Uploaded June 2023 | Updated September 2026, 1 day ago
It's a flummoxing phenomenon, but it's real! Find out why falling prey to this common practicing mistake is so detrimental and what to do about it: Nailed it in practice, but in the performance, at the lesson - not so much! Why, oh why!?
Get the TAB and other assets for this lesson - free!
righton.arisbassblog.com/courses/bass-tip-1
(#A1)
00:00 The cause of the problem: false starts
01:37 The remedy - Refine your practice (1)
01:50 (2) - Test yourself
02:37 (3) - Keep your tunes warm
Transcription:
So, I'm curious if this has ever happened to you: You're practicing. You're nailing it. You're sounding great. You're sounding awesome, so you're beginning to feel really, really good about your upcoming lesson, or your upcoming gig. So you pack up go to the gig or or to the lesson then you step on the stage or you enter your teacher's studio and you play the piece that you felt so confident about and you're falling apart! It's not doing what you thought it would do. You're faltering. It feels as if you'd have never really known it and you ask yourself: "what's wrong with me?"
So don't worry, this is very common. This is typically what happened. You most likely didn't know it as well as you thought and here's why. When you practice it at home, ask yourself if you had a bunch of false starts. But you fixed them and then went on and as the practice progressed you got better and better at it and didn't have that many false starts to begin with. Now after a pretty good practice session, the last few times when you practiced it you nailed it! But the truth is you had to get it wrong a whole bunch of times before you eventually did get it right and after that long extended practice session when you played it the last time that's what's sticking in your memory. That's why you're getting up from the practice session going I'm good. The truth is that next day after that really successful practice session when you sit down and practice it again, you probably will have those false starts again until finally getting it right.
So what happened at the lesson or at the gig is exactly what would have happened if you would have sat down for another practice session. We just kind of erase all these wrong false starts in our minds. So what's the remedy? What's the way out of this? How can you test yourself to make sure that you're truly ready?
First, refine your practice. Avoid false starts to begin with. Avoid falling into "error loops". I've done other videos on that topic.
Second, do the test. Test yourself. Test yourself if you're gig or lesson ready and this is how you do it: You practice, do your thing, whatever... take a break. Take a long break. Come back next day. Then you sit down and you got one chance. You're cold. You're not warmed up. You haven't played it a million times wrong or right or whatever. You just get to the bass cold. Can you play it in your mind? Can you hear it before you start playing? Can you do something like talk yourself through the sections of the tune? And now for the litmus test, can you play it correctly right out of the gate on the very first try?
If you really want to go all in with that test, hit record on a camera because then you'll know. And if you're nailing it... you're ready. If you don't, you just need a bit more practice. Also make sure that you keep your tunes warm because they don't stay warm and ready to go forever.
The takeaway? Practice in such a way that you nail it out of the gate when coming to the bass cold. That is your litmus test whether you know it or not yet.
Bassist β’ Educator β’ Author
Welcome to the captivating world of bass & learning! I am Ari, AKA Ariane Cap and I am thrilled to welcome you!
Whether you're a beginner looking to learn the fundamentals or an experienced player seeking to expand your skills, come on in and tune up!
β€οΈ Subscribe to my youtube: youtube.com/@LearnBassWithAri
π Instagram: instagram.com/arisbassblog
πΈ Blog: https://capcat-music-media.ck.page/833993ec23
π Like my FB Page: facebook.com/CapCatBass
π₯ Join my FB Group: facebook.com/groups/aribass
π Follow me on LinkedIn: linkedin.com/in/arianecap
π¦ twitter.com/ArianeOnBass
ββ Join a small course:
righton.arisbassblog.com/courses/make-theory-stick
π Music Theory for the Bass Player (book): amzn.to/3NtiiaR
π The Pattern System for the Bass Player (book): amzn.to/3r8lbpG
π© Theory Chart: amzn.to/3qZgJtn
π§ Pattern Chart: amzn.to/3r3Sdri
As an Amazon Associate I earn from qualifying purchases.
Related searches:
effective music practice techniques
ariane cap bass guitar lessons
enhancing musicality on the bass guitar
developing a better practice routine for music
mastering music practice for bass guitarists
bass guitar tips
It's a flummoxing phenomenon, but it's real! Find out why falling prey to this common practicing mistake is so detrimental and what to do about it: Nailed it in practice, but in the performance, at the lesson - not so much! Why, oh why!?
Get the TAB and other assets for this lesson - free!
righton.arisbassblog.com/courses/bass-tip-1
(#A1)
00:00 The cause of the problem: false starts
01:37 The remedy - Refine your practice (1)
01:50 (2) - Test yourself
02:37 (3) - Keep your tunes warm
Transcription:
So, I'm curious if this has ever happened to you: You're practicing. You're nailing it. You're sounding great. You're sounding awesome, so you're beginning to feel really, really good about your upcoming lesson, or your upcoming gig. So you pack up go to the gig or or to the lesson then you step on the stage or you enter your teacher's studio and you play the piece that you felt so confident about and you're falling apart! It's not doing what you thought it would do. You're faltering. It feels as if you'd have never really known it and you ask yourself: "what's wrong with me?"
So don't worry, this is very common. This is typically what happened. You most likely didn't know it as well as you thought and here's why. When you practice it at home, ask yourself if you had a bunch of false starts. But you fixed them and then went on and as the practice progressed you got better and better at it and didn't have that many false starts to begin with. Now after a pretty good practice session, the last few times when you practiced it you nailed it! But the truth is you had to get it wrong a whole bunch of times before you eventually did get it right and after that long extended practice session when you played it the last time that's what's sticking in your memory. That's why you're getting up from the practice session going I'm good. The truth is that next day after that really successful practice session when you sit down and practice it again, you probably will have those false starts again until finally getting it right.
So what happened at the lesson or at the gig is exactly what would have happened if you would have sat down for another practice session. We just kind of erase all these wrong false starts in our minds. So what's the remedy? What's the way out of this? How can you test yourself to make sure that you're truly ready?
First, refine your practice. Avoid false starts to begin with. Avoid falling into "error loops". I've done other videos on that topic.
Second, do the test. Test yourself. Test yourself if you're gig or lesson ready and this is how you do it: You practice, do your thing, whatever... take a break. Take a long break. Come back next day. Then you sit down and you got one chance. You're cold. You're not warmed up. You haven't played it a million times wrong or right or whatever. You just get to the bass cold. Can you play it in your mind? Can you hear it before you start playing? Can you do something like talk yourself through the sections of the tune? And now for the litmus test, can you play it correctly right out of the gate on the very first try?
If you really want to go all in with that test, hit record on a camera because then you'll know. And if you're nailing it... you're ready. If you don't, you just need a bit more practice. Also make sure that you keep your tunes warm because they don't stay warm and ready to go forever.
The takeaway? Practice in such a way that you nail it out of the gate when coming to the bass cold. That is your litmus test whether you know it or not yet.
Bassist β’ Educator β’ Author
Welcome to the captivating world of bass & learning! I am Ari, AKA Ariane Cap and I am thrilled to welcome you!
Whether you're a beginner looking to learn the fundamentals or an experienced player seeking to expand your skills, come on in and tune up!
β€οΈ Subscribe to my youtube: youtube.com/@LearnBassWithAri
π Instagram: instagram.com/arisbassblog
πΈ Blog: https://capcat-music-media.ck.page/833993ec23
π Like my FB Page: facebook.com/CapCatBass
π₯ Join my FB Group: facebook.com/groups/aribass
π Follow me on LinkedIn: linkedin.com/in/arianecap
π¦ twitter.com/ArianeOnBass
ββ Join a small course:
righton.arisbassblog.com/courses/make-theory-stick
π Music Theory for the Bass Player (book): amzn.to/3NtiiaR
π The Pattern System for the Bass Player (book): amzn.to/3r8lbpG
π© Theory Chart: amzn.to/3qZgJtn
π§ Pattern Chart: amzn.to/3r3Sdri
As an Amazon Associate I earn from qualifying purchases.
Related searches:
effective music practice techniques
ariane cap bass guitar lessons
enhancing musicality on the bass guitar
developing a better practice routine for music
mastering music practice for bass guitarists
bass guitar tips

![Ariane Cap Review Compilation | Hear from our Members!
Reviews from Ariane Caps students praising her courses and membership program.
00:00 Ellie: My playing is getting better
00:13 Peter: Not only how, but why things work
00:23 Daniel: Exercises and how they relate to theory
00:40 Randy: Really starting to make a lot more sense now
00:55 Ellie: This is phenomenal teaching
01:14 Peter: Provides structure to your practice
01:32 Randy: This is the teacher Ive been looking for
01:43 Peter: Now I understand why songs and bass lines are structured the way they are
01:56 Ellie: Free to express myself
02:06 Daniel: Style of teaching is accessible to any level player
02:29 Randy: Worth every penny
Transcription
[Ellie]: So I noticed that my playings getting better because of what Im doing with her. In other words, my movement, where Im going, what I can learn, how to prepare for that group is all improving - all of it!
[Peter]: She not only tells you how you can do things, but she also explains to you why the things work the way they work.
[Randy]: You know if you wanted to learn well, Id say go with Ari.
[Daniel]: You know she starts off each lesson with exercises that relate to Theory, whether its scales or the Pattern System or just learning to strengthen the muscles in our fingers. So I do like that combination of theory and application.
[Randy]: The structure of the of the bass - the way the bass is tuned and laid out on the fretboard and I knew there was a pattern but the way all these patterns break down and they interlock with each other... I was just thinking earlier tonight, man this this is really starting to make a lot more sense now.
[Ellie]:Okay, so shell do a drill and then translates what weve just drilled into a piece of music. So that when I pick up the bass its ahhh yeah, theres this thread that just brings it all together. This is phenomenal teaching! This for me, is exceptional teaching!
[Peter]: Its nice to have a structure to your practice because sometimes you know you can pick up the instrument and noodle with it without any particular purpose but the her sessions, they give you a structure so you can see where you were and where youre going to and youve got to make the steps and its very helpful.
[Randy]: All the pieces of the puzzle but now I know what the puzzle is. When I found Ari - this is the person Ive been looking for to teach me.
[Peter]: I feel much more comfortable and understanding, oh here is the root note, here is the fifth, here is the pentatonic scale, and I also understand why songs are structured the way theyre structured or the bass lines are structured the way theyre structured and its super helpful when youre learning covers or trying to write your own stuff.
[Ellie]: So I feel like when I build this foundation Im gonna be able to be free to just express and have this music and what I want to say come through my heart.
[Daniel]: Just her style of teaching is really, really accessible to anybody - on any level of music. I dont play with a group at this point. I do it for joy and it really generates joy for me I think thats worth it right there. Your stomach needs to be fed, but so does your soul and I feel like the best way to say it is that music feeds my soul and playing an instrument feeds my soul.
[Randy]: You couldnt ask for a better. Its been a thoroughly enjoyable experience worth every penny.
Related Searches
Ariane Cap Review
Ariane Cap Member Reviews
Ariane Cap Membership Review
Ariane Cap Cohort Review
Ariane Cap Membership Review
Ariane Cap Pattern System Review
Ariane Cap Music Theory for the Bass Player Review Ariane Cap Review Compilation | Hear from our Members!](https://i.ytimg.com/vi/cgSGqmOUZJE/mqdefault.jpg)








