Uploaded August 2020 | Updated September 2026, 1 week ago
Day 163 of the American Songbag Stay-at-Home Series
First published as a poem "After the Roundup" in 1893 by D. J. O'Malley in the Miles CIty Stock Grower's Journal. No author cited.
Sandburg writes: "What the poet meant in his mention of "the short and simple annals of the poor” is fairly well delivered in the specific case told of here. It is a story sure of its main facts.
"Radio Mack of San Francisco, of the regular army and of western cattle ranches, communicated the tune and verses."
Day 163 of the American Songbag Stay-at-Home Series
First published as a poem "After the Roundup" in 1893 by D. J. O'Malley in the Miles CIty Stock Grower's Journal. No author cited.
Sandburg writes: "What the poet meant in his mention of "the short and simple annals of the poor” is fairly well delivered in the specific case told of here. It is a story sure of its main facts.
"Radio Mack of San Francisco, of the regular army and of western cattle ranches, communicated the tune and verses."
![Leave Her, Bullies, Leave Her
Day 258 of the American Songbag Stay-at-Home Series
According to Windjammers: Songs of the Great Lakes Sailors (2002) by Ivan H. Watson and Joe Grimm [with music transcriptions by Lee Murdock], this shanty was saved for the last duty of a voyage: Pumping out a ship after she reached port and was unloaded. Since the sailors wanted to get ashore, this was considered a particularly unpleasant task hence this song, about getting away from the work. Leave Her, Bullies, Leave Her](https://i.ytimg.com/vi/JwTGyahokjQ/mqdefault.jpg)
![C C Rider (A) & (B)
Day 156 and 157 of the American Songbag Stay-at-Home Series
Ive redone the (A) version of C.C. Rider because I left out the main verse (Oh C. C. Rider, now see what you done, done. so today Im combining text A and B).
Sandburg writes: John Lomax and I heard this song (A) in Austin, Texas, in an old saloon, The Silver King, operated as a soft drink parlor by a Mexican black, Martinez. After two blacks with guitars had sung The Original Blues/ Franky and Johnny, Boll Weevil, and other pieces, Martinez himself favored us with C. C. Rider, which may derive from easy rider. . . .
The Sunshine Special, a crack railroad train, has crossed Texas every day for many years. ... In the last line of the first verse the word blowed is given long, slow, controlled and powerful, like the whistle of an onrushing overland train on a southwestern prairie; likewise the word shine in the last line of the second verse. . . . Text B is from Gates Thomas and his south Texas songs.
The Random House Historical Dictionary of American Slangs b definition [of easy rider], a woman who is sexually promiscuous or easily seduced, is the one that applies here. (Another definition, interestingly enough, is guitar.) (from the Traditional Ballad index) C C Rider (A) & (B)](https://i.ytimg.com/vi/KC6BRauBdm8/mqdefault.jpg)








![Jungle Nonsense Lullaby
Day 283 of the American Songbag Stay-at-Home Series
Ah yah, tair um bam, boo wah, Kee lay zee day, Nic o lay, mah lun dee. Nic o lay ah poot a way, Nic o lay ah wah mee Ah yah, tair um bam, boo wah, Kee lay zee day, Nic o lay, mah lun dee.
Margaret Johnson of Augusta, Georgia, heard her mother sing this, year on year, as the mother had learned it from the singing, year on year, of a nanny who comforted children with it. The source of its language may be French, Creole, Cherokee, or mixed. [Or in the case of this recording, pure nonsense.] The syllables are easy for singing; so is the tune.
[sorry! no captions for obvious reasons.] Jungle Nonsense Lullaby](https://i.ytimg.com/vi/NvJh3Zjg-D8/mqdefault.jpg)