Film Courage | Where Do Original Movie Ideas Come From... Here's What Inspired The Movie SING SING - Greg Kwedar @filmcourage | Uploaded 3 weeks ago | Updated 2 hours ago
SING SING in Theaters Now!
https://singsing.movie
Greg Kwedar is a writer, director, and producer. He made his feature directorial debut with Transpecos, which premiered in competition at the 2016 SXSW Film Festival where it won the Audience Award. He co-wrote and produced Jockey, which premiered at the 2021 Sundance Film Festival in the U.S. Dramatic Competition where it won the Special Jury Award for Best Actor (Clifton Collins Jr.). Jockey also won the Audience Award at the AFI Film Festival and was acquired by Sony Pictures Classics for theatrical release. The film was nominated for an Indie Spirit Award for Best Male Lead and the John Cassavetes Award, and was one of the National Board of Review Top 10 Independent Film of 2021. Kwedar also produced Rising From Ashes, Running with Beto (Winner: SXSW Audience Award 2019), and was co-producer on Ghost Fleet (Telluride & TIFF, 2018). He has spoken to thousands of students across the country and sat on panels about his work at SXSW, Sundance, UNESCO, the United Nations, and more. His latest film Sing Sing, over seven years in the making, which he both directed and co-wrote, premiered at the 2023 Toronto International Film Festival where it was acquired by A24 for theatrical release.
MORE OF OUR INTERVIEW WITH GREG KWEDAR
tinyurl.com/5fsynhef
CONNECT WITH GREG KWEDAR
https://singsing.movie
imdb.com/name/nm3613117
https://x.com/gregkwedar
instagram.com/gkwedar
MORE VIDEOS LIKE THIS
Why The SING SING Screenplay Was So Difficult To Write - youtu.be/PfwYDQfHvVs
Fastest TV Series Sale In Netflix History - youtu.be/7YiL_P2Qplg
Why More Filmmakers Are Choosing Tubi Over Netflix - youtu.be/yqQC2Z1zVbE
How To Get A Movie On Netflix - youtu.be/rNXGhUcJArw
I've Had My Movie On Tubi For 5 Years... Here's What Scares Me Now - youtu.be/3mM2YjjD5-Y
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►WE USE THIS CAMERA (B&H) – buff.ly/3rWqrra
►WE USE THIS SOUND RECORDER (AMAZON) – http://amzn.to/2tbFlM9
Stuff we use:
LENS - Most people ask us what camera we use, no one ever asks about the lens which filmmakers always tell us is more important. This lens was a big investment for us and one we wish we could have made sooner. Started using this lens at the end of 2013 - http://amzn.to/2tbtmOq
AUDIO
Rode VideoMic Pro - The Rode mic helps us capture our backup audio. It also helps us sync up our audio in post amzn.to/425k5rG
Audio Recorder - If we had to do it all over again, this is probably the first item we would have bought - amzn.to/3WEuz0k
LIGHTS - Although we like to use as much natural light as we can, we often enhance the lighting with this small portable light. We have two of them and they have saved us a number of times - http://amzn.to/2u5UnHv
*Disclaimer: This video and description contains affiliate links, which means that if you click on one of the product links, we’ll receive a small commission. This helps support the channel and allows us to continue to make videos like this. Thank you for your support!
#filmmaking #film #screenwriting
SING SING in Theaters Now!
https://singsing.movie
Greg Kwedar is a writer, director, and producer. He made his feature directorial debut with Transpecos, which premiered in competition at the 2016 SXSW Film Festival where it won the Audience Award. He co-wrote and produced Jockey, which premiered at the 2021 Sundance Film Festival in the U.S. Dramatic Competition where it won the Special Jury Award for Best Actor (Clifton Collins Jr.). Jockey also won the Audience Award at the AFI Film Festival and was acquired by Sony Pictures Classics for theatrical release. The film was nominated for an Indie Spirit Award for Best Male Lead and the John Cassavetes Award, and was one of the National Board of Review Top 10 Independent Film of 2021. Kwedar also produced Rising From Ashes, Running with Beto (Winner: SXSW Audience Award 2019), and was co-producer on Ghost Fleet (Telluride & TIFF, 2018). He has spoken to thousands of students across the country and sat on panels about his work at SXSW, Sundance, UNESCO, the United Nations, and more. His latest film Sing Sing, over seven years in the making, which he both directed and co-wrote, premiered at the 2023 Toronto International Film Festival where it was acquired by A24 for theatrical release.
MORE OF OUR INTERVIEW WITH GREG KWEDAR
tinyurl.com/5fsynhef
CONNECT WITH GREG KWEDAR
https://singsing.movie
imdb.com/name/nm3613117
https://x.com/gregkwedar
instagram.com/gkwedar
MORE VIDEOS LIKE THIS
Why The SING SING Screenplay Was So Difficult To Write - youtu.be/PfwYDQfHvVs
Fastest TV Series Sale In Netflix History - youtu.be/7YiL_P2Qplg
Why More Filmmakers Are Choosing Tubi Over Netflix - youtu.be/yqQC2Z1zVbE
How To Get A Movie On Netflix - youtu.be/rNXGhUcJArw
I've Had My Movie On Tubi For 5 Years... Here's What Scares Me Now - youtu.be/3mM2YjjD5-Y
CONNECT WITH FILM COURAGE
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SUBSCRIBE TO THE FILM COURAGE YOUTUBE CHANNEL
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PERSONALLY SPONSOR FILM COURAGE
ko-fi.com/filmcourage
SUPPORT FILM COURAGE BY BECOMING A MEMBER
youtube.com/channel/UCs8o1mdWAfefJkdBg632_tg/join
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LISTEN TO THE FILM COURAGE PODCAST
soundcloud.com/filmcourage-com
(Affiliates)
SCRIVENER FREE TRIAL
tinyurl.com/43uuumc6
►WE USE THIS CAMERA (B&H) – buff.ly/3rWqrra
►WE USE THIS SOUND RECORDER (AMAZON) – http://amzn.to/2tbFlM9
Stuff we use:
LENS - Most people ask us what camera we use, no one ever asks about the lens which filmmakers always tell us is more important. This lens was a big investment for us and one we wish we could have made sooner. Started using this lens at the end of 2013 - http://amzn.to/2tbtmOq
AUDIO
Rode VideoMic Pro - The Rode mic helps us capture our backup audio. It also helps us sync up our audio in post amzn.to/425k5rG
Audio Recorder - If we had to do it all over again, this is probably the first item we would have bought - amzn.to/3WEuz0k
LIGHTS - Although we like to use as much natural light as we can, we often enhance the lighting with this small portable light. We have two of them and they have saved us a number of times - http://amzn.to/2u5UnHv
*Disclaimer: This video and description contains affiliate links, which means that if you click on one of the product links, we’ll receive a small commission. This helps support the channel and allows us to continue to make videos like this. Thank you for your support!
#filmmaking #film #screenwriting
![Tomorrow Isnt Guaranteed, Make Your Movie Today - Steven Shea [FULL INTERVIEW]](https://i.ytimg.com/vi/ZbQ93YGVAdM/hqdefault.jpg "Tomorrow Isnt Guaranteed, Make Your Movie Today - Steven Shea [FULL INTERVIEW]
0:00 - What To Do When A Film School Rejects You
8:41 - Passion Versus Obsession
19:44 - Why Its So Hard To Make A Good Movie
30:57 - Just Go Make The Movie (Free Labor)
44:16 - Every Artist Has A Creative Monster Inside Of Them
52:22 - Tomorrow Isnt Guaranteed, Work On Your Art Today
1:09:18 - 3 Lessons My First Screenplay Taught Me About The Business
1:18:27 - Why Horror Movies Appeal To Everyone In The World
1:29:52 - Why Stories Need Evil
1:39:19 - What Must Happen In The First 10 Minutes Of A Horror Movie
1:48:56 - Filmmakers Who Make Money Arent Sell Outs
2:03:24 - How To Film A Movie In 7 Days
International Award-Winning, STEVEN SHEA has been working in the entertainment industry since he was 16 years old. Starting out in the local television market in the Florida Keys where he grew up, he eventually made his way to Orlando where he founded Abyssmal Entertainment in 2002. His first feature film he wrote and directed, “The Night Owl, was distributed globally in the Summer of 2005. In 2008, “Hoodoo For Voodoo”, Stevens 2nd feature he wrote and directed was released on DVD. Steven garnered some awards on the international festival circuit with the horrific short film “2:22” in 2009, which has been distributed through Hulu & FearNet. “Doomsday County” is a horror anthology film that he co-directed and produced that was released worldwide through Troma Inc in 2013. The comedy web series “The Interrogationists” was released in the summer of 2014 through Funny Or Die. His latest feature is the Documentary Surviving Supercon that was completed in 2019. Steven had directed over 25 music videos, for such artists as Kitty In A Casket, The Hellfreaks, The Dollyrots, The Attack, The Bloody Jug Band, WhiteQube and The Crazy Carls. As an award winning photographer, Steven has directed and shot such talent as Harrison Ford, Louise Fletcher, Roger Corman, Deepak Chopra, Lin Shaye, Mark McGrath, Denise Richards, Vivica A. Fox, Rick Fox, Juliana Harkavy and many more. He was a Producer on the feature films Last Shift, Rockabilly Zombie Weekend, The Unbroken, Deadly Weekend, Two Days, and Andre the Butcher. As well as Producer for the Disney Channel series Game On!
Stevens latest film is SURVIVING SUPERCON, a zany behind the scenes look at how a rag-tag Mom & Pop organization pulls off one the biggest pop culture conventions in the United States.
WATCH SURVIVING SUPERCON
https://bit.ly/3yL7A8a
WATCH SURVIVING SUPERCON TRAILER
https://youtu.be/f2S_mpwTmqc
CONNECT WITH STEVEN SHEA
https://www.abyssmal.com
https://www.imdb.com/name/nm1622151
https://www.facebook.com/abyssmalent
https://www.instagram.com/abyssmalentertainment
https://twitter.com/abyssmalent
https://www.youtube.com/AbyssmalEntertainment
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Sujata Day On Rejection, Issa Rae, Her Film Debut and Screenwriting - https://youtu.be/d_dWCSRBQzE
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►WE USE THIS SOUND RECORDER (AMAZON) – http://amzn.to/2tbFlM9
Stuff we use:
LENS - Most people ask us what camera we use, no one ever asks about the lens which filmmakers always tell us is more important. This lens was a big investment for us and one we wish we could have made sooner. Started using this lens at the end of 2013 - http://amzn.to/2tbtmOq
AUDIO
Rode VideoMic Pro - The Rode mic helps us capture our backup audio. It also helps us sync up our audio in post https://amzn.to/425k5rG
Audio Recorder - If we had to do it all over again, this is probably the first item we would have bought - https://amzn.to/3WEuz0k
LIGHTS - Although we like to use as much natural light as we can, we often enhance the lighting with this small portable light. We have two of them and they have saved us a number of times - http://amzn.to/2u5UnHv
*Disclaimer: This video and description contains affiliate links, which means that if you click on one of the product links, we’ll receive a small commission. This helps support the channel and allows us to continue to make videos like this. Thank you for your support!")
![How To Write A Comic Book And Why Ill Never Work A Day Job - Donald F. Glut [FULL INTERVIEW]](https://i.ytimg.com/vi/ZkvXbC2Chj0/hqdefault.jpg "How To Write A Comic Book And Why Ill Never Work A Day Job - Donald F. Glut [FULL INTERVIEW]
0:00 - Why Ill Never Work A Day Job
16:13 - How To Start Writing (With No Experience)
24:46 - Missed Opportunities
30:52 - Why I’ll Never Quit Being An Artist
41:42 - How Artists Can Ruin Their Career Before They Start
52:59 - Never Stopped Making Movies
58:33 - They Dont Want To Give Money To 50 Year Old Filmmakers
1:07:34 - How To Write A Comic Book
1:31:25 - How To Write A Comic Book Using The Marvel Method
1:40:10 - Writing Heroes And Villains
Donald F. Glut has been active in both the entertainment and publishing industries since 1966. Don has had a long and varied career. He has been a professional musician, actor, film director, executive producer, photographer, magazine editor, proofreader and (very briefly, for an advertising agency) copywriter, but is mostly known for his long career as a freelance writer. He has written and directed feature-length motion pictures, documentaries and music videos, authored approximately 80 fiction and non-fiction published books, myriad TV scripts (live action and animation shows, network and syndicated), comic-book scripts, short stories, magazine articles, even music and theatre. He has been involved with numerous popular franchises such as Star Wars, The Monkees, Tarzan, Spider-Man, Transformers, G.I. Joe, Vampirella, Masters of the Universe, The Flintstones, Jonny Quest and many others, and created original comic-book characters for Gold Key, Marvel and DC. Arguably Don is best known for his novelization of the second Star Wars movie The Empire Strikes Back (#1 Best Seller). Don currently executive-produces, writes and directs traditional-style horror for his company Pecosborn Productions, and writes scripts for The Creeps horror comics magazine. Also, he is a Southern California representative of Las Vegas Talent Agency. Note: Any motion picture titles that may be listed prior to Dinosaur Valley Girls (1997) are of amateur movies, the first of 41 of which Don Glut made when he was nine years old.
CONNECT WITH DONALD F. GLUT
https://donaldfglut.com
https://pecosborn.com
https://dinosaurtrackscd.com
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CONNECT WITH FILM COURAGE
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LISTEN TO THE FILM COURAGE PODCAST
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SCRIVENER FREE TRIAL
https://tinyurl.com/43uuumc6
►WE USE THIS CAMERA (B&H) – https://buff.ly/3rWqrra
►WE USE THIS SOUND RECORDER (AMAZON) – http://amzn.to/2tbFlM9
Stuff we use:
LENS - Most people ask us what camera we use, no one ever asks about the lens which filmmakers always tell us is more important. This lens was a big investment for us and one we wish we could have made sooner. Started using this lens at the end of 2013 - http://amzn.to/2tbtmOq
AUDIO
Rode VideoMic Pro - The Rode mic helps us capture our backup audio. It also helps us sync up our audio in post https://amzn.to/425k5rG
Audio Recorder - If we had to do it all over again, this is probably the first item we would have bought - https://amzn.to/3WEuz0k
LIGHTS - Although we like to use as much natural light as we can, we often enhance the lighting with this small portable light. We have two of them and they have saved us a number of times - http://amzn.to/2u5UnHv
*Disclaimer: This video and description contains affiliate links, which means that if you click on one of the product links, we’ll receive a small commission. This helps support the channel and allows us to continue to make videos like this. Thank you for your support!
#comics #comicbooks #graphicnovel")
