Uploaded May 2024 | Updated September 2026, 2 weeks ago
I help editors level up into feature films, TV, and documentaries by cutting the kind of scenes that get them hired: skool.com/the-go-to-editor/about
With all the excitement around Anya Taylor Joy and Chris Hemsworth's Furiosa, I thought this would be a cool video to make.
Mad Max: Fury Road" (2015) and "Transformers" (2007) are both high-octane action films, but they employ distinctly different editing and cinematographic techniques to captivate audiences.
Both films utilize their respective editing styles to enhance their storytelling: "Mad Max" with its relentless pace and stabilizing center-framing creates a streamlined narrative amidst chaos, whereas "Transformers" offers a more traditional blockbuster experience with its own brand of kinetic spectacle. Despite their different approaches, both films effectively use their visual strategies to immerse viewers in their thrilling cinematic worlds.
"Mad Max: Fury Road," directed by George Miller, is renowned for its frenetic editing style. This rapid editing pace creates a visceral viewing experience that reflects the chaotic, dystopian world of the film. Moreover, Miller employs a technique known as center-framing, where the subject of action is kept in the center of the frame. This method is particularly effective for eye-tracking, as it allows the audience to easily follow the action without needing to shift their gaze significantly, thus maintaining a continuous flow and understanding of the high-speed scenes.
In contrast, "Transformers," directed by Michael Bay, also features fast editing. The editing pace contributes to the dynamic nature of the film, highlighting the spectacular transformations and battle sequences between Autobots and Decepticons. However, unlike "Mad Max," "Transformers" does not adhere consistently to center-framing. Bay’s style is more eclectic, often using sweeping camera movements and rapidly changing angles that challenge the viewer’s eye-tracking ability. This can create a more disorienting effect, which, while dynamic, sometimes requires more effort from the audience to follow the action.
★- - - - - - - - - - - - - - - - - - - - - - - - - - - ★
THIS GUY EDITS (TGE) is a YouTube channel by film editor Sven Pape, an A.C.E. award nominee whose credits include work for directors James Cameron, Joseph Gordon-Levitt, and Sundance filmmaker Mark Webber.
➜ ONLINE EDITING TRAINING-
skool.com/the-go-to-editor/about
★- - - - - - - - - - - - - - - - - - - - - - - - - - - ★
#madmax #transformers #filmediting
I help editors level up into feature films, TV, and documentaries by cutting the kind of scenes that get them hired: skool.com/the-go-to-editor/about
With all the excitement around Anya Taylor Joy and Chris Hemsworth's Furiosa, I thought this would be a cool video to make.
Mad Max: Fury Road" (2015) and "Transformers" (2007) are both high-octane action films, but they employ distinctly different editing and cinematographic techniques to captivate audiences.
Both films utilize their respective editing styles to enhance their storytelling: "Mad Max" with its relentless pace and stabilizing center-framing creates a streamlined narrative amidst chaos, whereas "Transformers" offers a more traditional blockbuster experience with its own brand of kinetic spectacle. Despite their different approaches, both films effectively use their visual strategies to immerse viewers in their thrilling cinematic worlds.
"Mad Max: Fury Road," directed by George Miller, is renowned for its frenetic editing style. This rapid editing pace creates a visceral viewing experience that reflects the chaotic, dystopian world of the film. Moreover, Miller employs a technique known as center-framing, where the subject of action is kept in the center of the frame. This method is particularly effective for eye-tracking, as it allows the audience to easily follow the action without needing to shift their gaze significantly, thus maintaining a continuous flow and understanding of the high-speed scenes.
In contrast, "Transformers," directed by Michael Bay, also features fast editing. The editing pace contributes to the dynamic nature of the film, highlighting the spectacular transformations and battle sequences between Autobots and Decepticons. However, unlike "Mad Max," "Transformers" does not adhere consistently to center-framing. Bay’s style is more eclectic, often using sweeping camera movements and rapidly changing angles that challenge the viewer’s eye-tracking ability. This can create a more disorienting effect, which, while dynamic, sometimes requires more effort from the audience to follow the action.
★- - - - - - - - - - - - - - - - - - - - - - - - - - - ★
THIS GUY EDITS (TGE) is a YouTube channel by film editor Sven Pape, an A.C.E. award nominee whose credits include work for directors James Cameron, Joseph Gordon-Levitt, and Sundance filmmaker Mark Webber.
➜ ONLINE EDITING TRAINING-
skool.com/the-go-to-editor/about
★- - - - - - - - - - - - - - - - - - - - - - - - - - - ★
#madmax #transformers #filmediting




![Once Upon A Time In Hollywood (2019)
SPOILER HEAVY Editing Analysis of...
Once Upon a Time in Hollywood[a] (https://en.wikipedia.org/wiki/Once_Upon_a_Time_in_Hollywood#cite_note-stylized-5) is a 2019 comedy-drama (https://en.wikipedia.org/wiki/Comedy-drama) film written and directed by Quentin Tarantino (https://en.wikipedia.org/wiki/Quentin_Tarantino) . Produced by Columbia Pictures (https://en.wikipedia.org/wiki/Columbia_Pictures) , Bona Film Group (https://en.wikipedia.org/wiki/Bona_Film_Group) , Heyday Films (https://en.wikipedia.org/wiki/Heyday_Films) , and Visiona Romantica and distributed by Sony Pictures Releasing (https://en.wikipedia.org/wiki/Sony_Pictures_Releasing) , it is an international co-production between the United States and the United Kingdom. The film stars Leonardo DiCaprio (https://en.wikipedia.org/wiki/Leonardo_DiCaprio) , Brad Pitt (https://en.wikipedia.org/wiki/Brad_Pitt) , and Margot Robbie (https://en.wikipedia.org/wiki/Margot_Robbie) , co-starring Emile Hirsch (https://en.wikipedia.org/wiki/Emile_Hirsch) , Margaret Qualley (https://en.wikipedia.org/wiki/Margaret_Qualley) , Timothy Olyphant (https://en.wikipedia.org/wiki/Timothy_Olyphant) , Austin Butler (https://en.wikipedia.org/wiki/Austin_Butler) , Dakota Fanning (https://en.wikipedia.org/wiki/Dakota_Fanning) , Bruce Dern (https://en.wikipedia.org/wiki/Bruce_Dern) , and Al Pacino (https://en.wikipedia.org/wiki/Al_Pacino) . The film is set in 1969 Los Angeles where a fictional aging television actor and his stunt double and longtime friend navigate the changing Hollywood film industry.[5] (https://en.wikipedia.org/wiki/Once_Upon_a_Time_in_Hollywood#cite_note-6) It features a large ensemble cast who star in multiple storylines in a modern fairy tale tribute to the final moments of Hollywoods golden age.[6] (https://en.wikipedia.org/wiki/Once_Upon_a_Time_in_Hollywood#cite_note-synopis-7) [7] (https://en.wikipedia.org/wiki/Once_Upon_a_Time_in_Hollywood#cite_note-8)
Announced in July 2017, the film is the first of Tarantinos not to be associated with producer Harvey Weinstein (https://en.wikipedia.org/wiki/Harvey_Weinstein) , after Tarantino cut ties with The Weinstein Company (https://en.wikipedia.org/wiki/The_Weinstein_Company) following sexual abuse allegations against Weinstein (https://en.wikipedia.org/wiki/Harvey_Weinstein_sexual_abuse_allegations) that October. Sony Pictures (https://en.wikipedia.org/wiki/Sony_Pictures) won the distribution rights, having met several of Tarantinos demands including final cut privilege (https://en.wikipedia.org/wiki/Final_cut_privilege) . Pitt, DiCaprio, and Robbie, as well as several Tarantino regulars such as Zoë Bell (https://en.wikipedia.org/wiki/Zo%C3%AB_Bell) and Kurt (https://en.wikipedia.org/wiki/Kurt_Russell) Once Upon A Time In Hollywood (2019)](https://i.ytimg.com/vi/X7L86LafFqg/mqdefault.jpg)


![7 Samurai (1954)
Seven Samurai[2] (https://en.wikipedia.org/wiki/Seven_Samurai#cite_note-2) (七人の侍 Shichinin no Samurai) is a 1954 Japanese epic (https://en.wikipedia.org/wiki/Epic_film) samurai (https://en.wikipedia.org/wiki/Samurai_cinema) drama film (https://en.wikipedia.org/wiki/Drama_(film_and_television)) co-written, edited, and directed by Akira Kurosawa (https://en.wikipedia.org/wiki/Akira_Kurosawa) . The story takes place in 1586[3] (https://en.wikipedia.org/wiki/Seven_Samurai#cite_note-3) during the Sengoku Period (https://en.wikipedia.org/wiki/Sengoku_Period) of Japanese history (https://en.wikipedia.org/wiki/Japanese_history) . It follows the story of a village of farmers that hire seven rōnin (https://en.wikipedia.org/wiki/R%C5%8Dnin) (masterless samurai (https://en.wikipedia.org/wiki/Samurai) ) to combat bandits who will return after the harvest to steal their crops.
SCENE: The Last Fight: https://youtu.be/LMF1V_g_Uhk
Since its release, Seven Samurai has consistently ranked highly in critics lists of the greatest films (https://en.wikipedia.org/wiki/List_of_films_considered_the_best) , such as the BFIs Sight & Sound (https://en.wikipedia.org/wiki/Sight_%26_Sound) and Rotten Tomatoes (https://en.wikipedia.org/wiki/Rotten_Tomatoes) polls.[4] (https://en.wikipedia.org/wiki/Seven_Samurai#cite_note-4) [5] (https://en.wikipedia.org/wiki/Seven_Samurai#cite_note-5) It was also voted the greatest foreign-language film in BBC (https://en.wikipedia.org/wiki/BBC) s 2018 international critics poll.[6] (https://en.wikipedia.org/wiki/Seven_Samurai#cite_note-bbc-6) It has remained highly influential, often seen as one of the most remade, reworked, referenced films in cinema.[7] (https://en.wikipedia.org/wiki/Seven_Samurai#cite_note-7) 7 Samurai (1954)](https://i.ytimg.com/vi/YJGtfxCTEi0/mqdefault.jpg)


