Uploaded January 2021 | Updated September 2026, 3 weeks ago
Young, handsome, and highborn, Claude III de Laubespine lived in luxury after marrying an heiress and obtaining the favor of King Charles IX. His brilliant career at court was cut short in 1570, when he died at the age of 25. He left behind a splendid library, which was dispersed, and only recently have his books been identified and properly appreciated for their superb quality and fine bindings. Laubespine now ranks among the great collectors of the French Renaissance.
For the first time in more than 400 years, this exhibition brings together some of the most spectacular bindings in that collection, exquisite examples of Renaissance ornamental design. They will be shown along with related artwork and literary memorials of Laubespine. He left his books to his sister, a patron of the poet Pierre de Ronsard, who praised her country estate, the library, and its perfumed bindings, which, he said, “smells as good as your orange trees.” This exhibition will evoke the sensual pleasure and literary connoisseurship implicit in a noble library of that era.
Young, handsome, and highborn, Claude III de Laubespine lived in luxury after marrying an heiress and obtaining the favor of King Charles IX. His brilliant career at court was cut short in 1570, when he died at the age of 25. He left behind a splendid library, which was dispersed, and only recently have his books been identified and properly appreciated for their superb quality and fine bindings. Laubespine now ranks among the great collectors of the French Renaissance.
For the first time in more than 400 years, this exhibition brings together some of the most spectacular bindings in that collection, exquisite examples of Renaissance ornamental design. They will be shown along with related artwork and literary memorials of Laubespine. He left his books to his sister, a patron of the poet Pierre de Ronsard, who praised her country estate, the library, and its perfumed bindings, which, he said, “smells as good as your orange trees.” This exhibition will evoke the sensual pleasure and literary connoisseurship implicit in a noble library of that era.







![Shahzia Sikander on Indian and Persian Illuminated Manuscripts | Collection in Focus
Here I am in this time and space, able to see {these paintings] with such intimacy and that is so, so exciting to me as a painter.
For our centennial, we asked some of our friends and collaborators to speak about what they love about the Morgan Library & Museum in New York City. Watch artist Shahzia Sikander discusses the centuries-old practice of illuminated manuscripts in India and Persia and what we can learn from the past.
Video by SandenWolff. Shahzia Sikander on Indian and Persian Illuminated Manuscripts | Collection in Focus](https://i.ytimg.com/vi/Xbd0SXLIiPQ/mqdefault.jpg)


