The New York Times | How the New ‘Little Mermaid’ Goes Back ‘Under the Sea’ | Anatomy of a Scene @nytimes | Uploaded 1 year ago | Updated 19 hours ago
When the director Rob Marshall took a journey “down where it’s wetter,” he decided to bring a dance company with him.
The beloved musical number “Under the Sea” has received a makeover in the new version of “The Little Mermaid,” this time featuring one live performer (Halle Bailey as Ariel) and a host of exotic computer-generated dancing sea creatures flanking her.
Narrating the scene, Marshall called it “the most challenging musical sequence I’ve ever created.” He had to figure out how to introduce dance into the scene and make it “feel organic.”
To pull it off, he “took a page out of Walt Disney’s playbook.” Disney worked with the Ballets Russes to bring animated sequences to life in “Fantasia.” And here, Marshall worked with the Alvin Ailey American Dance Theater, bringing its members to London to execute the choreography of the scene. Then, CG animators used the company’s dance as a template to animate the movement of the sea creatures.
Read the New York Times review: bit.ly/43zwxBo
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More from The New York Times Video: http://nytimes.com/video
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Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.
When the director Rob Marshall took a journey “down where it’s wetter,” he decided to bring a dance company with him.
The beloved musical number “Under the Sea” has received a makeover in the new version of “The Little Mermaid,” this time featuring one live performer (Halle Bailey as Ariel) and a host of exotic computer-generated dancing sea creatures flanking her.
Narrating the scene, Marshall called it “the most challenging musical sequence I’ve ever created.” He had to figure out how to introduce dance into the scene and make it “feel organic.”
To pull it off, he “took a page out of Walt Disney’s playbook.” Disney worked with the Ballets Russes to bring animated sequences to life in “Fantasia.” And here, Marshall worked with the Alvin Ailey American Dance Theater, bringing its members to London to execute the choreography of the scene. Then, CG animators used the company’s dance as a template to animate the movement of the sea creatures.
Read the New York Times review: bit.ly/43zwxBo
Subscribe: http://bit.ly/U8Ys7n
More from The New York Times Video: http://nytimes.com/video
----------
Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.
