Uploaded July 2021 | Updated September 2026, 2 weeks ago
Here's The Cobblers Song sung by Robert Easton Bass from a 78 rpm shellac record released in 1932.
Robert Easton (8 June 1898 in Sunderland, England – 26 May 1987) was a British bass of the mid-twentieth century.
He sang in his local church choir in Sunderland. He joined the BEF in 1915, and was severely wounded while on service in Flanders. He had a long convalescence, and had a leg amputated. After that he wore an artificial leg. He claimed to have drifted into singing, eventually studying in London with Bozelli, Norman Notly, Harry Plunket Greene and Dinh Gilly.
Easton was a versatile singer, equally successful in opera, oratorio, recitals and as a concert artist. He was a true basso profondo, with a highly individual, instantly recognisable, dark timbre and rapid flickering vibrato. His range was from F# above middle C, down to a low Bb below bottom C.
He was one of Columbia’s exceptional trio of ‘profondos’ in the inter-war years, along with Norman Allin and Malcolm McEachern. He recorded for Vocalion between 1923 and 1925 and then for Broadcast and Regal Zonophone. For these labels he had to use pseudonyms, so he also appears as Robert Merlyn, Robert Raymond and Graham Stewart.
After 1940 Easton confined himself to broadcasts, concerts and oratorios and during the 2nd World War made concert tours with ENSA and CEMA, appearing in France, Belgium and Germany, as well as in Britain. A 1969 broadcast showed him to have lost no vocal quality over the years and he continued to make occasional concert appearances as late as 1985, mainly for the Council of Music in Hospitals. He was a frequent festival adjudicator, on one occasion according a prize to Janet Baker.
He freely gave of his time for all kinds of charity recitals and when Owen Brannigan was severely injured in a car crash took over many of his engagements, in spite of being in his seventies. He spent his later years at his home in Haslemere, Surrey with his wife of 60 years, and his daughter Margaret.
Here's The Cobblers Song sung by Robert Easton Bass from a 78 rpm shellac record released in 1932.
Robert Easton (8 June 1898 in Sunderland, England – 26 May 1987) was a British bass of the mid-twentieth century.
He sang in his local church choir in Sunderland. He joined the BEF in 1915, and was severely wounded while on service in Flanders. He had a long convalescence, and had a leg amputated. After that he wore an artificial leg. He claimed to have drifted into singing, eventually studying in London with Bozelli, Norman Notly, Harry Plunket Greene and Dinh Gilly.
Easton was a versatile singer, equally successful in opera, oratorio, recitals and as a concert artist. He was a true basso profondo, with a highly individual, instantly recognisable, dark timbre and rapid flickering vibrato. His range was from F# above middle C, down to a low Bb below bottom C.
He was one of Columbia’s exceptional trio of ‘profondos’ in the inter-war years, along with Norman Allin and Malcolm McEachern. He recorded for Vocalion between 1923 and 1925 and then for Broadcast and Regal Zonophone. For these labels he had to use pseudonyms, so he also appears as Robert Merlyn, Robert Raymond and Graham Stewart.
After 1940 Easton confined himself to broadcasts, concerts and oratorios and during the 2nd World War made concert tours with ENSA and CEMA, appearing in France, Belgium and Germany, as well as in Britain. A 1969 broadcast showed him to have lost no vocal quality over the years and he continued to make occasional concert appearances as late as 1985, mainly for the Council of Music in Hospitals. He was a frequent festival adjudicator, on one occasion according a prize to Janet Baker.
He freely gave of his time for all kinds of charity recitals and when Owen Brannigan was severely injured in a car crash took over many of his engagements, in spite of being in his seventies. He spent his later years at his home in Haslemere, Surrey with his wife of 60 years, and his daughter Margaret.








![4 Cautionary Tales and a Moral, No.4 Henry King by Hilaire Belloc sung by Harold Williams Baritone
Heres 4 Cautionary Tales and a Moral, No.4 Henry King by Hilaire Belloc sung by Harold Williams Baritone from a rare 78 rpm
Hilaire Pierre René Belloc (/hɪˈlɛər ˈbɛlək/, French: [ilɛːʁ bɛlɔk]; 27 July 1870[1] – 16 July 1953) was a British-French writer and historian and one of the most prolific writers in England during the early twentieth century. Belloc was also an orator, poet, sailor, satirist, writer of letters, soldier, and political activist. His Catholic faith had a strong impact on his works. He was President of the Oxford Union and later MP for Salford South from 1906 to 1910. He was a noted disputant, with a number of long-running feuds. Belloc became a naturalised British subject in 1902 while retaining his French citizenship.
Belloc was born in La Celle-Saint-Cloud, France to a French father, Louis Belloc (1830-1872) and an English mother. His sister Marie Adelaide Belloc Lowndes also grew up to be a writer.
His Cautionary Tales for Children, humorous poems with an implausible moral, illustrated by Basil Temple Blackwood (signing as B.T.B.) and later by Edward Gorey, are the most widely known of his writings.[27] Supposedly for children, they, like Lewis Carrolls works, are more to adult and satirical tastes: Henry King, Who chewed bits of string and was early cut off in dreadful agonies.[28] A similar poem tells the story of Rebecca, who slammed doors for fun and perished miserably.
The tale of Matilda who told lies and was burned to death was adapted into the play Matilda Liar! by Debbie Isitt. Quentin Blake, the illustrator, described Belloc as at one and the same time the overbearing adult and mischievous child. Roald Dahl was a follower. But Belloc has broader if sourer scope. For example, with Lord Lundy (who was far too freely 4 Cautionary Tales and a Moral, No.4 Henry King by Hilaire Belloc sung by Harold Williams Baritone](https://i.ytimg.com/vi/h4VgvhHLKLc/mqdefault.jpg)

![Bluebells Played On The Tubaphone 78 rpm
Heres Bluebells Played The Tubaphone an instrument similar to Xylaphone but using metal tubes from an early double sided 78 rpm Twin shellac record.
A tubaphone is a type of metallophone constructed from a series of metal tubes arranged in a keyboard configuration.[1][2] The tubes are similar in length to that of a xylophone, and sound vaguely like a glockenspiel.[3 Bluebells Played On The Tubaphone 78 rpm](https://i.ytimg.com/vi/hKtzNNIjVu8/mqdefault.jpg)