Why an Editor’s Cut Should Look Nothing Like The Finished Film @ThisGuyEdits
Why an Editor’s Cut Should Look Nothing Like The Finished Film  @ThisGuyEdits
Uploaded August 2024 | Updated September 2026, 2 weeks ago
I help editors level up into feature films, TV, and documentaries by cutting the kind of scenes that get them hired: skool.com/the-go-to-editor/about An exclusive behind-the-scenes look at the Emmy-nominated editing of FX's critically acclaimed show, *Reservation Dogs*. In this video, we sit down with editors Varun Viswanath, ACE, and Patrick Tuck, who have just been nominated for an Emmy for their work on the final episode of season three.

Discover the secrets behind their cutting-edge techniques as they share insights into their creative process, collaborate with the showrunner, and how they seamlessly work with directors to bring this powerful story to life. Take advantage of this chance to learn from the best in the business!

Watch "What Editing a Big Movie Looks Like": youtu.be/dPXBDjcCrSw?si=8WEYUwO7sWJmpZuP

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THIS GUY EDITS (TGE) is a YouTube channel by film editor Sven Pape, an A.C.E. award nominee whose credits include work for directors James Cameron, Joseph Gordon-Levitt, and Sundance filmmaker Mark Webber.

➜ MY FREE MINI-COURSE-
secreteditinghacks.com

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thegotoeditor.com

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00:00 Intro
01:42 The First Cut
04:40 Editing Dialog
09:02 How to Become a Go-To Editor
10:28 The Editor's Unique Approach
14:46 Script Sync vs Select Reels
20:47 Working with the Showrunner
22:50 What Editing a Big Movie Looks Like

#reservationdogs #filmediting #emmys2024
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Why an Editor’s Cut Should Look Nothing Like The Finished Film

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