The New York Times | Watch Adam Driver Keep Time in a Scene From ‘Ferrari’ | Anatomy of a Scene @nytimes | Uploaded 8 months ago | Updated 17 hours ago
The spiritual meets the primal in this scene from the biopic “Ferrari.”
As the sequence begins, the automotive mogul Enzo Ferrari (Adam Driver) arrives at a workers mass. The priest gives a speech about the miracle of the internal combustion engine. But attendees are distracted by another event happening simultaneously at the Autodromo, a nearby racetrack. Maserati is challenging Ferrari for the record there. So scenes of worship are intercut with the driver, Jean Behra (Derek Hill, the son of Phil Hill, the first American-born Formula 1 champion), navigating the course. In the church, Ferrari and his workers have their stopwatches out to time the Maserati.
Narrating the scene, the director Michael Mann said, “My serious intent was to imbue into audiences minds what’s in our characters’ minds, which is there’s something almost religious and deadly serious about it. The metaphysical, the savage power is really what is wedded together as a value in this scene.”
Read the New York Times review: https://nyti.ms/3U36wJ4
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More from The New York Times Video: http://nytimes.com/video
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Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.
The spiritual meets the primal in this scene from the biopic “Ferrari.”
As the sequence begins, the automotive mogul Enzo Ferrari (Adam Driver) arrives at a workers mass. The priest gives a speech about the miracle of the internal combustion engine. But attendees are distracted by another event happening simultaneously at the Autodromo, a nearby racetrack. Maserati is challenging Ferrari for the record there. So scenes of worship are intercut with the driver, Jean Behra (Derek Hill, the son of Phil Hill, the first American-born Formula 1 champion), navigating the course. In the church, Ferrari and his workers have their stopwatches out to time the Maserati.
Narrating the scene, the director Michael Mann said, “My serious intent was to imbue into audiences minds what’s in our characters’ minds, which is there’s something almost religious and deadly serious about it. The metaphysical, the savage power is really what is wedded together as a value in this scene.”
Read the New York Times review: https://nyti.ms/3U36wJ4
Subscribe: http://bit.ly/U8Ys7n
More from The New York Times Video: http://nytimes.com/video
----------
Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.
