Uploaded February 2013 | Updated September 2026, 1 day ago
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Welcome back to YOU Can beatbox where today we're going to be learning the zipper sound, also called the inward zipper which sounds like this [demo]. This sound Idea was suggested by the youtuber Jetro Angelo Ampong so thanks for the suggestion and if you guys have any sounds that you want me to do, I'll try my best and you'll also get a little shoutout. Back to the zipper sound. Many beatboxers have their own variations on this sound so I'm gonna break down the basic way of doing this.
The lip positioning is the most crucial part of this sound. In the lip oscillation tutorial I explained that the key to lip oscillations was to keep the sides of your mouth tight while leaving the middle of your lips flexible to get lip oscillations. For the zipper sound, you simply try and tighten the sides of your mouth AND keep your lips tight too. Try to kind of stretch your top and bottom lips across your teeth and make this very awkward smiley face. Thats the starting position. The next step is to note that this is an inward sound which means that you'll be sucking in air quickly. So once you have your lips in the right position, you simply suck in air, with you lips making the high pitched zipperish sound. Next, to get the zipper sound of low to high [demo] you try and stretch your lips tighter against your teeth. Its like when you try and play a rubber band like a guitar; if you stretch the rubber band, the pitch gets higher. But for this sound, play around with the lip position to get that true zipper sound.
This isn't a sound you simply throw into a beat like a snare or a kick, but you can use it as a filler or a nice break from the typical beat. Here's an example.
1) Fast dnb with break for zz
or if you want to practice it in a beat, here's a decent example:
2) B zz K^ B B zz K^ B B x2 (slow)
This is a sound that will probably take a few days or maybe weeks to get down but comment below with questions you have. But keep at it and you'll add it to your arsenal of sounds in no time. Dont forget to like and subscribe. Thanks for watching YOU Can beatbox and next time we'll be learning a backspin roll.
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Welcome back to YOU Can beatbox where today we're going to be learning the zipper sound, also called the inward zipper which sounds like this [demo]. This sound Idea was suggested by the youtuber Jetro Angelo Ampong so thanks for the suggestion and if you guys have any sounds that you want me to do, I'll try my best and you'll also get a little shoutout. Back to the zipper sound. Many beatboxers have their own variations on this sound so I'm gonna break down the basic way of doing this.
The lip positioning is the most crucial part of this sound. In the lip oscillation tutorial I explained that the key to lip oscillations was to keep the sides of your mouth tight while leaving the middle of your lips flexible to get lip oscillations. For the zipper sound, you simply try and tighten the sides of your mouth AND keep your lips tight too. Try to kind of stretch your top and bottom lips across your teeth and make this very awkward smiley face. Thats the starting position. The next step is to note that this is an inward sound which means that you'll be sucking in air quickly. So once you have your lips in the right position, you simply suck in air, with you lips making the high pitched zipperish sound. Next, to get the zipper sound of low to high [demo] you try and stretch your lips tighter against your teeth. Its like when you try and play a rubber band like a guitar; if you stretch the rubber band, the pitch gets higher. But for this sound, play around with the lip position to get that true zipper sound.
This isn't a sound you simply throw into a beat like a snare or a kick, but you can use it as a filler or a nice break from the typical beat. Here's an example.
1) Fast dnb with break for zz
or if you want to practice it in a beat, here's a decent example:
2) B zz K^ B B zz K^ B B x2 (slow)
This is a sound that will probably take a few days or maybe weeks to get down but comment below with questions you have. But keep at it and you'll add it to your arsenal of sounds in no time. Dont forget to like and subscribe. Thanks for watching YOU Can beatbox and next time we'll be learning a backspin roll.
![Tutorial #29: True Lip Roll || YOU Can Beatbox
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Welcome back to another YOU Can Beatbox tutorial. Today we’ll be wrapping up our lip roll miniseries with the inward lip roll oscillation [demo]. This sound is a great extension of what we’ve learned about lip rolls until now. Let’s do it. Like the last tutorial, if you haven’t watched the previous tutorials on the basic lip roll and the inward lip roll, you’ll have difficulty finding success with this sound so pause this video and watch those before continuing with this one.
This sound takes the the inward lip roll [demo] and adds new depth. If you remember from the inward lip roll, a key element was not using any of the power from your lungs to get the sound. The lip roll oscillation ignores that rule to give a new sound. So take the inward lip roll position of opening on side of your mouth and try breathing in. That should be all that it takes to get the lip roll oscillation because you’ve already laid the ground work with the lip roll and inward lip roll.
With that in mind, and hopefully you’ve gotten the sound down, there is one element that I want to emphasize about this sound: the inward bass drum. I may end up doing an entirely separate tutorial on this sound but I wanted to share it with you now because of how powerful it can be. The inward bass drum sounds similar to the normal bass drum because it gets that same low sound but instead of breathing out air, you bring it into your mouth [demo]. Making the sound should be simple: like most sounds, build up pressure and release it inwards. And that’s that. The inward bass drum’s real strength comes when you pair it with the lip roll oscillation. While you can just start the lip roll oscillation by breathing in, spending the extra split second to add the inward bass drum changes the sound drastically [demo]. Again, do you and work for the sound that you’re looking for and ask any questions you have in the comments below or on twitter.
Well, let’s do two practice beats:
Brr^ B Pf B B Pf
Brr^^ Pf Brr^ Pf
Like the inward K, you might inhale some saliva when learning this osund which is gross, but soldier on to get this sound. That’s all I’ve got for this video so thanks for watching. If you need help, hit me up in the comment section below or on twitter. Thanks for watching, this has been YOU Can Beatbox and next time we’ll be learning Tutorial #29: True Lip Roll || YOU Can Beatbox](https://i.ytimg.com/vi/nhme2NW_Flo/mqdefault.jpg)
![Tutorial #41: Hollow Clop Whistle
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Tut 41 - Hollow Clop Whistle
Today, well be learning a sound popularized by Babeli. Before we kick off learning this sound, do me a favor and comment below with a sound that you want to learn. And click the like button on this video and subscribe if ya havent done so yet. Mooooving on, the hollow clop whistle, like a bunch of sounds weve been learning recently, is a compound sound. This means it takes two sounds that you should know and combines them to get a new one. Those two sounds are the ability to whistle and the bongo/hollow clop sound. If you dont know how to whistle, Im not entirely sure how to help. You put your mouth in a circle and blow out and you get a whistle. Its tough to describe how to whistle because its kinda like explaining how to talk...you just kinda do it. But look up whistling tutorials if you need help. The second component is the hollow clop/bongo sound that we learned way back in tutorial (INSERT TUTORIAL # HERE). I wont go into too much detail here but this sound is made by taking the second half of the basic click sound from drop it like its hot [demo]. So instead of [click demo] you get [hollow clop]. You flick your tongue forward and the sound is made when your tongue hits the bottom of your mouth.
One of the tricks for the hollow clop is that you dont need to whistle using air from your lungs, since you dont need the whistle to be that long. Instead, use your cheeks to get a short whistle sound [demo]. Another way to get this effect is by moving your lower jaw up a little to get some of the air out of your mouth, like this [demo].
Now, with the ability to whistle and do the hollow clop, combine em to get the hollow clop whistle by first doing a hollow clop and following it up by pushing air out with your cheeks. It is possible to breath out to get the whistle sound but Ive found that not using your lungs can do just fine. [demo]
This sound has a pretty specific mouth positioning and is hard to fit into a beat so well only do one basic practice beat and here it is:
B HCW K^ ts BHCW K^ x2
Thats all weve got for the hollow clop whistle. Please like this video and subscribe for more tutorials, beatboxing and youtube content. Thanks for watching YOU Can Beatbox and next time well be tackling a much requested topic and well learn how to hold a microphone in different scenarios. Tutorial #41: Hollow Clop Whistle](https://i.ytimg.com/vi/qn7mwnFD_7Q/mqdefault.jpg)
![Tutorial #26: Trumpet || YOU Can Beatbox
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Dharni and Tom Thum: https://www.youtube.com/watch?v=LrIKBl3ps0Q
Welcome Back to YOU Can Beatbox! Today, after a yearlong hiatus, the tutorials are back. This tutorial is going to lay out 2 basic methods for the trumpet sound so let’s kick things off. In general, the trumpet sound goes a little like this [demo]. To really hear the potential of this sound, check out beatboxers and youtubers like Tom Thum and Dharni for the potential of this sound. I linked to a great video below showing the two of them jamming and showing some cool uses for the trumpet sound.
But now for the two techniques for the trumpet sound. Both techniques make use of falsetto singing, also known as your head voice. Check out the siren tutorial for further explanation of falsetto singing but for the trumpet just know that you want to use a high voice so that you get the trumpet sound.
Technique #1 involves trying to sing through the side of your mouth, which means you just close off most of your mouth except one side. Pick a side. But not the left one. I’m totally kidding pick whichever one is more comfortable for you. Then, using falsetto singing, try and sound like a trumpet. There are a few tricks but I’ll get to those after technique #2.
Aaandd technique #2 is like this [half smile]. Place your teeth on your lips. Now, you can either put your top teeth on your lower lip like this [demo], or your bottom teeth on your upper lip like this. I learned this technique from Tom Thum himself, who, in my opinion, has the most realistic and best sounding trumpet of any beatboxer. He does the top teeth on the bottom lip but I also discovered that the bottom teeth on the lower lip can produce a solid sounding trumpet as well. To me, the bottom teeth choice looks a little weird compared to the top teeth method, which kind of looks like a smile, but we’re going for sound not looks so kick it whichever way gets you a sound your happy with.
So those are the two techniques. Now, you might wondering, trumpets change notes by changing the valves right? And, anonymous questioner, you are correct. To get change of notes like a trumpet you have two options: either be precise in your falsetto singing to make the notes sound good or use your tongue to get a distinct note [demo both].
Another cool extension of the trumpet sound is that it allows you to mimic other instruments as well. Remember how I told you to use your falsetto voice? Well if you use the mouth positioning options we already learned but use a lower singing voice, you can sound like a trombone, baritone horn or tuba. These a tougher to match exactly but the potential is there.
Aaanndd that wraps things up for the trumpet sound. As always, comment with tips, comments or questions you may have in the comments section down below. And if you liked this tutorial dont forget to give this video a thumbs up and subscribe to the channel. This has been YOU Can beatbox and next time we’ll be learning lip rolls. Tutorial #26: Trumpet || YOU Can Beatbox](https://i.ytimg.com/vi/rFG-u1b-3rI/mqdefault.jpg)
![Tutorial #24: Sonic BOOM || YOU Can Beatbox Tutorial Series
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Welcome back to you can beatbox! Today were going to be learning the sonic boom sound which sounds something like this. Before I get into explaining the sound, make sure to leave a comment below with any sounds you want me to cover in the tutorials and ill do my best to get em done. Now on to the sound.
The sonic boom sound is essentially a combination of a bass drum, a scratch and a throat bass. The fundamental sound of this technique is to have a really solid bass drum with a lot of power behind it. With that, the next key factor is to get the low, airy throat bass that goes along with it. Its not a traditional throat bass in the sense that it doesnt have a pitch to it and doesnt use your vocal chords. But it does use a lot of air and brings a great low, deep sound to your beatboxing. Its actually a sound I used to make as a child, way before i knew that beatboxing was a thing, so its definitely something you can learn. In a nutshell, youre just trying to breath out as deeply as possibly, which then shakes your vocal chords, a little like this [demo]. Its something that may take a few days to settle in but once you get it, you dont lose it. And yes, make sure to have a water or some tasty beverage nearby because this can be pretty taxing on your throat.
Now before we move onto the formal sonic boom sound, try combining this breathy throat bass with the bass drum, in a simple beat like B(sb) Pff B(sb) Pff. Once you can do that, youre ready for the sonic boom.
The third and final component of the sonic boom is a type of scratching technique that has sometimes been called the chewy scratch, because you actually just say the word chewy [demo]. For the sonic boom you dont necessarily need to make the chewy sound, but youre looking for the airy, inhuman scratch sound over top [demo]. Initially, this might just sound awkward and kind of lame, but practice practice practice. The sound will develop.
So now, taking all three components of the sound, the bass drum, breathy throat bass and the scratch, combine them in one exhalation of greatness that becomes the sonic boom sound [demo]. This will be pretty damn hard on your throat so, like I said, grab your favorite beverage as you go to keep hydrated. And for when you have the sound down pat, here are two practice beats to get you going:
1) B(sb) B Pff B B Pf x2
2) B(sb) Psh B(sb) Psh x2
That should cover a solid introduction to this sound but because of how intricate it may be, leave a comment below with your questions or pointers you may have for other beatboxers. Thanks again for watching this episode and subscribe to the channel if you havent done so yet. This has been YOU Can Beatbox and next time well be learning technical beatboxing. Tutorial #24: Sonic BOOM || YOU Can Beatbox Tutorial Series](https://i.ytimg.com/vi/rsDNGwoAwf0/mqdefault.jpg)




![Tutorial #34: Esh Cough Snare
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Original Cough Snare Tutorial: https://www.youtube.com/watch?v=8u_Yf1OPvSU
Efaybee Elimination: https://www.youtube.com/watch?v=JLfPuFZvK_c
Welcome back to YOU Can Beatbox. In todays episode we’re learning a variation of the cough snare that we learned in tutorial #32, which is linked in the description. This cough snare can sound pretty cool and give a nice grimy feel to slower beats and sounds like this [demo]. One of the most famous examples is Efaybee in his World Champs elimination which I’ll also link down below. And this snare also sounds like a bit like Napom’s cough snare but it’s a little different. Anyway enough talking.
This snare takes the foundation that we’ve already learned in the basic cough snare and adds an –sh suffix to it to give you a new sound. Our original cough snare is made by giving a short, not breathy cough as your snare. Now, like the psh snare, add an –sh onto the end to go from [eh demo] to [esh demo]. Cough and add an –sh. You’ve got yourself a nice variation of the cough snare.
Moving to some practice beats:
B Esh bB B Esh x2 (Hip Hop)
B B Esh B bB B Esh x2
Do work and congrats on learning a new snare. A word of caution: this snare because it is a simple cough, may put some stress on your throat and vocal chords so make sure to take things slow if you feel things start to hurt. Health is more important than learning a new noise a few days faster. That wraps up this sound. Please like this video if you learned something and subscribe to the channel for more beatboxing content. Thanks for watching YOU Can Beatbox and next time well be learning the hihat train or trap hi hats [demo]. Tutorial #34: Esh Cough Snare](https://i.ytimg.com/vi/zpFNqPUohA4/mqdefault.jpg)