Uploaded June 2009 | Updated September 2026, 3 weeks ago
GIUSEPPE TORELLI (1658-1709)
"Sinfonia prima" for two violins, cello, and basso continuo in A minor Op. 5
1. Presto
2. Adagio
3. Allegro
4. Largo
5. Allegro
Performed by Insieme Strumentale di Roma
Directed by Giorgio Sasso
*Giuseppe Torelli was an Italian violist, violinist, teacher, and composer.
Torelli is most remembered for his contributions to the development of the instrumental concerto especially concerti grossi and the solo concerto, for strings and continuo, as well as being the most prolific Baroque composer for trumpets (Tarr 1974).
Torelli was born in Verona. It is not known with whom he studied violin though it has been speculated that he was a pupil of Leonardo Brugnoli or Bartolomeo Laurenti, but it is certain that he studied composition with Giacomo Antonio Perti (Schnoebelen and Vanscheeuwijk 2001). On June 27, 1684, at the age of 26, he became a member of the Accademia Filarmonica as suonatore di violino (Schnoebelen and Vanscheeuwijk 2001). By 1698 he was maestro di concerto at the court of Georg Friedrich II, Margrave of Brandenburg-Ansbach, where he conducted the orchestra for Le pazzie d'amore e dell'interesse, an idea drammatica composed by the maestro di cappella, the castrato Francesco Antonio Pistocchi, before leaving for Vienna in December 1699 (Schnoebelen and Vanscheeuwijk 2001). He returned to Bologna sometime before February (1701), when he is listed as a violinist in the newly re-formed cappella musicale at San Petronio, directed by his former composition teacher Perti (Schnoebelen and Vanscheeuwijk 2001).
He died in Bologna in 1709, where his manuscripts are conserved in the San Petronio archives. Giuseppe's brother, Felice Torelli, was a Bolognese painter of modest reputation, who went on to be a founding member of the Accademia Clementina. The most notable amongst Giuseppe's many pupils was Francesco Manfredini.
GIUSEPPE TORELLI (1658-1709)
"Sinfonia prima" for two violins, cello, and basso continuo in A minor Op. 5
1. Presto
2. Adagio
3. Allegro
4. Largo
5. Allegro
Performed by Insieme Strumentale di Roma
Directed by Giorgio Sasso
*Giuseppe Torelli was an Italian violist, violinist, teacher, and composer.
Torelli is most remembered for his contributions to the development of the instrumental concerto especially concerti grossi and the solo concerto, for strings and continuo, as well as being the most prolific Baroque composer for trumpets (Tarr 1974).
Torelli was born in Verona. It is not known with whom he studied violin though it has been speculated that he was a pupil of Leonardo Brugnoli or Bartolomeo Laurenti, but it is certain that he studied composition with Giacomo Antonio Perti (Schnoebelen and Vanscheeuwijk 2001). On June 27, 1684, at the age of 26, he became a member of the Accademia Filarmonica as suonatore di violino (Schnoebelen and Vanscheeuwijk 2001). By 1698 he was maestro di concerto at the court of Georg Friedrich II, Margrave of Brandenburg-Ansbach, where he conducted the orchestra for Le pazzie d'amore e dell'interesse, an idea drammatica composed by the maestro di cappella, the castrato Francesco Antonio Pistocchi, before leaving for Vienna in December 1699 (Schnoebelen and Vanscheeuwijk 2001). He returned to Bologna sometime before February (1701), when he is listed as a violinist in the newly re-formed cappella musicale at San Petronio, directed by his former composition teacher Perti (Schnoebelen and Vanscheeuwijk 2001).
He died in Bologna in 1709, where his manuscripts are conserved in the San Petronio archives. Giuseppe's brother, Felice Torelli, was a Bolognese painter of modest reputation, who went on to be a founding member of the Accademia Clementina. The most notable amongst Giuseppe's many pupils was Francesco Manfredini.
![A. Scarlatti - Concerto Grosso No. 1 in F Minor
ALESSANDRO SCARLATTI (1660-1725)
Concerto grosso No. 1 for two violins, strings, and basso continuo in F minor
1. Grave
2. Allegro
3. Largo
4. Allemande [Allegro]
Performed by Europa Galante
Directed by Fabio Biondi A. Scarlatti - Concerto Grosso No. 1 in F Minor](https://i.ytimg.com/vi/saHOA1lTTPs/mqdefault.jpg)
![Beethoven - Bagatelle in A Minor Für Elise WoO 59
LUDWIG VAN BEETHOVEN (1770-1827)
Bagatelle for fortepiano in A minor Für Elise [For Elise] WoO 57
Poco moto
Performed by Melvyn Tan, fortepiano
*Though scholars dont know for sure who Elise was, it is more than likely that this piece was actually dedicated to Therese Malfatti (niece of Beethovens physician, Dr. Johann Malfatti) to whom, it seems, the composer proposed marriage. The Elise may be an incorrect transcription of the title by the discoverer Ludwig Nohl. The autographed manuscript has been lost and the piece itself was not published until 1865. Beethoven - Bagatelle in A Minor Für Elise WoO 59](https://i.ytimg.com/vi/tT16uGUXFLE/mqdefault.jpg)
![Schubert - 3 Klavierstücke: Impromptu No. 1 in E Flat Minor D.946
FRANZ SCHUBERT (1797-1828)
3 Klavierstücke D. 946 Impromptu No. 1 for piano in E flat minor
Allegro assai - Andante - Tempo I
Performed by Melvyn Tan, fortepiano
Painting: Viennese Domestic Garden (1828-30) by Erasmus Engert
*The three Klavierstücke D. 946 are solo pieces composed by Schubert in May 1828, just six months before his early death. They were conceived as a third set of four Impromptus, but only three were written. They were first published in 1868, edited by Johannes Brahms, although his name appears nowhere in the publication.[5] In comparison with the D. 899 and D. 935 sets, these works are largely neglected and are not often heard in the concert hall or recorded. Schubert - 3 Klavierstücke: Impromptu No. 1 in E Flat Minor D.946](https://i.ytimg.com/vi/tfjZOuLGFjA/mqdefault.jpg)






![Couperin - Les Concerts Royaux Concert No. 2 - Mov. 4&5/5
FRANÇOIS COUPERIN (1668-1733)
Les Concerts Royaux Deuxième concert for any combination of instruments
4. Air Contrefugué
5. Echos (Tendrement)
Performed by Le Concert des Nations
Directed by Jordi Savall
*Couperins Preface:
These pieces are suitable not only for the harpsichord, but also the violin, the flute, the oboe, the viol and the bassoon. I wrote them for the little chamber concerts commanded by Louis XIV almost every Sunday throughout the year. The pieces were performed by Messieurs Duval [violinist], Philidor [oboist and bassoonist], Alarius [gambist], and Dubois [basoonist]: I myself played the harpsichord. In the hope that they will please the general public as they did the late King, I herewith publish several complete volumes Couperin - Les Concerts Royaux Concert No. 2 - Mov. 4&5/5](https://i.ytimg.com/vi/v9Gevde6sMw/mqdefault.jpg)
