Uploaded January 2014 | Updated September 2026, 2 weeks ago
Here's a virtual movie of the great Robert Burns reading his much loved and very philosophical poem "To A Mouse, on Turning Her Up in Her Nest, with the Plough".
To A Mouse, on Turning Her Up in Her Nest, with the Plough"is a Scots poem written by Robert Burns in 1785, and was included in the Kilmarnock volume. As the legend goes, Burns wrote the poem after, as the poem suggests, turning up the winter nest of a mouse on his farm. Another theory of the meaning of this poem is that the farmer turning over the nest of the mouse symbolizes the English (the farmer) oppressing the Scottish (the mouse. The poem denotes the narrator of the poem is ploughing his field when he cuts through a mouse nest. The poet shows regret and apologises to the mouse before he goes on a tangent which reveals the deeper meaning of the poem. The connotation is that even when you mean no harm and have pure intentions, you can destroy somebody else's well laid plans. Life is unpredictable, and while preparing for the unpredictable future we are not enjoying the present moment - which the mouse seems to be able to do. The narrator reminisces on "prospects drear," i.e. bad events that have happened in the past which in some ways prevent him from moving on. Furthermore, some say that he is very fearful of the future and that these two reasons do not allow him to enjoy the present. He is also hinting that we "humans" aren't very empathic or sympathetic towards animals like this mouse, but both species prepare for the future, hoping for nothing to affect their smooth lives. He asks, so what if the mouse steals our corn? It still wants to survive; this is the same for humans, so why are we so apart? John Steinbeck took the title of his 1937 novel Of Mice and Men from a line contained in the second-to-last stanza: "The best laid schemes o' mice an' men / Gang aft agley" (often paraphrased in English as "The best-laid plans of mice and men / Go oft awry"). The first stanza of the poem is read by Ian Anderson in the beginning of the 2007 remaster of "One Brown Mouse" by Jethro Tull. Anderson adds the line "But a mouse is a mouse, for all that," at the end of the stanza, which is a reference to another of Burn's songs, "Is There for Honest Poverty", commonly known as "A Man's a Man for A' That".
Kind Regards
Jim Clark
All rights reserved on this video recording copyright Jim Clark 2014
To a Mouse.....
Wee, sleekit, cowrin, tim'rous beastie, O, what a panic's in thy breastie! Thou need na start awa sae hasty Wi bickering brattle! I wad be laith to rin an' chase thee, Wi' murdering pattle. I'm truly sorry man's dominion Has broken Nature's social union, An' justifies that ill opinion Which makes thee startle At me, thy poor, earth born companion An' fellow mortal! I doubt na, whyles, but thou may thieve; What then? poor beastie, thou maun live! A daimen icker in a thrave 'S a sma' request; I'll get a blessin wi' the lave, An' never miss't. Thy wee-bit housie, too, in ruin! It's silly wa's the win's are strewin! An' naething, now, to big a new ane, O' foggage green! An' bleak December's win's ensuin, Baith snell an' keen! Thou saw the fields laid bare an' waste, An' weary winter comin fast, An' cozie here, beneath the blast, Thou thought to dwell, Till crash! the cruel coulter past Out thro' thy cell. That wee bit heap o' leaves an' stibble, Has cost thee monie a weary nibble! Now thou's turned out, for a' thy trouble, But house or hald, To thole the winter's sleety dribble, An' cranreuch cauld. But Mousie, thou art no thy lane, In proving foresight may be vain: The best laid schemes o' mice an' men Gang aft agley, An' lea'e us nought but grief an' pain, For promis'd joy! Still thou are blest, compared wi' me! The present only toucheth thee: But och! I backward cast my e'e, On prospects drear! An' forward, tho' I canna see, I guess an' fear
Here's a virtual movie of the great Robert Burns reading his much loved and very philosophical poem "To A Mouse, on Turning Her Up in Her Nest, with the Plough".
To A Mouse, on Turning Her Up in Her Nest, with the Plough"is a Scots poem written by Robert Burns in 1785, and was included in the Kilmarnock volume. As the legend goes, Burns wrote the poem after, as the poem suggests, turning up the winter nest of a mouse on his farm. Another theory of the meaning of this poem is that the farmer turning over the nest of the mouse symbolizes the English (the farmer) oppressing the Scottish (the mouse. The poem denotes the narrator of the poem is ploughing his field when he cuts through a mouse nest. The poet shows regret and apologises to the mouse before he goes on a tangent which reveals the deeper meaning of the poem. The connotation is that even when you mean no harm and have pure intentions, you can destroy somebody else's well laid plans. Life is unpredictable, and while preparing for the unpredictable future we are not enjoying the present moment - which the mouse seems to be able to do. The narrator reminisces on "prospects drear," i.e. bad events that have happened in the past which in some ways prevent him from moving on. Furthermore, some say that he is very fearful of the future and that these two reasons do not allow him to enjoy the present. He is also hinting that we "humans" aren't very empathic or sympathetic towards animals like this mouse, but both species prepare for the future, hoping for nothing to affect their smooth lives. He asks, so what if the mouse steals our corn? It still wants to survive; this is the same for humans, so why are we so apart? John Steinbeck took the title of his 1937 novel Of Mice and Men from a line contained in the second-to-last stanza: "The best laid schemes o' mice an' men / Gang aft agley" (often paraphrased in English as "The best-laid plans of mice and men / Go oft awry"). The first stanza of the poem is read by Ian Anderson in the beginning of the 2007 remaster of "One Brown Mouse" by Jethro Tull. Anderson adds the line "But a mouse is a mouse, for all that," at the end of the stanza, which is a reference to another of Burn's songs, "Is There for Honest Poverty", commonly known as "A Man's a Man for A' That".
Kind Regards
Jim Clark
All rights reserved on this video recording copyright Jim Clark 2014
To a Mouse.....
Wee, sleekit, cowrin, tim'rous beastie, O, what a panic's in thy breastie! Thou need na start awa sae hasty Wi bickering brattle! I wad be laith to rin an' chase thee, Wi' murdering pattle. I'm truly sorry man's dominion Has broken Nature's social union, An' justifies that ill opinion Which makes thee startle At me, thy poor, earth born companion An' fellow mortal! I doubt na, whyles, but thou may thieve; What then? poor beastie, thou maun live! A daimen icker in a thrave 'S a sma' request; I'll get a blessin wi' the lave, An' never miss't. Thy wee-bit housie, too, in ruin! It's silly wa's the win's are strewin! An' naething, now, to big a new ane, O' foggage green! An' bleak December's win's ensuin, Baith snell an' keen! Thou saw the fields laid bare an' waste, An' weary winter comin fast, An' cozie here, beneath the blast, Thou thought to dwell, Till crash! the cruel coulter past Out thro' thy cell. That wee bit heap o' leaves an' stibble, Has cost thee monie a weary nibble! Now thou's turned out, for a' thy trouble, But house or hald, To thole the winter's sleety dribble, An' cranreuch cauld. But Mousie, thou art no thy lane, In proving foresight may be vain: The best laid schemes o' mice an' men Gang aft agley, An' lea'e us nought but grief an' pain, For promis'd joy! Still thou are blest, compared wi' me! The present only toucheth thee: But och! I backward cast my e'e, On prospects drear! An' forward, tho' I canna see, I guess an' fear


![The Charge of the Light Brigade - Alfred Lord Tennyson - Rose Coghlan - Poetry recital -
Heres a virtual movie of a fabulous recital of The Charge of the Light Brigade by Alfred Lord Tennyson by the Victorian/Edwardian English actress Rose Coghlan (1851 - 1932) using the soundtrack from a very rare 78 rpm shellac record recorded in 1909.
Rose Coghlan (March 18, 1851 – April 2, 1932), English[1] actress was the sister of Charles Francis Coghlan.
She went to America in 1871 as part of Lydia Thompsons troupe touring the U.S.. She made her Broadway debut in 1872 in a musical. Coghlan was again in England from 1873 to 1877, playing with Barry Sullivan, and then returned to America. She became prominent as Countess Zicka in Diplomacy, and Stephanie in Forget-me-not. She was at Wallacks almost continuously until 1888, and subsequently appeared in melodrama in parts like the title-role of The Sporting Duchess.
Rose Coghlan died in 1932 in Harrison, New York. She had been married twice first to Clinton J. Edgerly from 1885 to 1890 and second to John T. Sullivan from 1890 to 1893. She had two children, an adopted daughter and a son. The Charge of the Light Brigade - Alfred Lord Tennyson - Rose Coghlan - Poetry recital -](https://i.ytimg.com/vi/lodoNIRSwbw/mqdefault.jpg)

![The Love Song of J Alfred Prufrock By T.S. Eliot Recited By Peter Oshaughnessy Poem animation
Heres a virtual movie of the Late celebrated Australian Irish actor Peter Oshaughnessy reciting beautifully one of the greatest poems of the 20th century The Love Song of J Alfred Prufrock By T.S. Eliot.
I briefly got to know Peter Oshaughnessy in May of 2013 just 2 months before his death, having known his name from my collection of poetry records. I had several chats with him on the phone and he was very enthusiastic about my virtual movies of great poets and literary figures. I sent him copies of several of his records he had lost copies of years ago. He sent me loads of amazing recordings of him reading poetry,literature,Irish folklore etc and asked me to animate what I could of his stuff.I managed to do a few,but with so much material and quite a bit of it out my comfort zone knowledgewise I must admit I was a bit overwhelmed having lost touch with him I was really saddened to read of his passing in July last year he was such a great character,and even at the great age of 89 full of enthusiasm for the spoken word and life.
Peter Oshaughnessy OAM (1923-2013 ), actor and producer, has produced numerous Australian plays, including John Courtneys Off to the Diggings and James Tuckers Jemmy Green in Australia at the Adelaide Festival in 1966. He has played the major Shakespearean tragic roles both in Australia and overseas and is well known for his one-act show Diary of a Madman, an adaptation of Gogols short story. In 1968 he collaborated with Graeme Inson and Russel Ward in The Restless Years; a lavishly illustrated anthology of documents, ballads, poems, letters, extracts from journals, newspaper reports and advertisements, The Restless Years ranges from 1770 to 1901 and is based on an award-winning television programme, produced by OShaughnessy. In the 1950s he also wrote and produced with Jeff Underhill a popular childrens play, The Bunyip and the Satellite. He edited the memoirs of Joseph Holt, published under the title A Rum Story (1988), and the journal of John Mitchel, titled The Gardens of Hell: John Mitchel in Van Diemens Land, 1850-1853 (1988).
The Love Song of J. Alfred Prufrock, commonly known as Prufrock, is a poem by American-British poet T. S. Eliot (1888 1965). Eliot began writing Prufrock in February 1910 and it was first published in the June 1915 issue of Poetry: A Magazine of Verse[2] at the instigation of Ezra Pound (1885 1972). It was later printed as part of a twelve-poem pamphlet (or chapbook) titled Prufrock and Other Observations in 1917.[1] At the time of its publication, Prufrock was considered shocking and offensive, but is now seen as heralding a paradigmatic cultural shift from late 19th century Romantic verse and Georgian lyrics to Modernism. The poem is regarded[by whom?] as the beginning of Eliots career as an influential poet.
Thomas Stearns Eliot OM (26 September 1888 4 January 1965) was an essayist, publisher, playwright, literary and social critic and one of the twentieth centurys major poets.[1] Born in St. Louis, Missouri in the United States, he moved to the United Kingdom in 1914 (at age 25) and was naturalised as a British subject in 1927 at age 39.
Eliot attracted widespread attention for his poem The Love Song of J. Alfred Prufrock (1915), which is seen as a masterpiece of the Modernist movement. It was followed by some of the best-known poems in the English language, including The Waste Land (1922), The Hollow Men (1925), Ash Wednesday (1930) and Four Quartets (1945).[2] He is also known for his seven plays, particularly Murder in the Cathedral (1935). He was awarded the Nobel Prize in Literature in 1948, for his outstanding, pioneer contribution to present-day poetry.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2013 The Love Song of J Alfred Prufrock By T.S. Eliot Recited By Peter Oshaughnessy Poem animation](https://i.ytimg.com/vi/mhyAGRAxHOE/mqdefault.jpg)



![W. H. Davies Leisure - No time to stand and stare read by W.H. Davies Poem animation
Heres a virtual movie of Welsh poet William Henry Davies or W H Davies (1871 - 1940) actualy reading with his introduction talk via a rare archive sound recording his much loved and universally well known poem Leisure . William Henry Davies or W H Davies (3 July 1871[1] 26 September 1940) was a Welsh poet and writer. William Henry Davies was born in Newport, Monmouthshire, Wales, the son of a publican. After an apprenticeship as a picture-frame maker and a series of labouring jobs, he travelled to America, first to New York and then to the Klondike. He returned to England after having lost a foot jumping a train in Canada, where he led a penurious life in London lodging houses and as a pedlar in the country. He married in 1923, Emma, who was much younger than he. His first poems were published when he was 34. Most of his poetry is on the subject of nature or life on the road and exhibits a natural simple, earthy style. He also wrote two novels and autobiographical works, his best known being Autobiography of a Super-Tramp. Brief biography 2 ........... William Henry Davies (1871-1940), poet and author, was born in Pillgwenlly, Newport, Monmouthshire. After leaving school he trained as a carver and gilder, but remained dissatisfied with his life. He left his work and spent a period working and begging his way across the United States of America and Canada, but in March 1899 he lost his foot while jumping from a train. He returned to Britain and resolved to make his mark as a poet. After experiencing many setbacks he eventually published his first book, The Souls Destroyer and Other Poems in March 1905. Subsequent volumes included New Poems (1907), Nature Poems (1908), Farwell to Poesy (1910), Songs of Joy (1911), Foliage (1913), and The Bird of Paradise (1914). He also wrote prose and his Autobiography of a Super-Tramp (1908) was based on his experiences of living hand-to-mouth in England and north America. In 1923 he married Helen Payne, a prostitute who was thirty years his junior. They settled in Sussex and later Gloucestershire. He was awarded an Honorary Degree by the University of Wales in 1929 and a plaque in his honour was unveiled at the Church House Inn, Newport, in 1938.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2015
Leisure
WHAT is this life if, full of care, We have no time to stand and stare?— No time to stand beneath the boughs, And stare as long as sheep and cows: No time to see, when woods we pass, Where squirrels hide their nuts in grass: No time to see, in broad daylight, Streams full of stars, like skies at night: No time to turn at Beautys glance, And watch her feet, how they can dance: No time to wait till her mouth can Enrich that smile her eyes began? A poor life this if, full of care, We have no time to stand and stare W. H. Davies Leisure - No time to stand and stare read by W.H. Davies Poem animation](https://i.ytimg.com/vi/oF0n7h-rpBo/mqdefault.jpg)

![Ode on a Grecian Urn By John Keats Poem - Animation
Heres a virtual movie of the great John Keats reading Ode on a Grecian Urn The poem asserts that a thing of beauty that is so seemingly silent yet can speak volumes and has its own worth that transcends material values.
Ode on a Grecian Urn is a poem written by the English Romantic poet John Keats in May 1819 and published anonymously in the January 1820, Number 15 issue of the magazine Annals of the Fine Arts (see 1820 in poetry).
The poem is one of several Great Odes of 1819, which include Ode on Indolence, Ode on Melancholy, Ode to a Nightingale, and Ode to Psyche. Keats found earlier forms of poetry unsatisfactory for his purpose, and the collection represented a new development of the ode form. He was inspired to write the poem after reading two articles by English artist and writer Benjamin Haydon. Keats was aware of other works on classical Greek art, and had first-hand exposure to the Elgin Marbles, all of which reinforced his belief that classical Greek art was idealistic and captured Greek virtues, which forms the basis of the poem.
Divided into five stanzas of ten lines each, the ode contains a narrators discourse on a series of designs on a Grecian urn. The poem focuses on two scenes: one in which a lover eternally pursues a beloved without fulfilment, and another of villagers about to perform a sacrifice. The final lines of the poem declare that beauty is truth, truth beauty, – that is all / Ye know on earth, and all ye need to know, and literary critics have debated whether they increase or diminish the overall beauty of the poem. Critics have focused on other aspects of the poem, including the role of the narrator, the inspirational qualities of real-world objects, and the paradoxical relationship between the poems world and reality.
Ode on a Grecian Urn was not well received by contemporary critics. It was only by the mid-19th century that it began to be praised, although it is now considered to be one of the greatest odes in the English language.[1] A long debate over the poems final statement divided 20th-century critics, but most agreed on the beauty of the work, despite various perceived inadequacies.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2014 Ode on a Grecian Urn By John Keats Poem - Animation](https://i.ytimg.com/vi/oQh_THryg-0/mqdefault.jpg)