Uploaded April 2025 | Updated September 2026, 3 hours ago

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Build powerful soloing ideas by stacking triads off each chord tone — and pairing them diatonically to explore new melodic colors.

🔹 Timestamps & Key Sections
0:00 Intro to triad concepts over A7
0:46 Playing pentatonic vs. triads over A7
2:33 Creating movement with intervals
4:20 Chord tones of A7 (A, C#, E, G)
5:08 A major triad (root position)
6:02 G major (below A) & B minor (above A)
7:05 G ↔ A resolution (strong half-step pull)
10:35 B minor triad interaction
12:06 Combining G, A, and B minor triads
18:27 C# diminished triad (built on 3rd)
20:05 C# dim ↔ B minor contrast
23:40 D major triad (above C# dim)
25:00 C# dim ↔ D maj tension/resolve
29:24 E minor triad (built on 5th)
30:02 E min ↔ D maj interplay
35:26 E min ↔ F# min (relative minor)
38:04 Recap of all triad pairs
46:02 Patreon PDF & closing

🎶 Triad Pairs Covered
G major ↔ A major ↔ B minor
C# diminished ↔ B minor ↔ D major
E minor ↔ D major ↔ F# minor

💡 Takeaways
Using triads for strong voice-leading
Half-step resolutions (e.g., D → C#)
How diatonic triads create color over dominant chords

📥 Tablature and backing track available on Patreon:
👉 patreon.com/yourguitarworkshop

🎥 Want more melodic tools? Check this out:
youtube.com/live/6bhzhA-ATdY

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