona, Maria Schurr, E. Henderson, and Rachel Pollack.
In 2010, Alexander McQueen presented his bold collection "Plato’s Atlantis," inspired by Charles Darwin’s 1859 scientific book "On the Origin of Species." McQueen imagined humankind evolving to survive underwater and presented a fantastical posthuman hybrid aquatic creature with a bold and visionary statement: "There is no way back for me now. I am going to take you on journeys you never dreamed were possible.”
Included in the collection were these formidable platform boots, known as the "Armadillo" shoes. Only around 20 pairs were ever created(!)—making this deep green pair an exceptionally rare example of one of the most recognizable footwear designs of the early 21st century.
P.S. While these particular boots won't be on view, you can see more from McQueen’s "Plato’s Atlantis" collection in "Sleeping Beauties: Reawakening Fashion," now open through September 2.
👢 Alexander McQueen (British, founded 1992), design house. Alexander McQueen (British, 1969–2010), designer. "Armadillo" shoes, spring/summer 2010. Shagreen (pastinachus sephen). 👢 Alexander McQueen (British, founded 1992), design house. Alexander McQueen (British, 1969–2010), designer. "Armadillo" shoes, spring/summer 2010. Snakeskin, leather metal, wood, synthetic. #ReawakeningFashion #AlexanderMcQueen
In this talk, Hicks and Escobedo join Met curators to discuss their shared interests, including ancient and modern architecture, textile technologies, and their experiences of Mexico in connection with their respective practices.
Sheila Hicks, artist Frida Escobedo, architect Joanne Pillsbury, Andrall E. Pearson Curator, The Michael C. Rockefeller Wing, The Met Moderated by Iria Candela, Estrellita B. Brodsky Curator of Latin American Art, Department of Modern and Contemporary Art, The Met
Presented in celebration of Women’s History Month and in conjunction with the exhibition “Weaving Abstraction in Ancient and Modern Art.”
The Costume Institute’s spring 2024 exhibition, Sleeping Beauties: Reawakening Fashion, reactivates the sensory capacities of masterworks in the Museum’s collection through first-hand research, conservation analysis, and diverse technologies—from cutting-edge tools of artificial intelligence and computer-generated imagery to traditional formats of x-rays, video animation, light projection, and soundscapes.
Video produced by HAPPYMONDAY and The Metropolitan Museum of Art
Managing Producer: Kate Farrell Senior Producer: Melissa Bell Production Coordinator: Lela Jenkins Production Assistants: Tess Solot-Kehl Original Music: Austin Fisher Special thanks to: Andrew Bolton, Stephanie Kramer, Alexandra Fizer, and Mika Kiyono
Dougal Austin, senior curator, Mātauranga Māori, Te Papa Tongarewa The Museum of New Zealand
Dan Hikuroa, senior lecturer in Māori Studies, University of Auckland
Maia Nuku, Evelyn A. J. Hall and John A. Friede Associate Curator for Oceanic Art, Oceanic Art in The Michael C. Rockefeller Wing, The Metropolitan Museum of Art
Lisa Ruaka Reweti, public programs presenter, Whanganui Regional Museum
Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camile Dungy. This episode was produced by Adwoa Gyimah-Brempong and Rachel Smith.
Special thanks to Chanel Clarke and Cellia Joe-Olsen.
The Met Fifth Avenue The Grace Rainey Rogers Auditorium
Dive into a world of water with The Filomen M. D’Agostino Greenberg Music School as they perform music inspired by The Met collection.
The Filomen M. D’Agostino Greenberg Music School is a community school of the arts dedicated to helping individuals of all ages pursue their interests, and study of music, while addressing the challenges posed by vision loss.Metals, Part Two | Immaterial | Season 1, Episode 7 #podcastThe Met2024-05-14 | In the second part of our alchemical journey, we meet what ancient philosophers called the “noble” metals: mercury, silver, and gold. How did a nineteenth-century set designer harness one of the most captivating—and toxic—materials in the world and wind up as one of the fathers of photography? When does a coin go from a piece of stamped metal to an act of faith? And how did gold in Ghana go from dust in the water to a touchstone of language, story, and the strength of an empire?
This podcast episode was first released August 31, 2022.
Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camile Dungy. This episode was produced by Adwoa Gyimah-Brempong.
Special thanks to Alan Shapiro, Bobby Walsh, Lauren Johnson, and Kwabena and Rose Gyimah-Brempong.
Thomas himself draws inspiration from his mother—an artist, curator, and photo historian—throughout his work. Take a cue from him and call your mother today! 🌸
See this photo and more on view in “Don’t Forget to Call Your Mother” through September 15.
Production Credits: Camera: Aurola Wedman Alfaro Editor: Aurola Wedman Alfaro Produced in collaboration with Claire Lanier, Micah Pegues, Alexandra Fizer, and Mika Kiyono Music: Just Give Me One More Day by Alej
A conversation with Sophia Cohen Associate Director at Gagosian Gallery, an avid collector and champion of artists, and a noted philanthropist
Venus Williams American tennis legend, a cutting-edge entrepreneur, and a dedicated collector and arts advocate
Moderated by Jane Panetta Aaron I. Fleischman Curator, Department of Modern and Contemporary Art
Filmed on Wednesday, April 3, 2024
Women & the Critical Eye Host Committee 2024
Wonder Women
Sarah Arison Fiona Druckenmiller Agnes Gund Sandra Hoffen Flora Huang Rebecca Lainovic Judy Glickman Lauder Linda Lindenbaum Nancy Marks Renee McKee Dr. Merryl H. Tisch Marica Vilcek Lulu C. Wang Sharon Wee
Sustaining Member
Lea Paine Highet Amabel B. James Ann F. Kaplan Evelyn Lipper Amanda Davis Lister Ming Liu Susan and Sophie Sawyers Kimberly Shirley Ann M. Spruill Candace King Weir Shelby White
Supporting Member
Holly Andersen, M.D. Candace K. Beinecke Renée Belfer Debra Black B.J. Cowie Milly Glimcher Kim Greenberg Jean D. Hamilton Stephanie Hodor Kristin Hohmann Dr. Jane Katcher Deborah Klein Uttara P. Marti The Mulan Club Josie Cruz Natori Philippa Portnoy Gwen Price Rochelle Rosenberg Bonnie J. Sacerdote Teresa Saputo-Crerend Cheryl Scharf Gillian Steel Sarah Sze Shazi Visram Paula Volent
Partner Member
Virginia Barbato Kelly Baum Allegra Bettini Suzanne Brenner Renee Chang Marquardt Dr. Bobbi Coller Christy Coombs Nathalie de Gunzburg Nina del Rio Lisa Dennison Janelle Faulk Martha Fling Fredrica S. Friedman Cynthia Griffin Susan Gutfreund Marsha W. Harper Alexandra Higashi-Howard Hannah Howe Catherine Kinney Jane Parsons Klein Brooke Lampley Katherine Lauder Linda Macklowe Leslie Maheras Natasha Mitra Banoo Parpia Iris Lior Posternack Jane C. Rubens Rebecca L. Rutherfurd Dr. Sarah Schlesinger Hirschfeld Beatrice Stern Julie Tobey Marjorie Van Dercook Mary Wallach Anita Wien Carolyn Talbot Seely Wiener India Wolf
Committee Member
Hillary Bliss Betsy Z. Cohen Harriette Cole Kaitlin Hao Genevieve Kinney Lauren Lucas Mariel Pezik Pajoow Arielle Patrick Liane Pei Leslie Perkins Nithya Raman Amy O'Reilly Rizzi Vanessa Ruta Mira Sharma Lauren Katzowitz Shenfield Seema Sheoran List in formation as of April 1, 2024
Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camile Dungy. This episode was produced by Adwoa Gyimah-Brempong.
Field production by Tanita Rahmani.
Special thanks to Sheila Blair, Lauren Johnson, and G. Willow Wilson.
Join us for dynamic conversations, presentations, and performances by leading scholars and artists to engage with themes found in the exhibition The Harlem Renaissance and Transatlantic Modernism. Explore the comprehensive and far-reaching ways Black artists portrayed modern everyday life in Harlem and beyond in the 1920s–40s.
Schedule of Events
Opening Performance 10 am The National Jazz Museum in Harlem House Band led by Christopher McBride
Welcome and Introduction 10:35 am Max Hollein, Marina Kellen French Director and Chief Executive Officer, The Met Heidi Holder, Frederick P. and Sandra P. Rose Chair of Education, The Met Denise Murrell, Merryl H. and James S. Tisch Curator at Large, Director’s Office, The Met
Keynote 10:45 am Isabel Wilkerson, author
Session I
11:30 am Presentations—Harlem as Nexus Emilie Boone, Assistant Professor, Department of Art History, and the Institute of Fine Arts, New York University Rhea L. Combs, Director of Curatorial Affairs, National Portrait Gallery, Washington D.C. Ego Ahaiwe Sowinski, archivist and author Richard J. Powell, John Spencer Bassett Distinguished Professor of Art and Art History, Duke University Professor of Art and Art History, Duke University
1 pm Break
Session II
2 pm Conversation—Legacies of Harlem on My Mind Bridget R. Cooks, Chancellor’s Fellow and Professor of Art History and African American Studies, University of California, Irvine University of California, Irvine Lowery Stokes Sims (participating virtually), independent curator, art historian, and former curator at The Met Moderated by Denise Murrell, The Met
3 pm Conversation—Visioning the Future: The Collections of Historically Black Colleges and Universities Kathryn E. Coney, Co-Executive Director, Gallery of Art, Howard University Jamaal Sheats, Associate Provost of Art and Culture, Director and Curator of Galleries, Fisk University Danille Taylor, Director, Clark Atlanta University Art Museum Vanessa Thaxton-Ward, Director, Hampton University Museum Moderated by Joy Bivins, Director, Schomburg Center for Research in Black Culture
4 pm Break
Session III
4:30 pm Conversation—New Renaissance: Harlem Today Jordan Casteel, artist, Trustee, The Met Anna Glass, Executive Director, Dance Theatre of Harlem Sade Lythcott, Chief Executive Officer, National Black Theatre Moderated by Thelma Golden, Director and Chief Curator, Studio Museum in Harlem
5:30 pm Reading NSangou Njikam, actor, playwright
5:45 pm Closing Remarks Denise Murrell, The Met
Presented in conjunction with the exhibition The Harlem Renaissance and Transatlantic Modernism.
This program is made possible by the Jerome Levy Foundation, in honor of Marvin Schwartz.
Kosovar artist Petrit Halilaj (born 1986, Kostërc, former Yugoslavia) has transformed The Met’s Iris and B. Gerald Cantor Roof Garden with a sprawling sculptural installation, the artist's first major project in the United States.
Halilaj's work is deeply connected to the recent history of his native country, Kosovo, and the consequences of cultural and political tensions in the region. After a formative period in Italy, where he studied art at the Accademia di Brera in Milan, he moved to Berlin in 2008, where he still lives and works. Abetare reflects the artist’s personal experience as a refugee of war and the universal hopes and fears captured in children’s drawings.
Interviewer: Iria Candela, Estrellita B. Brodsky Curator of Latin American Art Director and Managing Producer: Kate Farrell Editor: Lucas Groth Producer: Melissa Bell Cinematography: Jeffrey Johnson 2nd Camera/AC: Jon Jenkins Sound: Matthew Modula Jib Camera: Kelly Richardson Berlin Footage: Oscar Michal Production Coordinator: Lela Jenkins Production Assistants: Tess Solot-Kehl, Brian Berman Music: Austin Fisher Timelapse Photography: Wilson Santiago, Heather Johnson Exhibition Project manager: Zoe Tippl Buildings Manager: Taylor Miller 81st Studio: Kate Swanson
Special thanks to: Petrit Halilaj and Iria Candela; Studio Petrit Halilaj: Serena Rota (studio manager), Ferdinand Pechmann (production manager), Hugo Larquè (workshop manager), Vanina Saracino (research and editorial advisor), Rosario Moran and Christina Stathakopoulou (visualizations, 3D models), Veronica Paredes (accounting), Mirjam Khera (studio assistant), Martina Pelacchi (production); collaborators: Christina Werner (research advisor), Juan Echavarria, Mattia Bertolo, Toni Flügel, Anka Mirkin, Max Negrelli, Samuel von Düffel, Hagar Ophir, Nathan Stone, Joe Highton, and Fritz Rahne; Bernd Euler, Senta Hoppe, and the team at Euler GmbH, and Skulpturengießerei Knaak (artwork production); and Will Laufs and Kirill Kiselev (engineering); Abetare research in the Balkans: Amy Zion (research advisor), Leutrim Fishekqiu, Vatra Abrashi, Adrian Berisha, Arjon Kajtazi, Rrahim Dervishi, Hava Dako, Nikola Uzunovski, Olsi Lelaj, Amar Agić, Armin Ličina, Lushi Ismailaj, Valmira Morina, Lea Vene, Adela Železnik, Dzeni Rostohar, Zdenka Badovinac, Natalija Veselič Martinjak, Shaha Hyseni, Sofija Balać, Dzeni Rostohar, and Matej Jurčevoć.
Nelly Margarita Robles García, Director of Atzompa Monumental Complex Archaeological Project, Oaxaca, INAH-Mexico Alejandro de Ávila Blomberg, Founding Director, Jardín Etnobotánico de Oaxaca Omar Aguilar Sánchez (Mixtec), archaeologist Mauricio Rocha Iturbide, architect Moderated by Jonathan Bell, Vice President of Programs, World Monuments Fund
Join leading experts for presentations and discussion exploring cultural heritage sites in Mexico, including the region of Oaxaca and the unique relationship between its local communities, their daily lived traditions, and natural landscapes. In advance of the opening of The Met’s reenvisioned Michael C. Rockefeller Wing in 2025, learn how the new galleries will foreground the significant role that landscape plays in Mesoamerican art.
This is part of a series of programs about cultural heritage sites in Africa, Oceania, and the Americas.
Presented in partnership with World Monuments Fund.
The Free Black Women’s Library is a third-space social art project founded and maintained by artist OlaRonke Akinmowo that features a collection of over 5,000 books written by Black women and Black nonbinary writers in the Bedford-Stuyvesant neighborhood in Brooklyn. Like any library, it is a space to read, write, and study. Visitors are also invited to attend workshops, film screenings, book signings, teach-ins, story time sessions, critical conversations and to use the space to gather in community.
During her CPP Residency, OlaRonke has created Obsidian, a collective featuring 20 Black women writers and artists who meet several times a month. In December 2024, Obsidian will publish a book, "Pretty Little Brick."
The Met’s Civic Practice Partnership (CPP), launched in 2017, catalyzes and implements creative projects that advance healthy communities by bringing the skills and interests of neighborhood stakeholders together with those of The Met and artists who are socially minded in their practice. Invited CPP artists work in their own neighborhoods across New York City and at The Met to develop and implement ambitious projects and forge meaningful collaborations.
Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camile Dungy. This episode was produced by Eleanor Kagan and Ariana Martinez.
Translation, photos and field production by Fernando Hernandez Becerra of Esto no es radio.
Special thanks to Marie Clapot, Monika Bincsik, Sarah Cowan, Lam Thuy Vo, and ArtShack Brooklyn.
Roald Hoffmann, chemist and writer Enrique Martínez Celaya, artist Moderated by Krista Tippett, journalist and author
Hear from renowned artist and former physicist Enrique Martínez Celaya and Nobel Prize-winning chemist Roald Hoffmann as they come together for a conversation exploring the multifaceted relationship between art and science. Gain insight into the commonalities and divergences between both fields, delve into their creative processes, and explore how art and science can inform and inspire each other. Moderated by award-winning journalist Krista Tippett, their conversation also addresses topical issues such as ethics, communication, and the tension between simulation and understanding.
Roald Hoffmann, born in 1937 in Złoczów, Poland (now Ukraine), is a distinguished chemist and writer known for his groundbreaking work in theoretical chemistry, particularly in the realm of chemical reactions and the design of new molecules. He has received many of the honors of his profession, including the 1981 Nobel Prize in Chemistry (shared with Kenichi Fukui). After surviving World War II, Hoffmann came to the U. S. in 1949, where he attended public school in Queens and Brooklyn before studying chemistry at Columbia and Harvard Universities (Ph.D. 1962). Since 1965, he has worked at Cornell University, where half of his time he teaches introductory chemistry. He was also the presenter of the PBS television course in chemistry, "The World of Chemistry." As a writer, Hoffmann has carved out a land between science, poetry, and philosophy through many essays, five non-fiction books, three plays, and seven published collections of poetry. He has also collaborated widely with artists.
Enrique Martínez Celaya is an artist, author, and former physicist whose work has been exhibited and collected by major institutions worldwide. He is Provost Professor of Humanities and Arts at the University of Southern California, and a Montgomery Fellow at Dartmouth College. Martínez Celaya is the author of nine books, and his work has been the subject of 14 monographic publications. His work is held in 58 public collections internationally, including The Metropolitan Museum of Art. He is the founder of Whale & Star, an evolving idea of social interaction and responsibility, whose imprint is internationally recognized for its books in art, poetry, art practice, and critical theory. Martínez Celaya was born in Cuba and raised in Spain and Puerto Rico. He studied applied physics, literature, and art at Cornell University, the University of California, Berkeley, and the University of California, Santa Barbara.
Krista Tippett is a Peabody-award winning broadcaster, National Humanities Medalist, and New York Times bestselling author. She created and hosts On Being, which has won the highest honors in broadcast, Internet, and podcasting. She leads The On Being Project, which produces a second successful podcast, Poetry Unbound, and is evolving to meet the callings of the post-2020 world. Emergent in 2024 is the Lab for the Art of Living, alongside gatherings and “quiet conversations” to accompany the generative people and possibilities within this tender, tumultuous time to be alive. Krista grew up in a small town in Oklahoma, attended Brown University, worked as a young journalist and diplomat in Cold War Berlin, and later received a Master of Divinity from Yale. Her books are Speaking of Faith, Einstein’s God and, most recently, Becoming Wise: An Inquiry into the Mystery and Art of Living.
This program is made possible by the Pearl Ehrlich Fund.
Hugo Chapman, Simon Sainsbury Keeper of Prints and Drawings, The British Museum
In the second Michael and Juliet Rubenstein Lecture on Connoisseurship, Hugo Chapman discusses how he fell under the spell of Raphael's drawings as a student, the ups and downs of working in an auction house, and the challenges of putting a name to every Italian drawing in the British Museum when the collection was digitized. Learn how connoisseurship has become a more collaborative exercise and how close looking can still yield surprising discoveries.
This annual series is made possible by the Michael A. and Juliet van Vliet Rubenstein Fund.
Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy. This episode was produced by Adwoa Gyimah-Brempong and Eleanor Kagan.
Special thanks to Mindell Dubansky and Nadine Orenstein.
Consider how common objects are animated, transformed, and fetishized by the camera, from the artist’s studio to the ad agency. Join a panel of artists and experts to explore commercial strategies of visual seduction in contemporary product photographs and their historical precursors.
Presented in conjunction with the exhibition The Real Thing: Unpackaging Product Photography.
Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camile Dungy. This episode was produced by Elyse Blennerhassett.
Music in this episode performed and composed by Steve Turre, Lemon Guo, Sophia Shen, Elyse Blennerhassett, Austin Fisher, and Chris Zabriskie.
Shell recordings from Chavin provided by Miriam Kolar and performed by Miriam Kolar, Robert Silva, Ricardo Guerrero La Luna, Riemann Ramirez, Ronald San Miguel, and Tito La Rosa.
Special thanks to Tim Caster, Markus Sesko, John Guy, Maia Nuku, James Doyle, Julia Waterman, Paul Schneider, and Peter Rinaldi.
Richard J. Powell, John Spencer Bassett Professor of Art and Art History, Duke University
Join scholar Richard J. Powell as he rethinks the art of Cubism through the historical and aesthetic lens of African American art. Artists such as Dudley Murphy, Aaron Douglas, Jacob Lawrence, Mickalene Thomas, and Nina Chanel Abney use angular and fractured forms that resonate with the cultural effects of ragtime, jazz, hip-hop, and other Black performing arts traditions. They plumb Cubism’s strategies and theoretical formations, weighing the value of universal signs and imaging systems and probing art’s contested identities.
This program is presented by the Leonard A. Lauder Research Center for Modern Art.2023 Paper Conservation Symposium – ParchmentThe Met2024-03-29 | Hosted by The Metropolitan Museum of Art’s Paper Conservation Department, parchment and leather researcher and producer Jesse Meyer discusses historical and contemporary production methods, University of Cambridge Professor Dr. Matthew Collins and Research Associate Dr. Matthew Teasdale share their research on genetic markers that identify the animals used to make the parchment in ancient manuscripts.
Nadine M. Orenstein, Drue Heinz Curator in Charge, Drawings and Prints, The Metropolitan Museum of Art
Abraham Thomas, Daniel Brodsky Curator of Modern Architecture, Design, and Decorative Arts, Modern and Contemporary Art, The Metropolitan Museum of Art
Adrian Forty, professor of architectural history, University College London, and author of Concrete and Culture (2012)
Marco Leona, David H. Koch Scientist in Charge, Scientific Research, The Metropolitan Museum of Art
Iria Candela, Estrellita B. Brodsky Curator of Latin American Art, Modern and Contemporary Art, The Metropolitan Museum of Art
Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy. This episode was produced by Eleanor Kagan.
Special thanks to Doris Salcedo, Laura Ubate, the San Francisco Museum of Modern Art, the Museum of Contemporary Art in Chicago, Harvard Art Museums, and the Nasher Sculpture Center.