Uploaded July 2026 | Updated September 2026, 3 weeks ago
This television show was made in 1964. I did some of the filming on it. It was called "The Parents," and it was looking at the generation gap, which was becoming obvious at that time. It was part of a series called "The Values in America." We gained access to real families, showing what things were really like.
The speaker is Paul Popenoe who was a highly influential and controversial figure in the study of marriage, family dynamics, and eugenics based in Los Angeles. Known widely as the "father of marriage counseling" in the United States.
In 1930, Popenoe founded the American Institute of Family Relations in Los Angeles. For decades, it was the largest and most famous marriage counseling center in the world. He aimed to stabilize American marriages in the face of rising divorce rates, focusing heavily on pre-marital education, sexual education, and traditional family structures. He also reached millions of everyday Americans through a widely read, long-running syndicated newspaper column and via the famous Ladies' Home Journal feature, "Can This Marriage Be Saved?"
Before—and during—the early years of his marriage counseling career, Popenoe was one of America's leading eugenicists. In the 1920s and 1930s, working alongside the Human Betterment Foundation in Pasadena, he was a staunch, vocal advocate for California's compulsory sterilization laws targeting individuals deemed "unfit" (including the mentally ill and intellectually disabled).
To Popenoe, these two fields were completely connected: he believed that to preserve and better the human race, the state should prevent "unfit" individuals from reproducing, while professional counseling should be used to guide "fit," stable couples into successful marriages and larger families.
Following World War II and the public horror at Nazi eugenics (which had actually used some of Popenoe’s California work as a blueprint), he completely rebranded himself, scrubbing the explicit eugenics language from his work to focus purely on the mainstream, conservative defense of the traditional nuclear family. Under his direction, the Los Angeles institute trained thousands of marriage counselors and members of the clergy, leaving a permanent stamp on how relationship counseling developed in mid-century America.
For audiences today who didn't live through the 1960s, it can be difficult to grasp just how seismic the "generation gap" actually was. It wasn't just a difference in musical tastes or clothing; it was a fundamental fracturing of how two generations viewed reality, morality, and the American Dream.
Produced at the very precipice of this cultural shift, "The Parents" (1964) serves as a living time capsule. Here is how the film vividly captures that historical divide for a modern viewer:
The documentary catches a raw, transitional moment in American history.
Shaped by the hardships of the Great Depression and the strict conformity of the post-WWII era, they prioritized stability, traditional gender roles, financial security, and respect for authority. To them, the nuclear family was the ultimate achievement.
The first wave of baby boomers, growing up in unprecedented postwar affluence. Free from the immediate struggle for survival, they began questioning the very foundations of their parents' lives—asking whether corporate security, suburban compliance, and rigid social norms were actually fulfilling.
Unlike the polished, idealized families broadcast on 1960s sitcoms like Leave It to Beaver, "The Parents" stripped away the facade. By capturing real families on location, it documented:
Genuine scenes where parents and teenagers speak entirely past one another, trapped by a lack of shared vocabulary for the changing world.
The film reveals how the pressure of maintaining the "perfect" 1950s-style household was fracturing adult relationships from the inside out, exposing an undercurrent of anxiety and disillusionment.
In 1964, the massive sociopolitical upheavals of the late '60s (the height of the counterculture, widespread anti-war protests, and radical social movements) were still on the horizon. "The Parents" is remarkable because it catches the spark before the explosion. It documents the quiet, localized friction at the kitchen table that would soon spill out into the streets of America.
The Show explored how traditional 1950s/1960s American family values were beginning to clash with the independent, changing perspectives of the younger generation.
Filmed on location with real families, the documentary captured marriages and parent-child relationships under strain, documenting real-time struggles and unfiltered conversations.
It caught the exact cultural inflection point just as the broader sociopolitical upheavals of the 1960s were beginning to fracture the conventional "American Dream" family structure.
This television show was made in 1964. I did some of the filming on it. It was called "The Parents," and it was looking at the generation gap, which was becoming obvious at that time. It was part of a series called "The Values in America." We gained access to real families, showing what things were really like.
The speaker is Paul Popenoe who was a highly influential and controversial figure in the study of marriage, family dynamics, and eugenics based in Los Angeles. Known widely as the "father of marriage counseling" in the United States.
In 1930, Popenoe founded the American Institute of Family Relations in Los Angeles. For decades, it was the largest and most famous marriage counseling center in the world. He aimed to stabilize American marriages in the face of rising divorce rates, focusing heavily on pre-marital education, sexual education, and traditional family structures. He also reached millions of everyday Americans through a widely read, long-running syndicated newspaper column and via the famous Ladies' Home Journal feature, "Can This Marriage Be Saved?"
Before—and during—the early years of his marriage counseling career, Popenoe was one of America's leading eugenicists. In the 1920s and 1930s, working alongside the Human Betterment Foundation in Pasadena, he was a staunch, vocal advocate for California's compulsory sterilization laws targeting individuals deemed "unfit" (including the mentally ill and intellectually disabled).
To Popenoe, these two fields were completely connected: he believed that to preserve and better the human race, the state should prevent "unfit" individuals from reproducing, while professional counseling should be used to guide "fit," stable couples into successful marriages and larger families.
Following World War II and the public horror at Nazi eugenics (which had actually used some of Popenoe’s California work as a blueprint), he completely rebranded himself, scrubbing the explicit eugenics language from his work to focus purely on the mainstream, conservative defense of the traditional nuclear family. Under his direction, the Los Angeles institute trained thousands of marriage counselors and members of the clergy, leaving a permanent stamp on how relationship counseling developed in mid-century America.
For audiences today who didn't live through the 1960s, it can be difficult to grasp just how seismic the "generation gap" actually was. It wasn't just a difference in musical tastes or clothing; it was a fundamental fracturing of how two generations viewed reality, morality, and the American Dream.
Produced at the very precipice of this cultural shift, "The Parents" (1964) serves as a living time capsule. Here is how the film vividly captures that historical divide for a modern viewer:
The documentary catches a raw, transitional moment in American history.
Shaped by the hardships of the Great Depression and the strict conformity of the post-WWII era, they prioritized stability, traditional gender roles, financial security, and respect for authority. To them, the nuclear family was the ultimate achievement.
The first wave of baby boomers, growing up in unprecedented postwar affluence. Free from the immediate struggle for survival, they began questioning the very foundations of their parents' lives—asking whether corporate security, suburban compliance, and rigid social norms were actually fulfilling.
Unlike the polished, idealized families broadcast on 1960s sitcoms like Leave It to Beaver, "The Parents" stripped away the facade. By capturing real families on location, it documented:
Genuine scenes where parents and teenagers speak entirely past one another, trapped by a lack of shared vocabulary for the changing world.
The film reveals how the pressure of maintaining the "perfect" 1950s-style household was fracturing adult relationships from the inside out, exposing an undercurrent of anxiety and disillusionment.
In 1964, the massive sociopolitical upheavals of the late '60s (the height of the counterculture, widespread anti-war protests, and radical social movements) were still on the horizon. "The Parents" is remarkable because it catches the spark before the explosion. It documents the quiet, localized friction at the kitchen table that would soon spill out into the streets of America.
The Show explored how traditional 1950s/1960s American family values were beginning to clash with the independent, changing perspectives of the younger generation.
Filmed on location with real families, the documentary captured marriages and parent-child relationships under strain, documenting real-time struggles and unfiltered conversations.
It caught the exact cultural inflection point just as the broader sociopolitical upheavals of the 1960s were beginning to fracture the conventional "American Dream" family structure.

![This Rock Star Created The Smartphone Sounds in 1993.
Back in 1993, I was on the management team of an incredible silicon valley startup called General Magic that was inventing the first smart phone. Among the execs were Bill Atkinson and Andy Herzfeld, the two guys who built the Mac. They had left Apple to lead this new company to success. Based in Mountain View, California, the company developed precursors to USB, software modems, small touch screens, touchscreen controller ICs, ASICs, multimedia email, networked games, streaming TV, and early e-commerce notions.
One of my jobs was to record stories of what was happening as we all felt that our company would become the Google or Apple of the mid 1990s.
As I walked the halls, I saw singer-songwriter Todd Rundgren working with magician (as they called the engineers) Dan Winkler to create the first cell phone sound effects, which is what he is doing in this scene. You can search many videos on my YouTube channel regarding General Magic. Although the company failed (another story) some of the sounds Todd Rundgren created are still in use today.
If you find this video of Todd worth watching, I would appreciate your clicking the Super Thanks button below the video screen to the right. Your support gives me the freedom to keep on presenting clips from my archive.
Todd Rundgren is an American multi-instrumentalist, singer, songwriter, and record producer who has performed a diverse range of styles as a solo artist and as a member of the band Utopia. He is known for his sophisticated and often unorthodox music, his occasionally lavish stage shows, and his later experiments with interactive entertainment. He also produced music videos and was an early adopter and promoter of various computer technologies, such as using the Internet as a means of music distribution in the late 1990s.
A native of Philadelphia, Rundgren began his professional career in the mid 1960s, forming the psychedelic band Nazz in 1967. After departing Nazz, the 21-year-old Rundgren briefly considered working as a computer programmer, and then decided that his calling was as a producer. Two years later, he also pursued a solo career and immediately scored his first US top 40 hit with We Gotta Get You a Woman (1970). His best-known songs include Hello Its Me and I Saw the Light from Something/Anything? (1972), which get frequent air time on classic rock radio stations, and the 1983 single Bang the Drum All Day, which is featured in many sports arenas, commercials, and movie trailers. Although lesser known, Couldnt I Just Tell You (1972) was influential to many artists in the power pop genre. His 1973 album A Wizard, a True Star remains an influence on later generations of bedroom musicians.
Rundgren is considered a pioneer in the fields of electronic music, progressive rock, music videos, computer software, and Internet music delivery.[4] He organized the first interactive television concert in 1978, designed the first color graphics tablet in 1980, and created the first interactive album, No World Order, in 1994. Additionally, he was one of the first acts to be prominent as both an artist and producer.[3] His notable production credits include Badfingers Straight Up (1971), Grand Funk Railroads Were an American Band (1973), the New York Dolls New York Dolls (1973), Meat Loafs Bat Out of Hell (1977), and XTCs Skylarking (1986). He was inducted into the Rock and Roll Hall of Fame in 2021, though he declined to attend the ceremony.
Space Force, Todd Rundgren’s latest album, is yet another example of creative contrariness: a cross-genre, cross-generational collaborative record that sees him tackling abandoned tracks from the careers of such artists as the Roots and the Lemon Twigs as well as new collaborations with the likes of Sparks.
Todd Rundgren recently said: “For a musician, things haven’t changed too much: Make music on your laptop and distribute it on the net, and build up and audience that will show up live or pay for a stream. It’s hard to monetize the recordings themselves, unless you land a commercial, which is why you have to design your own shoes or smell.” This Rock Star Created The Smartphone Sounds in 1993.](https://i.ytimg.com/vi/nBO0A4iPZQk/mqdefault.jpg)








