Uploaded November 2020 | Updated September 2026, 3 weeks ago
Meredith Martin
Lequeu’s donation of more than 800 architectural drawings, letters, manuscripts and physiognomic studies to the Royal Library in Paris created a paper legacy that has confounded scholars ever since. Historians and curators have attempted to link his enigmatic oeuvre to the work of such Enlightenment visionaries as Étienne-Louis Boullée and Claude-Nicolas Ledoux, as well as to the writings of rebellious libertines like the Marquis de Sade. In one infamous account, Lequeu was even outed as the semi-fictional brainchild of the twentieth-century artist Marcel Duchamp. In this lecture Meredith Martin, Associate Professor at New York University, will explore various ways that Lequeu’s corpus has been interpreted and has proven to be fruitful for scholars and architects over the past two centuries.
Held September 2, 2020.
Meredith Martin
Lequeu’s donation of more than 800 architectural drawings, letters, manuscripts and physiognomic studies to the Royal Library in Paris created a paper legacy that has confounded scholars ever since. Historians and curators have attempted to link his enigmatic oeuvre to the work of such Enlightenment visionaries as Étienne-Louis Boullée and Claude-Nicolas Ledoux, as well as to the writings of rebellious libertines like the Marquis de Sade. In one infamous account, Lequeu was even outed as the semi-fictional brainchild of the twentieth-century artist Marcel Duchamp. In this lecture Meredith Martin, Associate Professor at New York University, will explore various ways that Lequeu’s corpus has been interpreted and has proven to be fruitful for scholars and architects over the past two centuries.
Held September 2, 2020.
![James Ivory on his archive and creative process | Collection in Focus
“[The film] has to be basically truthful according to human nature. It has to be real. And that comes from your understanding of people and your lifetime experience... You learn from that. But basically, it has to be truthful. And where are you if it’s not?” -James Ivory
For our Centennial, we asked some of our friends and collaborators to speak about what they love about the Morgan Library & Museum. Watch James Ivory discuss his working process through his archive, which has been at the Morgan since 2017. Through editing notebooks, scripts, and correspondence, Ivory discusses the work behind films from Maurice (1987) and A Room With a View (1985) to Call Me by Your Name (2017).
Video by SandenWolff. James Ivory on his archive and creative process | Collection in Focus](https://i.ytimg.com/vi/Q15TdW5-wkk/mqdefault.jpg)









