The history behind Emma Dabiri’s makeup tools @WellcomeCollection
The history behind Emma Dabiri’s makeup tools  @WellcomeCollection
Uploaded February 2024 | Updated September 2026, 3 weeks ago
Why do some of us slather ourselves in fake tan and others paint their lips red? And what can culture and history tell us about the looks we find beautiful?

Author, sociologist, and beauty enthusiast, Emma Dabiri unveils the stories behind the tools in her beauty bag, shedding light on the origins of modern-day beauty standards.

By looking at the cultural and historical roots behind compact mirrors, pin-tail combs and other tools used in our beauty regimes, Dabiri dives into the stories that give shape to our personal feelings about beauty.

This video has been made to accompany The Cult of Beauty exhibition, showing at Wellcome Collection until 28 April 2024.

Find out more about The Cult of Beauty: wellcomecollection.org/exhibitions/ZJ1zCxAAACMAczPA

Buy Emma Dabiri's book, Disobedient Bodies: wellcomecollection.org/books/ZO7vDxEAACYAjU5t

0:00 - Intro
0:47 - Fake tan
1:50 - Compact mirrors
2:51 - Lipstick
3:57 - Pintail comb
4:50 - Conclusion

#TheCultOfBeauty #WellcomeCollection

Music: Nkisi, Lament II (instrumental)

*Artist credits:*

An Algorithmic Gaze II, 2023, by Cecilie Waagner Falkenstrøm: instagram.com/artificialmind_ai

'It makes no sense to be beautiful if no one is ugly', 2023, by Makeupbrutalism, commissioned by Wellcome Collection instagram.com/makeupbrutalism

Ancient Egyptian bronze mirror, 800-100 BCE, Wellcome Collection / Science Museum Group

Islamic glass convex mirror, 901–1000, Wellcome Collection / Science Museum Group

Narcissus and Echo, Engraving by F. Bartolozzi, after Luti, Benedetto, 1791, Wellcome Collection

Diane de Poitiers in her bedchamber, Louis Hague, after William James Müller
1841, Wellcome Collection

Auxerre Goddess, and Auxerre Goddess restored, original c.640 BC, Museum of Classical Archaeology, Cambridge

Untitled (Mkpuk Eba) Untitled (Adebe) Untitled (Onile Gogoro Or Akaba)
J.D. ‘Okhai Ojeikere, 1974–75, printed 2012. Courtesy of Estate of J. D.'Okhai Ojeikere / Foto Okeikere and Tate

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The history behind Emma Dabiri’s makeup tools

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