Uploaded January 2020 | Updated September 2026, 1 week ago
Title: 幼き夢は、自然に踊る～Romantic Children
Circle: 東部開拓地 (Tobu Kaitakushi)
Album: フルキヨキ -Old good days-
Original Composer: ZUN
From: Mystic Square
Original Uploader: Bishamontenreturn
Alice's very first theme. Who whould've thinked that this stage 3 boss would become so popular and appear in so many games? I think she's one of ZUN's favorite as she have no less than seven different themes and has appeared in eight games. If you discard STB, it's seven games (why STB? Because I suck at STB). And she's the Seven-Colored Puppeteer. So much seven, so much seven!
Picture:
i31.servimg.com/u/f31/14/21/54/56/10d71e10.jpg
__________________________
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Title: 幼き夢は、自然に踊る～Romantic Children
Circle: 東部開拓地 (Tobu Kaitakushi)
Album: フルキヨキ -Old good days-
Original Composer: ZUN
From: Mystic Square
Original Uploader: Bishamontenreturn
Alice's very first theme. Who whould've thinked that this stage 3 boss would become so popular and appear in so many games? I think she's one of ZUN's favorite as she have no less than seven different themes and has appeared in eight games. If you discard STB, it's seven games (why STB? Because I suck at STB). And she's the Seven-Colored Puppeteer. So much seven, so much seven!
Picture:
i31.servimg.com/u/f31/14/21/54/56/10d71e10.jpg
__________________________
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
