Film Courage | Pro Editor On The Difference Between Editing A Narrative Film And A Documentary - Lucas Harger @filmcourage | Uploaded 2 months ago | Updated 13 minutes ago
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Lucas Harger is an acclaimed film and commercial editor, supervising editor, and partner at Bruton Stroube Outpost. Interspersed between long-form editing, Lucas cuts broadcast and web commercials for nationally recognized clients such as but not limited to: Nike, Enterprise, Anheuser-Busch, Uber, Amazon, Apple & Disney+. Priding himself on being a key collaborator across diverse project categories, Lucas brings passion and creativity to every venture. Building timelines and teams are his passion.
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VIEWERS ALSO WATCHED
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How An Editor Creates A Character - youtu.be/Eyub1T_wZY4
Mistakes A Director Makes That Will Upset The Editor - youtu.be/13MwhFsYeYc
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►WE USE THIS CAMERA (B&H) – buff.ly/3rWqrra
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Stuff we use:
LENS - Most people ask us what camera we use, no one ever asks about the lens which filmmakers always tell us is more important. This lens was a big investment for us and one we wish we could have made sooner. Started using this lens at the end of 2013 - http://amzn.to/2tbtmOq
AUDIO
Rode VideoMic Pro - The Rode mic helps us capture our backup audio. It also helps us sync up our audio in post amzn.to/425k5rG
Audio Recorder - If we had to do it all over again, this is probably the first item we would have bought - amzn.to/3WEuz0k
LIGHTS - Although we like to use as much natural light as we can, we often enhance the lighting with this small portable light. We have two of them and they have saved us a number of times - http://amzn.to/2u5UnHv
*Disclaimer: This video and description contains affiliate links, which means that if you click on one of the product links, we’ll receive a small commission. This helps support the channel and allows us to continue to make videos like this. Thank you for your support!
#filmmaking #film #cinema
SIGN UP FOR THE FILM COURAGE NEWSLETTER
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Lucas Harger is an acclaimed film and commercial editor, supervising editor, and partner at Bruton Stroube Outpost. Interspersed between long-form editing, Lucas cuts broadcast and web commercials for nationally recognized clients such as but not limited to: Nike, Enterprise, Anheuser-Busch, Uber, Amazon, Apple & Disney+. Priding himself on being a key collaborator across diverse project categories, Lucas brings passion and creativity to every venture. Building timelines and teams are his passion.
MORE VIDEOS WITH LUCAS HARGER
tinyurl.com/yzjshvy9
CONNECT WITH LUCAS HARGER
lucasjharger.com
imdb.com/name/nm6680441
instagram.com/lucasjharger
VIEWERS ALSO WATCHED
Pro Editor's First Steps To Editing A Movie - youtu.be/NBiqQED27sI
Why Great Directors Don't Win Oscars - youtu.be/LBB5wr1arss
Advice To Film Editors On Breaking Into The Business - youtu.be/G76n8FTO6SE
How An Editor Creates A Character - youtu.be/Eyub1T_wZY4
Mistakes A Director Makes That Will Upset The Editor - youtu.be/13MwhFsYeYc
CONNECT WITH FILM COURAGE
http://www.FilmCourage.com
http://twitter.com/#!/FilmCourage
facebook.com/filmcourage
instagram.com/filmcourage
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SUBSCRIBE TO THE FILM COURAGE YOUTUBE CHANNEL
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SUPPORT FILM COURAGE BY BECOMING A MEMBER
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(Affiliates)
SCRIVENER FREE TRIAL
tinyurl.com/43uuumc6
►WE USE THIS CAMERA (B&H) – buff.ly/3rWqrra
►WE USE THIS SOUND RECORDER (AMAZON) – http://amzn.to/2tbFlM9
Stuff we use:
LENS - Most people ask us what camera we use, no one ever asks about the lens which filmmakers always tell us is more important. This lens was a big investment for us and one we wish we could have made sooner. Started using this lens at the end of 2013 - http://amzn.to/2tbtmOq
AUDIO
Rode VideoMic Pro - The Rode mic helps us capture our backup audio. It also helps us sync up our audio in post amzn.to/425k5rG
Audio Recorder - If we had to do it all over again, this is probably the first item we would have bought - amzn.to/3WEuz0k
LIGHTS - Although we like to use as much natural light as we can, we often enhance the lighting with this small portable light. We have two of them and they have saved us a number of times - http://amzn.to/2u5UnHv
*Disclaimer: This video and description contains affiliate links, which means that if you click on one of the product links, we’ll receive a small commission. This helps support the channel and allows us to continue to make videos like this. Thank you for your support!
#filmmaking #film #cinema
![Tomorrow Isnt Guaranteed, Make Your Movie Today - Steven Shea [FULL INTERVIEW]](https://i.ytimg.com/vi/ZbQ93YGVAdM/hqdefault.jpg "Tomorrow Isnt Guaranteed, Make Your Movie Today - Steven Shea [FULL INTERVIEW]
0:00 - What To Do When A Film School Rejects You
8:41 - Passion Versus Obsession
19:44 - Why Its So Hard To Make A Good Movie
30:57 - Just Go Make The Movie (Free Labor)
44:16 - Every Artist Has A Creative Monster Inside Of Them
52:22 - Tomorrow Isnt Guaranteed, Work On Your Art Today
1:09:18 - 3 Lessons My First Screenplay Taught Me About The Business
1:18:27 - Why Horror Movies Appeal To Everyone In The World
1:29:52 - Why Stories Need Evil
1:39:19 - What Must Happen In The First 10 Minutes Of A Horror Movie
1:48:56 - Filmmakers Who Make Money Arent Sell Outs
2:03:24 - How To Film A Movie In 7 Days
International Award-Winning, STEVEN SHEA has been working in the entertainment industry since he was 16 years old. Starting out in the local television market in the Florida Keys where he grew up, he eventually made his way to Orlando where he founded Abyssmal Entertainment in 2002. His first feature film he wrote and directed, “The Night Owl, was distributed globally in the Summer of 2005. In 2008, “Hoodoo For Voodoo”, Stevens 2nd feature he wrote and directed was released on DVD. Steven garnered some awards on the international festival circuit with the horrific short film “2:22” in 2009, which has been distributed through Hulu & FearNet. “Doomsday County” is a horror anthology film that he co-directed and produced that was released worldwide through Troma Inc in 2013. The comedy web series “The Interrogationists” was released in the summer of 2014 through Funny Or Die. His latest feature is the Documentary Surviving Supercon that was completed in 2019. Steven had directed over 25 music videos, for such artists as Kitty In A Casket, The Hellfreaks, The Dollyrots, The Attack, The Bloody Jug Band, WhiteQube and The Crazy Carls. As an award winning photographer, Steven has directed and shot such talent as Harrison Ford, Louise Fletcher, Roger Corman, Deepak Chopra, Lin Shaye, Mark McGrath, Denise Richards, Vivica A. Fox, Rick Fox, Juliana Harkavy and many more. He was a Producer on the feature films Last Shift, Rockabilly Zombie Weekend, The Unbroken, Deadly Weekend, Two Days, and Andre the Butcher. As well as Producer for the Disney Channel series Game On!
Stevens latest film is SURVIVING SUPERCON, a zany behind the scenes look at how a rag-tag Mom & Pop organization pulls off one the biggest pop culture conventions in the United States.
WATCH SURVIVING SUPERCON
https://bit.ly/3yL7A8a
WATCH SURVIVING SUPERCON TRAILER
https://youtu.be/f2S_mpwTmqc
CONNECT WITH STEVEN SHEA
https://www.abyssmal.com
https://www.imdb.com/name/nm1622151
https://www.facebook.com/abyssmalent
https://www.instagram.com/abyssmalentertainment
https://twitter.com/abyssmalent
https://www.youtube.com/AbyssmalEntertainment
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Sujata Day On Rejection, Issa Rae, Her Film Debut and Screenwriting - https://youtu.be/d_dWCSRBQzE
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Stuff we use:
LENS - Most people ask us what camera we use, no one ever asks about the lens which filmmakers always tell us is more important. This lens was a big investment for us and one we wish we could have made sooner. Started using this lens at the end of 2013 - http://amzn.to/2tbtmOq
AUDIO
Rode VideoMic Pro - The Rode mic helps us capture our backup audio. It also helps us sync up our audio in post https://amzn.to/425k5rG
Audio Recorder - If we had to do it all over again, this is probably the first item we would have bought - https://amzn.to/3WEuz0k
LIGHTS - Although we like to use as much natural light as we can, we often enhance the lighting with this small portable light. We have two of them and they have saved us a number of times - http://amzn.to/2u5UnHv
*Disclaimer: This video and description contains affiliate links, which means that if you click on one of the product links, we’ll receive a small commission. This helps support the channel and allows us to continue to make videos like this. Thank you for your support!")
![How To Write A Comic Book And Why Ill Never Work A Day Job - Donald F. Glut [FULL INTERVIEW]](https://i.ytimg.com/vi/ZkvXbC2Chj0/hqdefault.jpg "How To Write A Comic Book And Why Ill Never Work A Day Job - Donald F. Glut [FULL INTERVIEW]
0:00 - Why Ill Never Work A Day Job
16:13 - How To Start Writing (With No Experience)
24:46 - Missed Opportunities
30:52 - Why I’ll Never Quit Being An Artist
41:42 - How Artists Can Ruin Their Career Before They Start
52:59 - Never Stopped Making Movies
58:33 - They Dont Want To Give Money To 50 Year Old Filmmakers
1:07:34 - How To Write A Comic Book
1:31:25 - How To Write A Comic Book Using The Marvel Method
1:40:10 - Writing Heroes And Villains
Donald F. Glut has been active in both the entertainment and publishing industries since 1966. Don has had a long and varied career. He has been a professional musician, actor, film director, executive producer, photographer, magazine editor, proofreader and (very briefly, for an advertising agency) copywriter, but is mostly known for his long career as a freelance writer. He has written and directed feature-length motion pictures, documentaries and music videos, authored approximately 80 fiction and non-fiction published books, myriad TV scripts (live action and animation shows, network and syndicated), comic-book scripts, short stories, magazine articles, even music and theatre. He has been involved with numerous popular franchises such as Star Wars, The Monkees, Tarzan, Spider-Man, Transformers, G.I. Joe, Vampirella, Masters of the Universe, The Flintstones, Jonny Quest and many others, and created original comic-book characters for Gold Key, Marvel and DC. Arguably Don is best known for his novelization of the second Star Wars movie The Empire Strikes Back (#1 Best Seller). Don currently executive-produces, writes and directs traditional-style horror for his company Pecosborn Productions, and writes scripts for The Creeps horror comics magazine. Also, he is a Southern California representative of Las Vegas Talent Agency. Note: Any motion picture titles that may be listed prior to Dinosaur Valley Girls (1997) are of amateur movies, the first of 41 of which Don Glut made when he was nine years old.
CONNECT WITH DONALD F. GLUT
https://donaldfglut.com
https://pecosborn.com
https://dinosaurtrackscd.com
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CONNECT WITH FILM COURAGE
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►WE USE THIS CAMERA (B&H) – https://buff.ly/3rWqrra
►WE USE THIS SOUND RECORDER (AMAZON) – http://amzn.to/2tbFlM9
Stuff we use:
LENS - Most people ask us what camera we use, no one ever asks about the lens which filmmakers always tell us is more important. This lens was a big investment for us and one we wish we could have made sooner. Started using this lens at the end of 2013 - http://amzn.to/2tbtmOq
AUDIO
Rode VideoMic Pro - The Rode mic helps us capture our backup audio. It also helps us sync up our audio in post https://amzn.to/425k5rG
Audio Recorder - If we had to do it all over again, this is probably the first item we would have bought - https://amzn.to/3WEuz0k
LIGHTS - Although we like to use as much natural light as we can, we often enhance the lighting with this small portable light. We have two of them and they have saved us a number of times - http://amzn.to/2u5UnHv
*Disclaimer: This video and description contains affiliate links, which means that if you click on one of the product links, we’ll receive a small commission. This helps support the channel and allows us to continue to make videos like this. Thank you for your support!
#comics #comicbooks #graphicnovel")
![Worst Ways To Start A Story And Other Screenwriting Mistakes - Steve Douglas-Craig [FULL INTERVIEW]](https://i.ytimg.com/vi/adVxPaj17rU/hqdefault.jpg "Worst Ways To Start A Story And Other Screenwriting Mistakes - Steve Douglas-Craig [FULL INTERVIEW]
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46:05 - Dont Listen To People Who Say Save The Cat Has Ruined The Movie Industry
55:51- Beginners Guide To Story Beats: How To Outline A Screenplay
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After graduating from the AFI, Steve was recruited by Sony Pictures Entertainment to work as a Story Editor & Acquisitions Executive for the Worldwide Acquisitions team in Los Angeles where he received an induction into story & business development, feature film packaging, domestic & international distribution, theatrical marketing & product acquisition. He helped develop & shepherd film titles including Terminator: Salvation, The Book of Eli, Django Unchained, War Room, Don’t Breathe (Sequel current in post-production), the Insidious horror movie franchise, Manchester By The Sea, The Grudge (reboot), Searching, Arrival, Whiplash, The Call, Attack The Block & many others (including TV releases – The Tudors, House of Cards).
Steves tenure at Sony Pictures Worldwide Acquisitions was followed with a promotion to Senior Story Editor & Creative Executive at Screen Gems where he was involved in the development & release of theatrical titles like the recent releases of Monster Hunter & the adaptation of James Herbert’s novel – The Unholy. Before that he helped shepherd Black & Blue, The Intruder, Possession of Hannah Grace, Brightburn, & Slender Man. He was also heavily involved in developing content strategies that attracted financiers & talent to specific projects for the studio.
Steve is also a professional screenwriter having worked as a freelance staff writer for the hit CBS TV series Hawaii Five-O over a number of seasons & currently has a pilot & several feature films (including a creature feature) going out through his literary managers in Los Angeles.
STUDY WITH STEVE DOUGLAS-CRAIG
https://www.thenewscreenwriter.com/home
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MORE VIDEOS WITH STEVE DOUGLAS-CRAIG
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CONNECT WITH STEVE DOUGLAS-CRAIG
https://www.thenewscreenwriter.com/home
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https://www.youtube.com/@TheNewScreenwriter
MORE VIDEOS LIKE THIS
Essential Story Tools Required For Screenwriting Success - https://youtu.be/CWfcjN8ajHg
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Beginners Guide To Story Development: Why Scripts Are Rejected - https://youtu.be/EUd5hZL62MA
Why Most Scripts Are Rejected After The First 3 Pages - https://youtu.be/dEevGQ8Va_Y
CONNECT WITH FILM COURAGE
http://www.FilmCourage.com
http://twitter.com/#!/FilmCourage
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SUBSCRIBE TO THE FILM COURAGE YOUTUBE CHANNEL
http://bit.ly/18DPN37
SUPPORT FILM COURAGE BY BECOMING A MEMBER
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SUPPORT FILM COURAGE BY BECOMING A PATRON
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LISTEN TO THE FILM COURAGE PODCAST
https://soundcloud.com/filmcourage-com
(Affiliates)
►WE USE THIS CAMERA (B&H) – https://buff.ly/3rWqrra
►WE USE THIS SOUND RECORDER (AMAZON) – http://amzn.to/2tbFlM9
Stuff we use:
LENS - Most people ask us what camera we use, no one ever asks about the lens which filmmakers always tell us is more important. This lens was a big investment for us and one we wish we could have made sooner. Started using this lens at the end of 2013 - http://amzn.to/2tbtmOq
AUDIO
Rode VideoMic Pro - The Rode mic helps us capture our backup audio. It also helps us sync up our audio in post https://amzn.to/425k5rG
Audio Recorder - If we had to do it all over again, this is probably the first item we would have bought - https://amzn.to/3WEuz0k
LIGHTS - Although we like to use as much natural light as we can, we often enhance the lighting with this small portable light. We have two of them and they have saved us a number of times - http://amzn.to/2u5UnHv
*Disclaimer: This video and description contains affiliate links, which means that if you click on one of the product links, we’ll receive a small commission. This helps support the channel and allows us to continue to make videos like this. Thank you for your support!
#writing #story #writer")
