Uploaded July 2026 | Updated September 2026, 6 days ago
Coldplay’s Viva La Vida, as a grand epic orchestral version, arranged and produced by Idan Schneider. This grand orchestral arrangement takes the song’s famous royal imagery and turns it into an old-world biblical tragedy of glory, sin, judgment, repentance, forgiveness, and love.
🎧 Listen on Spotify: open.spotify.com/track/3YentylE0NtGBc8QBW02tO
🎧 Listen on Apple Music: music.apple.com/us/song/viva-la-vida-orchestral-version/6788678686
Viva La Vida is one of Coldplay’s most powerful songs: a portrait of a fallen king looking back on lost power, broken glory, and the fragile nature of empire. Its images of bells, cavalry, choirs, revolution, and vanished kingdoms already feel almost mythological, as if the song is remembering an ancient ruler whose crown became too heavy to bear.
For this version, I wanted to take that world and transform it into a grand orchestral story inspired by the biblical King David. The visual journey begins with David’s early glory, from the courage of David and Goliath to the rise of a chosen king. It then moves into his fall: the story of Bathsheba, Uriah, guilt, judgment, and the prophet Nathan’s accusation. The ending, as the story tells us, is well-deserved punishment and suffering, but also true repentance. I chose to end it with forgiveness, and the quiet love that remains in old age.
Musically, I built this arrangement around strong violin and viola staccatos, rhythmic orchestral motion, harp, noble horns, timpani, piatti, and a large symphonic rise. I chose to take the famous Viva La Vida rhythm and drive it using string staccatos (in the stronger parts) and Mediterranean guitars (in the softer parts). The feeling I tried to give is royal grandeur, inner conflict, and eventually a final surge of light, power, and orchestral glory.
The goal was not to make a modern trailer remix, but a serious old-world orchestral transformation: biblical, royal, dramatic, and human. A story of a king who rises in glory, falls through sin, is wounded by judgment, and still finds mercy, memory, and love.
The images used in the video are inspired by Baroque, Renaissance and classical oil painting: artists such as Rubens, Caravaggio, Rembrandt, and other masters of shadow, movement, flesh, light, and sacred drama. I imagined Viva La Vida as a painted biblical epic: David before Goliath, David as king, David and Bathsheba, Nathan’s accusation, forgiveness after repentance, and finally an old king finding comfort in love beneath the weight of memory. I tried to make the biblical story royal, dramatic, and human; a story of a king who rises in glory, falls through sin, is wounded by judgment, and still finds mercy, memory, and love.
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Music
Coldplay - Viva La Vida
Epic orchestral arrangement for symphonic orchestra
Credits
Original song by Coldplay
Arranged and orchestrated for symphonic orchestra by Idan Schneider
Recorded and produced by Idan Schneider
Visuals created with Midjourney AI and edited/curated for this video
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My DAW of choice is Cubase. I orchestrate and produce using professional sample libraries built from recordings of real musicians, including libraries from Spitfire Audio, Cinesamples, EastWest, Audio Imperia, Native Instruments, and many others.
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If you enjoyed this arrangement, feel free to subscribe for more epic orchestral covers, classical masterpieces, and cinematic versions inspired by myth, history, scripture, and the old world.
#vivalavida #coldplay #orchestralcover
Coldplay’s Viva La Vida, as a grand epic orchestral version, arranged and produced by Idan Schneider. This grand orchestral arrangement takes the song’s famous royal imagery and turns it into an old-world biblical tragedy of glory, sin, judgment, repentance, forgiveness, and love.
🎧 Listen on Spotify: open.spotify.com/track/3YentylE0NtGBc8QBW02tO
🎧 Listen on Apple Music: music.apple.com/us/song/viva-la-vida-orchestral-version/6788678686
Viva La Vida is one of Coldplay’s most powerful songs: a portrait of a fallen king looking back on lost power, broken glory, and the fragile nature of empire. Its images of bells, cavalry, choirs, revolution, and vanished kingdoms already feel almost mythological, as if the song is remembering an ancient ruler whose crown became too heavy to bear.
For this version, I wanted to take that world and transform it into a grand orchestral story inspired by the biblical King David. The visual journey begins with David’s early glory, from the courage of David and Goliath to the rise of a chosen king. It then moves into his fall: the story of Bathsheba, Uriah, guilt, judgment, and the prophet Nathan’s accusation. The ending, as the story tells us, is well-deserved punishment and suffering, but also true repentance. I chose to end it with forgiveness, and the quiet love that remains in old age.
Musically, I built this arrangement around strong violin and viola staccatos, rhythmic orchestral motion, harp, noble horns, timpani, piatti, and a large symphonic rise. I chose to take the famous Viva La Vida rhythm and drive it using string staccatos (in the stronger parts) and Mediterranean guitars (in the softer parts). The feeling I tried to give is royal grandeur, inner conflict, and eventually a final surge of light, power, and orchestral glory.
The goal was not to make a modern trailer remix, but a serious old-world orchestral transformation: biblical, royal, dramatic, and human. A story of a king who rises in glory, falls through sin, is wounded by judgment, and still finds mercy, memory, and love.
The images used in the video are inspired by Baroque, Renaissance and classical oil painting: artists such as Rubens, Caravaggio, Rembrandt, and other masters of shadow, movement, flesh, light, and sacred drama. I imagined Viva La Vida as a painted biblical epic: David before Goliath, David as king, David and Bathsheba, Nathan’s accusation, forgiveness after repentance, and finally an old king finding comfort in love beneath the weight of memory. I tried to make the biblical story royal, dramatic, and human; a story of a king who rises in glory, falls through sin, is wounded by judgment, and still finds mercy, memory, and love.
======
Music
Coldplay - Viva La Vida
Epic orchestral arrangement for symphonic orchestra
Credits
Original song by Coldplay
Arranged and orchestrated for symphonic orchestra by Idan Schneider
Recorded and produced by Idan Schneider
Visuals created with Midjourney AI and edited/curated for this video
======
My DAW of choice is Cubase. I orchestrate and produce using professional sample libraries built from recordings of real musicians, including libraries from Spitfire Audio, Cinesamples, EastWest, Audio Imperia, Native Instruments, and many others.
======
If you enjoyed this arrangement, feel free to subscribe for more epic orchestral covers, classical masterpieces, and cinematic versions inspired by myth, history, scripture, and the old world.
#vivalavida #coldplay #orchestralcover

![Baldurs Gate - Gorions Battle - Orchestral Cover [HQ]
I was feeling nostalgia for Baldurs Gate 1, so I made an orchestral cover of one of my favorite battle themes from the game, Gorions Battle. Tried to stay as close as possible to the spirit of the original while giving it my own touch.
I used to play Baldurs Gate in the late 90s, early 2000s. I loved the peculiar characters and party interactions, especially with Minsc, Montaron & Xzar, and Khalid & Jaheira. Even today I consider Baldurs Gate as the most enjoying and entertaining fantasy role-playing video game Ive ever played.
I created this re-orchestrated instrumental cover purely as fan art. The original composer of this tune (and many more tunes that appeared in the various Baldurs Gate games) is Michael Hoenig.
The DAW I use is Reaper. Ive used an assortment of brass instruments (trumpets, trombones, tuba), violins, cellos and percussion instruments, to give it a more epic movie / orchestra feeling.
Credits:
Original composer: Michael Hoenig.
Cover: cartoonartist
Violin image by Pexels from Pixabay.
https://pixabay.com/users/Pexels-2286921/
This is a fan-made cover version. The original music belongs to their authors. All rights reserved.
If you liked this song feel free to like/subscribe as Ill upload more like these soon.
You can also follow me on Twitter
https://twitter.com/cartoonartist
Want more like these? Let me know in the comments which retro PC video game covers youd like to hear, and I just may make it happen. Baldurs Gate - Gorions Battle - Orchestral Cover [HQ]](https://i.ytimg.com/vi/hQZzN0KOfJc/mqdefault.jpg)

![Commander Hayes Theme Music [New HQ Remastered Cover] from Star Control 2
I was feeling nostalgia for Star Control 2 - The Ur-Quan Masters (1992 video game), so I made a high quality cover version of Starbase Commander - the theme music of Commander Hayes. The music is played whenever the players Precursor starship docks in the starbase near Earth.
This song was originally published as a 4-track MOD track named star contol2,tune4. 4 tracks means that at most 4 instruments, or samples could have been played at once. These were 8 bit samples and therefore of lower quality, but still I used to love playing this song (and other MOD tracks) on my Sound Blaster using my MOD player (and later, s3m player).
The DAW I used for this MIDI remake is Reaper. I used mostly retro instruments in order to stick to the original spirit of the tune, while giving it my own personal touch.
Credits:
Original composer: Riku Nuottajärvi
Arranged and recorded: Idan Schneider (@cartoonartist)
This is a fan-made cover mix version. Copyrights to the original music/songs belong to their respective authors/owners. All rights reserved.
If you liked this song feel free to like/subscribe as Ill upload more covers like these soon.
You can also follow me on Twitter
https://twitter.com/cartoonartist
Want more like these? Let me know in the comments which movie / TV / video game covers youd like to hear, and I just may make it happen.
Attention unidentified space vessel! Commander Hayes Theme Music [New HQ Remastered Cover] from Star Control 2](https://i.ytimg.com/vi/hfo6Y7jYVU4/mqdefault.jpg)

![Transformers G1 Season1 Ending Theme [HQ] - Re-orchestrated Cover
A re-orchestrated cover version of The Transformers (1984 animated television series) end theme song from season 1.
The theme song for Transformers Generation 1 was composed by Clifford Ford Kinder and Anne Bryant. This version was played in the outro (the intro had a slightly different version, with the More than meets the eye slogan that accompanied G1 toys). I made this cover as I couldnt find a high quality version of the ending song (there is a good stereo recording of the song used in the intro).
The images are taken from an AI upscale video of the transformers outro (see credits below).
The DAW I used for this MIDI remake is Reaper. I used instruments such as epic brass instruments (trumpets, horns), strings (violins, violas, string ensembles) and orchestral percussion instruments (Timpani drums, cymbals). And of course 80s style drums, snares, electric guitar (ish).
Credits:
Original composer: Anny Bryant and Ford Kinder
Re-orchestrated and arranged by: Idan Schneider (@cartoonartist)
Image credits : Images taken from the video Transformers G1 season1 outro (AI upscale) by Grim2
Copyright: The Transformers © character names and images are registered trademarks of HASBRO©. It in no way intends to infringe upon the copyright of the aforementioned company(s) directly involved in the production.
This is a fan-made cover/mix/re-orchestration version. Copyrights to the original music/songs belong to their respective authors/owners. All rights reserved.
If you liked this song feel free to like/subscribe as Ill upload more covers like these soon.
You can also follow me on Twitter
https://twitter.com/cartoonartist
Want more like these? Let me know in the comments which movie / TV / video game covers youd like to hear, and I just may make it happen.
Roll out! Transformers G1 Season1 Ending Theme [HQ] - Re-orchestrated Cover](https://i.ytimg.com/vi/jDdV_b9t--A/mqdefault.jpg)




