Uploaded February 2014 | Updated September 2026, 2 weeks ago
Here's a virtual movie of the brilliant Scots poet and prolific literary biographer G S Fraser reading his short,but seemingly very apt little poem mocking the mixed fortunes of Scotland at this momentous time as Scotland considers its future should it unwisely in my humble opinion vote to become independent from the UK "The Good Times Gone"
George Sutherland Fraser (8 November 1915 -- 3 January 1980) was a Scottish poet, literary critic and academic.Fraser was born in Glasgow, Scotland, later moving with his family to Aberdeen. He attended the University of St. Andrews.
During World War II he served in the British Army in Cairo and Eritrea. He was published as a poet in Salamander, a Cairo literary magazine. At the same time he was involved with the New Apocalyptics group, writing an introductory essay for the anthology The White Horseman, and formulating as well as anyone did the idea that they were successors to surrealism.
After the war he became a prominent figure in London's literary circles, working as a journalist and critic. Together with his wife Paddy he made friends with a gamut of literary figures, from the intellectual leader William Empson to the eccentric John Gawsworth. He worked with Ian Fletcher to have Gawsworth's Collected Poems (1949) published. His direction was that of the traditional man of letters (soon to become extinct).
In 1948, Fraser contributed an essay entitled "A Language by Itself" to a biblio-symposium honouring the sixtieth birthday of T. S. Eliot. Drawing comparisons with John Donne, he praised the poet's profound refreshment (particularly in The Love Song of J. Alfred Prufrock) of the English poetic tongue, together with his subtle facility for transitional verse and his potent effect on the poetic youth; but, more importantly for present purposes, he also confessed, "I am not a very original writer myself; I am lost, on the whole, without a convention of some sort [...]."[1]
In 1949 he accepted the job of replacing Edmund Blunden as Cultural Adviser to the UK Liaison Mission in Tokyo. This ended badly when he suffered a breakdown in 1951 while in Japan. Subsequently he was much less the poet than the all-purpose writer.
He became a lecturer at the University of Leicester in 1959, where he was an inspiring teacher, remaining there until retirement in 1979.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2014
Here's a virtual movie of the brilliant Scots poet and prolific literary biographer G S Fraser reading his short,but seemingly very apt little poem mocking the mixed fortunes of Scotland at this momentous time as Scotland considers its future should it unwisely in my humble opinion vote to become independent from the UK "The Good Times Gone"
George Sutherland Fraser (8 November 1915 -- 3 January 1980) was a Scottish poet, literary critic and academic.Fraser was born in Glasgow, Scotland, later moving with his family to Aberdeen. He attended the University of St. Andrews.
During World War II he served in the British Army in Cairo and Eritrea. He was published as a poet in Salamander, a Cairo literary magazine. At the same time he was involved with the New Apocalyptics group, writing an introductory essay for the anthology The White Horseman, and formulating as well as anyone did the idea that they were successors to surrealism.
After the war he became a prominent figure in London's literary circles, working as a journalist and critic. Together with his wife Paddy he made friends with a gamut of literary figures, from the intellectual leader William Empson to the eccentric John Gawsworth. He worked with Ian Fletcher to have Gawsworth's Collected Poems (1949) published. His direction was that of the traditional man of letters (soon to become extinct).
In 1948, Fraser contributed an essay entitled "A Language by Itself" to a biblio-symposium honouring the sixtieth birthday of T. S. Eliot. Drawing comparisons with John Donne, he praised the poet's profound refreshment (particularly in The Love Song of J. Alfred Prufrock) of the English poetic tongue, together with his subtle facility for transitional verse and his potent effect on the poetic youth; but, more importantly for present purposes, he also confessed, "I am not a very original writer myself; I am lost, on the whole, without a convention of some sort [...]."[1]
In 1949 he accepted the job of replacing Edmund Blunden as Cultural Adviser to the UK Liaison Mission in Tokyo. This ended badly when he suffered a breakdown in 1951 while in Japan. Subsequently he was much less the poet than the all-purpose writer.
He became a lecturer at the University of Leicester in 1959, where he was an inspiring teacher, remaining there until retirement in 1979.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2014
![A Stockmans Nostalgia - W Miller - Poem-Animation
Heres a virtual movie about an Australian Cowboy A Stockman yearning to be back riding the open wilds of Australia rather than being stuck in the confines of the City A Stockmans Nostalgiaby W Miller. Having only the initial and surname of the poet I havent managed to pin down any biographical info on this so ?
In Australia a stockman (plural stockmen) is a person who looks after the livestock on a large property known as a station, which is owned by a grazier or a grazing company. A stockman may also be employed at an abattoir, feedlot, on a livestock export ship, or with a stock and station agency.
Stockmen who work with cattle in the Top End are known as ringers and are often only employed for the dry season which lasts from April to October. A station hand is an employee, who is involved in routine duties on a rural property or station and this may also involve caring for livestock, too. With pastoral properties facing dire recruitment problems as young men are lured into the booming mining industry, young women from the cities are becoming a common sight on outback stations, often attracted by the chance to work with horses.[1] Some stations are now making changes for the employment of women by building female living quarters and installing hydraulic cattle crushes etc.[2] An associated occupation is that of the drover, who, like the shearer may be an itinerant worker, and is employed in tending to livestock while they are travelling on a stock route.
A station trainee is known as a jackaroo (male) or jillaroo (female),[3] and does much the same work as a stockman.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2016 A Stockmans Nostalgia - W Miller - Poem-Animation](https://i.ytimg.com/vi/gnDGqXX2r6Q/mqdefault.jpg)



![Henry Howard, Earl of Surrey Alas, So All Things Now Do Hold Their Peace, Poem animation
Heres a virtual movie of the great Elizabethan Sonneteer Henry Howard, Earl of Surrey readinghis much loved Sonnet Alas, So all Things Now Do Hold Their Peace
Alas, So all Things Now Do Hold Their Peace.............
This poem is about inner struggle. He speaks of his loved one and how the love he feels is unrequited. How everything has found its peace, except for him. He says: I weep and sing, in joy and woe, as in a doubtful ease: For my sweet thoughts sometime do pleasure bring... He is claiming that even though she brings him disease, the mere thought of her brings him calm till he remembers the cause of his pain: she rejects him.
Tudor poet Henry Howard, the Earl of Surrey, was born in Hunsdon, Hertfordshire, England. He was the son of the third Duke of Norfolk. Associated with the royal court, he grew up at Windsor, where he was a childhood companion to the Duke of Richmond, son of Henry VIII. Surrey was also a first cousin to Anne Boleyn. Educated by tutors, he lived an eventful life as a soldier and a courtier, eventually marrying Lady Frances de Vere, daughter of the Earl of Oxford.
In 1532, he traveled to France with Henry VIII and stayed at the French court for almost a year. He was made Knight of the Garter in 1541 and served as a soldier in France. After Anne Boleyns execution, Surrey and his father ran afoul of the new English court on several occasions. Eventually charged with treason, he was imprisoned in the Tower of London and executed in 1547.
Surreys poetry is often associated with that of Thomas Wyatt, whose work was published alongside Surreys in Tottels Miscellany (1557). A major poet of the 16th century, Surrey is credited with developing the Shakespearean form of the sonnet. He wrote love poems and elegies and translated Books 2 and 4 of Virgils Aeneid as well as Psalms and Ecclesiastes from the Bible. He also introduced blank verse to English—a form that he used in his translations of Virgil.
Kind Regards
]Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2014 Henry Howard, Earl of Surrey Alas, So All Things Now Do Hold Their Peace, Poem animation](https://i.ytimg.com/vi/iRLDUYhdWDc/mqdefault.jpg)
![William Shakespeare - Tomorrow, - Johnston Forbes Robertson - Poem Animation
Heres a virtual movie of the Victorian Shakespearean actor Johnston Forbes-Robertson Reciting Tomorrow, and tomorrow, and tomorrow From Macbeth. The sound recording of FForbes Robertson comes from a rare 78 rpm shellac record circa 1928.
Sir Johnston Forbes-Robertson (16 January 1853 – 6 November 1937[1]) was an English actor and theatre manager. He was considered the finest Hamlet of the Victorian era and one of the finest actors of his time, despite his dislike of the job and his lifelong belief that he was temperamentally unsuited to acting.
His many performances led him into, among other things, travel to the U.S., and work with Sir Henry Irving. He was hailed as one of the most individual and refined of English actors. He was a personal friend of the Duke of Sutherland and his family and often stayed with them at Trentham Hall; he is known to have recommended to them various writers and musicians in dire need of assistance.
Forbes-Robertson first came to prominence playing second leads to Henry Irving before making his mark as the greatest interpreter of Hamlet of the nineteenth century, according to many critics.[according to whom?] One of his early successes was in W. S. Gilberts Danl Druce, Blacksmith. In 1882, he starred with Lottie Venne and Marion Terry in G. W. Godfreys comedy The Parvenu at the Court Theatre.[3] He was noted for his elocution, particularly by George Bernard Shaw who wrote the part of Caesar in Caesar and Cleopatra for him.[citation needed] Forbes-Robertsons other notable roles were Romeo, Othello, Leontes in The Winters Tale, and the leading role in The Passing of the Third Floor Back; performed on Broadway 1908 (filmed in 1916, released 1918). He did not play Hamlet until he was 44 years old, but after his success in the part he continued playing it until 1916, including a surviving silent film (1913). Shaw considered him the greatest Hamlet he had ever seen.[citation needed]
He was also a talented painter who did a portrait of his mentor Samuel Phelps that currently hangs in the Garrick Club in London. Forbes-Robertson acted in plays with the gifted actress Mary Anderson in the 1880s. He became smitten with her, fell in love with her and asked her hand in marriage. She kindly turned him down though they remained friends. Later he and actress Beatrice Campbell enjoyed a brief affair during the time she starred with him in a series of Shakespearean plays in the mid-1890s.
Tomorrow, and tomorrow, and tomorrow...
(from Macbeth, spoken by Macbeth)
Tomorrow, and tomorrow, and tomorrow,
Creeps in this petty pace from day to day,
To the last syllable of recorded time;
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Lifes but a walking shadow, a poor player,
That struts and frets his hour upon the stage,
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2016 William Shakespeare - Tomorrow, - Johnston Forbes Robertson - Poem Animation](https://i.ytimg.com/vi/ijfJDtNDFqQ/mqdefault.jpg)
![Ode on a Grecian Urn - John Keats - Poem - Animation
Heres a virtual movie of a recital Ode on a Grecian Urn John Keats the poem is read to perfection by the late great American Shakespearean stage actor Erasmus J Spellbinder who was renowned for his recitals of classic poetry in the 1930s.
Poetry doesnt get more beautiful than this masterpiece of the verse writers art. Ode on a Grecian Urn is a poem written by the English Romantic poet John Keats in May 1819 and published anonymously in the January 1820, Number 15 issue of the magazine Annals of the Fine Arts (see 1820 in poetry).
The poem is one of several Great Odes of 1819, which include Ode on Indolence, Ode on Melancholy, Ode to a Nightingale, and Ode to Psyche. Keats found earlier forms of poetry unsatisfactory for his purpose, and the collection represented a new development of the ode form. He was inspired to write the poem after reading two articles by English artist and writer Benjamin Haydon. Keats was aware of other works on classical Greek art, and had first-hand exposure to the Elgin Marbles, all of which reinforced his belief that classical Greek art was idealistic and captured Greek virtues, which forms the basis of the poem.
Divided into five stanzas of ten lines each, the ode contains a narrators discourse on a series of designs on a Grecian urn. The poem focuses on two scenes: one in which a lover eternally pursues a beloved without fulfilment, and another of villagers about to perform a sacrifice. The final lines of the poem declare that beauty is truth, truth beauty, – that is all / Ye know on earth, and all ye need to know, and literary critics have debated whether they increase or diminish the overall beauty of the poem. Critics have focused on other aspects of the poem, including the role of the narrator, the inspirational qualities of real-world objects, and the paradoxical relationship between the poems world and reality.
Ode on a Grecian Urn was not well received by contemporary critics. It was only by the mid-19th century that it began to be praised, although it is now considered to be one of the greatest odes in the English language.[1] A long debate over the poems final statement divided 20th-century critics, but most agreed on the beauty of the work, despite various perceived inadequacies.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2015 Ode on a Grecian Urn - John Keats - Poem - Animation](https://i.ytimg.com/vi/iuvjOD8aBa8/mqdefault.jpg)


![Walt Whitman I was Looking a Long While Poem animation
Heres a virtual movie of the great Walt Whitman reading I was Looking a Long While from his lifelong work Leaves of Grass.
WALT WHITMANS mission differed from that of other poets. The expression of lyrical beauty was not his aim, for his poetry lacks the background of legend, myth, euphemism or rhyme. He made no attempt to clarify ideas, but sought to bring the reader into the atmosphere of thought, leaving him there to pursue his own flight.
He dissected the mind of his race with the delicate fingers of a surgeon of souls. Fearlessly he attacked the cancerous growth of materialism, the worship of false idols, the superstitions of the churches, the separative tendency of creeds and sects, the despairing hold of the people on departed models of obedience and compulsion. He visioned the future in terms of solidarity, and it was to these prophetic years that he sang his songs. He penned his words for future minds and dedicated them to the Culminating Man, to the new Empire of Spiritual Manhood, built upon the foundation of Universal Brotherhood, without distinction of race, creed, caste or color.
Walt Whitmans poetry is a declaration of the principles which he felt would revolutionize the world if they were accepted and put into practice
Walter Walt Whitman (May 31, 1819 March 26, 1892) was an American poet, essayist and journalist. A humanist, he was a part of the transition between transcendentalism and realism, incorporating both views in his works. Whitman is among the most influential poets in the American canon, often called the father of free verse.[1] His work was very controversial in its time, particularly his poetry collection Leaves of Grass, which was described as obscene for its overt sexuality.
Kind Regards
Jim Clark
All rights reserved on this video recording copyright Jim Clark 2014
PLEASE NOTE - The image used in this animation is not actualy Walt Whitman it is a lookalike of Walt Whitman and is not to my knowledge a copyrighted image please write to me if you have bonafide information to the contrary. at my email address of hyperbolelad@hotmail.com Walt Whitman I was Looking a Long While Poem animation](https://i.ytimg.com/vi/kD3MQvgswb4/mqdefault.jpg)
