Uploaded July 2025 | Updated September 2026, 3 hours ago
American cartoonist and author Eli Valley examines the New York Times’ prominent display of Theodor Herzl’s portrait, revealing how the paper frames Zionism and manufactures consent in its coverage of Palestine.
This excerpt comes from Valley’s presentation at POWERHOUSE Arena, drawn from his book Museum of Degenerates: Portraits of the American Grotesque—a searing visual critique of American politics, media, and the weaponization of identity.
👉 Get the book: orbooks.com/catalog/museum-of-degenerates
📺 Watch the full video: youtube.com/watch?v=dqON5wIhs5s&t=1003s
American cartoonist and author Eli Valley examines the New York Times’ prominent display of Theodor Herzl’s portrait, revealing how the paper frames Zionism and manufactures consent in its coverage of Palestine.
This excerpt comes from Valley’s presentation at POWERHOUSE Arena, drawn from his book Museum of Degenerates: Portraits of the American Grotesque—a searing visual critique of American politics, media, and the weaponization of identity.
👉 Get the book: orbooks.com/catalog/museum-of-degenerates
📺 Watch the full video: youtube.com/watch?v=dqON5wIhs5s&t=1003s










