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Listening In | The Music of George Orwell's 1984 @ListeningIn | Uploaded January 2020 | Updated October 2024, 1 hour ago.
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* George Orwell’s dystopian novel 1984 is best known for its most famous ideas - Newspeak, Big Brother and Room 101 to name a few. But little has been written about the musical imagery and metaphor that permeates the novel. In this essay, I explore how IngSoc, the ruling party in Oceania, uses music to control and oppress the people and, as a result, how freedom of expression in music, and singing in particular, becomes the embodiment of an idealistic future for Winston. ‘The birds sang, the proles sang. The Party did not sing.’

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FURTHER READING/RESEARCH
George Orwell - 1984: planetebook.com/free-ebooks/1984.pdf
Speech, music and dehumanisation in George Orwell's Nineteen Eighty-Four: a linguistic study of metaphors (Anne Marie, Simon Vandenbergen) - journals.sagepub.com/doi/10.1177/096394709300200301
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The Music of George Orwell's 1984 @ListeningIn

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