videocurios | There Is No Death Sung by Frank Titterton Tenor Rare 78 rpm @videocurios | Uploaded April 2021 | Updated October 2024, 14 hours ago.
Here's There Is No Death Sung by the tenor Frank Titterton from a rare 78 rpm shellac record.
There is no death : Song...O'Hara Geoffrey. ; O'Hara Geoffrey, composer.; Johnstone, Gordon, 1876-1926, lyricist.1919
Frank Titterton (31 December 1893, Handsworth – 24 November 1956, London) was a well-known British lyric tenor of the mid-twentieth century. He was noted for his musicianship.
Titterton trained originally as an actor and was a member of The Pilgrim Players (which became the Birmingham Repertory Theatre) run by Sir Barry Jackson. He began to sing as an amateur, appearing in operettas by Gilbert and Sullivan and others in Birmingham before studying singing with Ernesto Beraldi and Charles Victor in London. He then left his stage career to work as a song recitalist and in Oratorio in Britain and Holland. He later became a sought-after singing teacher in London.[1]
Titterton's career was mainly in the concert hall, though he was also a prolific broadcaster and recording artist for Vocalion, Broadcast, Columbia and Decca. Most titles were recorded under his own name, but he also used the pseudonyms 'Francesco Vada' and 'Norton Collyer'. Like many British singers of his era he spent much time touring the United Kingdom, appearing in popular oratorios, rather than performing in operas or giving lieder recitals. A Birmingham City Choir website lists some typical dates and casts for performances of Handel's Messiah, for example:
Here's There Is No Death Sung by the tenor Frank Titterton from a rare 78 rpm shellac record.
There is no death : Song...O'Hara Geoffrey. ; O'Hara Geoffrey, composer.; Johnstone, Gordon, 1876-1926, lyricist.1919
Frank Titterton (31 December 1893, Handsworth – 24 November 1956, London) was a well-known British lyric tenor of the mid-twentieth century. He was noted for his musicianship.
Titterton trained originally as an actor and was a member of The Pilgrim Players (which became the Birmingham Repertory Theatre) run by Sir Barry Jackson. He began to sing as an amateur, appearing in operettas by Gilbert and Sullivan and others in Birmingham before studying singing with Ernesto Beraldi and Charles Victor in London. He then left his stage career to work as a song recitalist and in Oratorio in Britain and Holland. He later became a sought-after singing teacher in London.[1]
Titterton's career was mainly in the concert hall, though he was also a prolific broadcaster and recording artist for Vocalion, Broadcast, Columbia and Decca. Most titles were recorded under his own name, but he also used the pseudonyms 'Francesco Vada' and 'Norton Collyer'. Like many British singers of his era he spent much time touring the United Kingdom, appearing in popular oratorios, rather than performing in operas or giving lieder recitals. A Birmingham City Choir website lists some typical dates and casts for performances of Handel's Messiah, for example: