Uploaded September 2015 | Updated September 2026, 2 weeks ago
Heres a virtual movie of Welsh poet William Henry Davies or W H Davies (1871 - 1940) actualy reading with his introduction talk via a rare archive sound recording his much loved and universally well known poem "Leisure" . William Henry Davies or W H Davies (3 July 1871[1] 26 September 1940) was a Welsh poet and writer. William Henry Davies was born in Newport, Monmouthshire, Wales, the son of a publican. After an apprenticeship as a picture-frame maker and a series of labouring jobs, he travelled to America, first to New York and then to the Klondike. He returned to England after having lost a foot jumping a train in Canada, where he led a penurious life in London lodging houses and as a pedlar in the country. He married in 1923, Emma, who was much younger than he. His first poems were published when he was 34. Most of his poetry is on the subject of nature or life on the road and exhibits a natural simple, earthy style. He also wrote two novels and autobiographical works, his best known being Autobiography of a Super-Tramp. Brief biography 2 ........... William Henry Davies (1871-1940), poet and author, was born in Pillgwenlly, Newport, Monmouthshire. After leaving school he trained as a carver and gilder, but remained dissatisfied with his life. He left his work and spent a period working and begging his way across the United States of America and Canada, but in March 1899 he lost his foot while jumping from a train. He returned to Britain and resolved to make his mark as a poet. After experiencing many setbacks he eventually published his first book, 'The Soul's Destroyer and Other Poems' in March 1905. Subsequent volumes included 'New Poems' (1907), 'Nature Poems' (1908), 'Farwell to Poesy' (1910), 'Songs of Joy' (1911), 'Foliage' (1913), and 'The Bird of Paradise' (1914). He also wrote prose and his 'Autobiography of a Super-Tramp' (1908) was based on his experiences of living hand-to-mouth in England and north America. In 1923 he married Helen Payne, a prostitute who was thirty years his junior. They settled in Sussex and later Gloucestershire. He was awarded an Honorary Degree by the University of Wales in 1929 and a plaque in his honour was unveiled at the Church House Inn, Newport, in 1938.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2015
Leisure
WHAT is this life if, full of care, We have no time to stand and stare?— No time to stand beneath the boughs, And stare as long as sheep and cows: No time to see, when woods we pass, Where squirrels hide their nuts in grass: No time to see, in broad daylight, Streams full of stars, like skies at night: No time to turn at Beauty's glance, And watch her feet, how they can dance: No time to wait till her mouth can Enrich that smile her eyes began? A poor life this if, full of care, We have no time to stand and stare
Heres a virtual movie of Welsh poet William Henry Davies or W H Davies (1871 - 1940) actualy reading with his introduction talk via a rare archive sound recording his much loved and universally well known poem "Leisure" . William Henry Davies or W H Davies (3 July 1871[1] 26 September 1940) was a Welsh poet and writer. William Henry Davies was born in Newport, Monmouthshire, Wales, the son of a publican. After an apprenticeship as a picture-frame maker and a series of labouring jobs, he travelled to America, first to New York and then to the Klondike. He returned to England after having lost a foot jumping a train in Canada, where he led a penurious life in London lodging houses and as a pedlar in the country. He married in 1923, Emma, who was much younger than he. His first poems were published when he was 34. Most of his poetry is on the subject of nature or life on the road and exhibits a natural simple, earthy style. He also wrote two novels and autobiographical works, his best known being Autobiography of a Super-Tramp. Brief biography 2 ........... William Henry Davies (1871-1940), poet and author, was born in Pillgwenlly, Newport, Monmouthshire. After leaving school he trained as a carver and gilder, but remained dissatisfied with his life. He left his work and spent a period working and begging his way across the United States of America and Canada, but in March 1899 he lost his foot while jumping from a train. He returned to Britain and resolved to make his mark as a poet. After experiencing many setbacks he eventually published his first book, 'The Soul's Destroyer and Other Poems' in March 1905. Subsequent volumes included 'New Poems' (1907), 'Nature Poems' (1908), 'Farwell to Poesy' (1910), 'Songs of Joy' (1911), 'Foliage' (1913), and 'The Bird of Paradise' (1914). He also wrote prose and his 'Autobiography of a Super-Tramp' (1908) was based on his experiences of living hand-to-mouth in England and north America. In 1923 he married Helen Payne, a prostitute who was thirty years his junior. They settled in Sussex and later Gloucestershire. He was awarded an Honorary Degree by the University of Wales in 1929 and a plaque in his honour was unveiled at the Church House Inn, Newport, in 1938.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2015
Leisure
WHAT is this life if, full of care, We have no time to stand and stare?— No time to stand beneath the boughs, And stare as long as sheep and cows: No time to see, when woods we pass, Where squirrels hide their nuts in grass: No time to see, in broad daylight, Streams full of stars, like skies at night: No time to turn at Beauty's glance, And watch her feet, how they can dance: No time to wait till her mouth can Enrich that smile her eyes began? A poor life this if, full of care, We have no time to stand and stare

![Ode on a Grecian Urn By John Keats Poem - Animation
Heres a virtual movie of the great John Keats reading Ode on a Grecian Urn The poem asserts that a thing of beauty that is so seemingly silent yet can speak volumes and has its own worth that transcends material values.
Ode on a Grecian Urn is a poem written by the English Romantic poet John Keats in May 1819 and published anonymously in the January 1820, Number 15 issue of the magazine Annals of the Fine Arts (see 1820 in poetry).
The poem is one of several Great Odes of 1819, which include Ode on Indolence, Ode on Melancholy, Ode to a Nightingale, and Ode to Psyche. Keats found earlier forms of poetry unsatisfactory for his purpose, and the collection represented a new development of the ode form. He was inspired to write the poem after reading two articles by English artist and writer Benjamin Haydon. Keats was aware of other works on classical Greek art, and had first-hand exposure to the Elgin Marbles, all of which reinforced his belief that classical Greek art was idealistic and captured Greek virtues, which forms the basis of the poem.
Divided into five stanzas of ten lines each, the ode contains a narrators discourse on a series of designs on a Grecian urn. The poem focuses on two scenes: one in which a lover eternally pursues a beloved without fulfilment, and another of villagers about to perform a sacrifice. The final lines of the poem declare that beauty is truth, truth beauty, – that is all / Ye know on earth, and all ye need to know, and literary critics have debated whether they increase or diminish the overall beauty of the poem. Critics have focused on other aspects of the poem, including the role of the narrator, the inspirational qualities of real-world objects, and the paradoxical relationship between the poems world and reality.
Ode on a Grecian Urn was not well received by contemporary critics. It was only by the mid-19th century that it began to be praised, although it is now considered to be one of the greatest odes in the English language.[1] A long debate over the poems final statement divided 20th-century critics, but most agreed on the beauty of the work, despite various perceived inadequacies.
Kind Regards
Jim Clark
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![Ozymandias - Percy Bysshe Shelley - Poem - Animation
Heres a virtual movie the great Percy Bysshe Shelley reading his ode to the frailties of tyranny the poem Ozymandias. The central theme of Ozymandias is contrasting the inevitable decline of all leaders and of the empires they build with their pretensions to greatness
Ozymandias (in five syllables: /ˌɒziˈmændiəs/, oz-ee-man-dee-əs; or four: /ˌɒziˈmændjəs/, oz-ee-mand-yəs)[1] is a sonnet written by the English romantic poet Percy Bysshe Shelley (1792–1822). First published in the 11 January 1818 issue of The Examiner[2] in London, it was included the following year in Shelleys collection Rosalind and Helen, A Modern Eclogue; with Other Poems (1819)[3] and in a posthumous compilation of his poems published in 1826.[4] Ozymandias is regarded as one of Shelleys most famous works and is frequently anthologised.
In antiquity, Ozymandias was an alternative name for the Egyptian pharaoh Ramesses II. Shelley began writing his poem in 1817, soon after the announcement of the British Museums acquisition of a large fragment of a statue of Ramesses II from the thirteenth-century BC, and some scholars believe that Shelley was inspired by this. The 7.25-ton fragment of the statues head and torso had been removed in 1816 from the mortuary temple of Ramesses at Thebes by the Italian adventurer Giovanni Battista Belzoni (1778–1823). It was expected to arrive in London in 1818, but did not arrive until 1821.[5][6] Shelley wrote the poem in friendly competition with his friend and fellow poet Horace Smith (1779–1849) who also wrote a sonnet on the same topic with the very same title. Smiths poem would be first published in The Examiner a few weeks after Shelleys sonnet. Both poems explore the fate of history and the ravages of time—that all prominent figures and the empires they build are impermanent and their legacies fated to decay and oblivion.
Shelley wrote the poem in competition with his friend Horace Smith, who published his sonnet a month after Shelleys in the same magazine.[7] It takes the same subject, tells the same story, and makes a similar moral point, but one related more directly to modernity, ending by imagining a hunter of the future looking in wonder on the ruins of an annihilated London. It was originally published under the same title as Shelleys verse; but in later collections Smith retitled it On A Stupendous Leg of Granite, Discovered Standing by Itself in the Deserts of Egypt, with the Inscription Inserted Below
Smiths Ozymandias
In Egypts sandy silence, all alone,
Stands a gigantic Leg, which far off throws
The only shadow that the Desert knows:—
I am great OZYMANDIAS, saith the stone,
The King of Kings; this mighty City shows
The wonders of my hand.— The Citys gone,—
Nought but the Leg remaining to disclose
The site of this forgotten Babylon.
We wonder,—and some Hunter may express
Wonder like ours, when thro the wilderness
Where London stood, holding the Wolf in chace,
He meets some fragment huge, and stops to guess
What powerful but unrecorded race
Once dwelt in that annihilated place.
Kind Regards
Jim Clark
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![The Darkling Thrush By Thomas Hardy Poem animation
Heres a virtual movie by a rather good looking Victorian lady beautifully reciting the much loved poem The Darkling Thrush By the brilliant and greatrThomas Hardy.
The Darkling Thrush is a poem by Thomas Hardy. Originally titled The Centurys End, 1900, it was published on 29 December 1900 in The Graphic. A deleted 1899 on the poems manuscript suggests that it may have been written the year before.[1] It was later included in a collection entitled Poems of the Past and the Present (1903).
The first stanzas open with a description of the dreary, bleak winter landscape, but the melancholy tone is transformed by the bright, optimistic singing of an aged thrush, frail, gaunt, and small. In the end, the speaker concludes that the small bird possesses some blessed Hope, whereof he knew and I was unaware.
Thomas Hardy, OM (2 June 1840 11 January 1928) was an English novelist and poet. A Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, especially William Wordsworth.[1] Charles Dickens was another important influence.[2] Like Dickens, he was highly critical of much in Victorian society, though Hardy focused more on a declining rural society.
While Hardy wrote poetry throughout his life and regarded himself primarily as a poet, his first collection was not published until 1898. Initially, therefore, he gained fame as the author of novels, including Far from the Madding Crowd (1874), The Mayor of Casterbridge (1886), Tess of the dUrbervilles (1891), and Jude the Obscure (1895). However, beginning in the 1950s Hardy has been recognised as a major poet; he had a significant influence on the Movement poets of the 1950s and 1960s, including Philip Larkin.
Kind Regards
Jim Clark
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![Walter de la Mare - Nod - Poem Animation
Heres a virtual movie of the English poet Walter de la Mare reading his poem Nod This actual sound recording of De La Mare comes from a rare 1930s 78 rpm shellac record in my collection which you can see playing on my beloved HMV 109 Wind up Gramophone at my videcurios channel here.
https://www.youtube.com/watch?v=sYuxIUeP9_M
Walter John de la Mare OM CH (/ˈdɛləˌmɛər/;[1] 25 April 1873 – 22 June 1956) was an English poet, short story writer and novelist. He is probably best remembered for his works for children, for his poem The Listeners, and for subtle psychological horror stories, amongst them Seatons Aunt and Out of the Deep..
Kind Regards
Jim Clark
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![The Sea Limits by Dante Gabriel Rossetti Poem animation
Heres a virtual movie of the great Dante Gabriel Rossetti Poet and artist reading his beautiful poem The Sea Limits The poem proclaimsus the connection between the sea, earth and mankind. He shows us how each has a voice if we listen. And he offers as proof the simple yet profound sound haunting a seashell when its placed at ones ear.
Dante Gabriel Rossetti (/ˈdænti ˈɡeɪbriəl rəˈzɛti/;[1] 12 May 1828 9 April 1882) was an English poet, illustrator, painter and translator. He founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Hunt and John Everett Millais, and was later to be the main inspiration for a second generation of artists and writers influenced by the movement, most notably William Morris and Edward Burne-Jones. His work also influenced the European Symbolists and was a major precursor of the Aesthetic movement. The Sea Limits by Dante Gabriel Rossetti Poem animation](https://i.ytimg.com/vi/r-MgL6qjlzs/mqdefault.jpg)
![Ode to Psyche By John Keats Poem - Animation
Heres a virtual movie of the great John Keats reading his Ode to Psyche
Ode to Psyche is a poem by John Keats written in spring 1819. The poem is the first of his 1819 odes, which include Ode on a Grecian Urn and Ode to a Nightingale. Ode to Psyche is an experiment in the ode genre, and Keatss attempt at an expanded version of the sonnet format that describes a dramatic scene. The poem serves as an important departure from Keatss early poems, which frequently describe an escape into the pleasant realms of ones imagination. Keats uses the imagination to show the narrators intent to resurrect Psyche and reincarnate himself into Eros(love). Keats attempts this by dedicating an untrodden region of his mind to the worship of the neglected goddess.
The poem does not describe the plot of the original Cupid and Psyche myth: according to Harold Bloom, the poem has little to do with the accepted myth.[10] In the original myth, Aphrodite punishes Psyche, a well admired girl, by having Cupid use his power to make her fall in love. Cupid, instead, falls in love with her, but he could only be with her in the cover of darkness in order to disguise his identity. Curious, she uses a light to reveal Cupids identity, but he flees from her presence. Psyche begins to search after Cupid, and Aphrodite forces her to perform various tasks before she could be united with her love. After nearly dying from one of the tasks, Cupid asks Zeus to transform Psyche into a goddess so the two can be together.[10]
The action of Ode to Psyche begins with a narrator witnessing two individuals embracing. The narrator immediately recognizes Cupid and is astonished when he recognizes Psyche:
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![Loves Sweet Effects - WW1 - Poem - animation
Heres a virtual movie of a recitation of the beautiful World War 1 Poem Loves Sweet Effects The Poem dates from the early part of World War 1,The author is unknown,The Poem was found in a Royal Medical Corp magazine issue in 1917 at the height of the Great War it is thought to have been written by a nurse at a base hospital.
What was a Base Hospital?
The Base Hospital was part of the casualty evacuation chain, further back from the front line than the Casualty Clearing Stations. They were manned by troops of the Royal Army Medical Corps, with attached Royal Engineers and men of the Army Service Corps. In the theatre of war in France and Flanders, the British hospitals were generally located near the coast. They needed to be close to a railway line, in order for casualties to arrive (although some also came by canal barge); they also needed to be near a port where men could be evacuated for longer-term treatment in Britain.
There were two types of Base Hospital, known as Stationary and General Hospitals. They were large facilities, often centred on some pre-war buildings such as seaside hotels. The hospitals grew hugely in number and scale throughout the war. Most of the hospitals moved very rarely until the larger movements of the armies in 1918. Some hospitals moved into the Rhine bridgehead in Germany and many were operating in France well into 1919. Most hospitals were assisted by voluntary organisations, most notably the British Red Cross
The Female poets of the Great War is a neglected area of poetry,yet their are many outstanding poems by women poets of the era as in the case of the anonymous author of this poem who is believed to have been a nurse. Women did see the horrors firsthand at the front treating the terrible casualties and and were exposed to the dangers of attack being so close to the action. On the home front they were to suffer the terrible psychological trauma of losing their loved ones. Women were also to take on the heavy industrial work in the civilian and and arms factories with all the hazards.Their were many reasons why women were inspired to express their emotions through poetry. There are numerous female poets that remain popular today. Dissimilar to the idea that their writings would be overshadowed by war stories told by men, these poets have many publications. Vera Brittain has written poems and stories about the Great War.[14] Not only was Brittain a writer, she was a nurse in the Voluntary Aid Detachment.[14] This shows the support women had for the war and the importance they played in a non-combative manner. In addition, Lady Margaret Sackville refers to the women during the Great War as life-savers.[31] More specifically, Sackville believes that women are supporting a war that is unnecessary in her poem The Pageant of War.[32] Rupert Brooke attributed women with more credit than had previously been given in his poem There’s Wisdom in Women which he published in 1914 & Other Poems.[33]
The bombing of England during World War One by the zeppelin raids provided citizens at home to see first-hand the devastation of war. Rose MaCaulay explains this in her poem The Shadow.[34] There was an attempt to show the relationship between the sufferings of soldiers on the battlefield with the suffering of British citizens at home. The Shadow was not MaCaulay’s only poem on the Great War. Many Sisters to Many Brothers expresses her distaste to the fact that the societal norm was to determine that women were more disabled than men in the war effort.[35] More specifically, there was an idea that the war was specifically fought and won by soldiers on the battlefield. Women played an important role in supporting the war, both at home and abroad. Vera Brittain’s poem The Sisters Buries at Lemnos is a poem about the heroics displayed by women during the war.[36] The role that women played in supporting the war must be remembered because many women were killed during the conflict. Brittain’s poem expresses disappointment that there is no memorial to remember the women that fell alongside the soldiers.[37]
The following is a list of a few popular female British poets writing about or during the Great War:
Vera Brittain
May Wedderburn Cannan
Margaret Postaget Cole
Rose MaCaulay
Alice Meynell
Jessie Pope
Margaret Sackville
Kind Regards
Jim Clark
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