Uploaded September 2025 | Updated September 2026, 3 days ago
Three Ladies Played at Ball / The Three Maids / The Three Knights / The Cruel Brother (Child No. 11) - Sung by Mrs. Paulina Ellen Watts Adkins Cole (Mrs. Ely Cole) (1882-1957) of Big Creek, Logan County, West Virginia, USA. Recorded by Prof. Louis Watson Chappell on August 14, 1940.
00:00:00 The Three Ladies (Take 1) - Ely Cole
00:03:29 The Three Ladies (Take 2) - Ely Cole
00:07:05 The Three Maids - Polly Johnson
00:10:40 Lily O - Aunt Becky Gordon
00:14:29 The Three Ladies (Original Tape) - Edith Ballinger Price
00:17:52 The Three Ladies (Bass Reduced Slightly) - Edith Ballinger Price
00:21:11 The Three Ladies (Bass Reduced Heavily) - Edith Ballinger Price
00:24:29 The Cruel Brother - Bell Duncan
Link to Take 1: https://folkmusic.lib.wvu.edu/catalog/Chappell_52_Cole_B_CruelBrother
Link to Take 2: https://folkmusic.lib.wvu.edu/catalog/Chappell_52_Cole_J_CruelBrother
Note by Kevin W.:
A traditional West Virginia version of The Cruel Brother (Child 11). It was customary in medieval times for a bride to ask permission of the family and especially the brother before marriage. The bride in this story forgot to ask her brother. The offended brother helps her on the horse and stabs her. The ballad makes little sense to modern ears as such marriage customs have long been abandoned.
The few versions recorded from traditional singers in the 20th century are the last remains of what was once one of the most popular ballads in Scotland according to Prof. Child's notes. I'm fairly certain that none of the singers understood the reason for the bride's stabbing, but they kept singing the ballad because certain parts of it still appealed to them. It's telling that the stabbing is the part most often missing from collected texts, with the three knights courting and the stanzas about leaving various things to family members being the elements retained.
Mrs. Paulina Cole sings an incomplete version. The main plot point of the brother stabbing the bride and the ending stanzas of wishing him and his family ill are missing. The song has almost become a burlesque with the dying bride on her last breath willing various things to her many family members.
Song transcription:
Take 1:
Take me to yondo's hill
Till I get down and make my will
High lily low
Roses sweet-high-o
What do you will to your father dear
High lily low
Roses sweet-high-o
I will him my horse, my bridle and saddle
That I have here
High lily low
Roses sweet-high-o
What do you will to your mother dear
My golden book and silver ring
That I have here
High lily low
Roses sweet-high-o
What do you will to your brother dear
High lily low
Roses sweet-high-o
My bow and arrow that I have here
High lily low
Roses sweet-high-o
Oh what do you will to your sister Ann
My wedding dress that I have here
Tell her to wash it white and clean
For my heart's blood was never a-seen
High lily low
Roses sweet-high-o
And...
High lily low
Roses sweet-high-o
What do you will to your uncle dear
It's my house and furniture
I have here
High lily low
Roses sweet-high-o
What do you will to your grandmother dear
My golden books and silver spoon
High lily low
Roses sweet-high-o
What do you will to your grandfather dear
My cup and saucers that I have here
High lily low
Roses sweet-high-o
What do you will to your niece and dear
I will her my...
Take 2:
There was three ladies, ladies playing ball
There come three gentlemen for to court them all
High lily low
Roses sweet-high-o
The first one come was dressed in red
High lily low
Roses sweet-high-o
The next one come was dressed in white
High lily low
Roses sweet-high-o
The next one come was dressed in blue
High lily low
Roses sweet-high-o
It's drive on, drive on, to yondo's hill
Till I get down and make my will
High lily low
Roses sweet-high-o
It's what do you will to your father dear
High lily low
Roses sweet-high-o
I will him my horse, my bridle and saddle
That I have here
High lily low
Roses sweet-high-o
It's what do you will to your mother dear
My golden book and silver ring
High lily low
Roses sweet-high-o
It's what do you will to your sister Ann
It's my wedding dress that I have here
Tell her to wash it white and clean
For my heart's blood was never a-seen
High lily low
Roses sweet-high-o
What do you will to your brother dear
My bow and arrow that I have here
High lily low
Roses sweet-high-o
What do you will to your aunt
My golden book and silver spoon
That I have here
High lily low
Roses sweet-high-o
What do you will to your uncle dear
High lily...
Three Ladies Played at Ball / The Three Maids / The Three Knights / The Cruel Brother (Child No. 11) - Sung by Mrs. Paulina Ellen Watts Adkins Cole (Mrs. Ely Cole) (1882-1957) of Big Creek, Logan County, West Virginia, USA. Recorded by Prof. Louis Watson Chappell on August 14, 1940.
00:00:00 The Three Ladies (Take 1) - Ely Cole
00:03:29 The Three Ladies (Take 2) - Ely Cole
00:07:05 The Three Maids - Polly Johnson
00:10:40 Lily O - Aunt Becky Gordon
00:14:29 The Three Ladies (Original Tape) - Edith Ballinger Price
00:17:52 The Three Ladies (Bass Reduced Slightly) - Edith Ballinger Price
00:21:11 The Three Ladies (Bass Reduced Heavily) - Edith Ballinger Price
00:24:29 The Cruel Brother - Bell Duncan
Link to Take 1: https://folkmusic.lib.wvu.edu/catalog/Chappell_52_Cole_B_CruelBrother
Link to Take 2: https://folkmusic.lib.wvu.edu/catalog/Chappell_52_Cole_J_CruelBrother
Note by Kevin W.:
A traditional West Virginia version of The Cruel Brother (Child 11). It was customary in medieval times for a bride to ask permission of the family and especially the brother before marriage. The bride in this story forgot to ask her brother. The offended brother helps her on the horse and stabs her. The ballad makes little sense to modern ears as such marriage customs have long been abandoned.
The few versions recorded from traditional singers in the 20th century are the last remains of what was once one of the most popular ballads in Scotland according to Prof. Child's notes. I'm fairly certain that none of the singers understood the reason for the bride's stabbing, but they kept singing the ballad because certain parts of it still appealed to them. It's telling that the stabbing is the part most often missing from collected texts, with the three knights courting and the stanzas about leaving various things to family members being the elements retained.
Mrs. Paulina Cole sings an incomplete version. The main plot point of the brother stabbing the bride and the ending stanzas of wishing him and his family ill are missing. The song has almost become a burlesque with the dying bride on her last breath willing various things to her many family members.
Song transcription:
Take 1:
Take me to yondo's hill
Till I get down and make my will
High lily low
Roses sweet-high-o
What do you will to your father dear
High lily low
Roses sweet-high-o
I will him my horse, my bridle and saddle
That I have here
High lily low
Roses sweet-high-o
What do you will to your mother dear
My golden book and silver ring
That I have here
High lily low
Roses sweet-high-o
What do you will to your brother dear
High lily low
Roses sweet-high-o
My bow and arrow that I have here
High lily low
Roses sweet-high-o
Oh what do you will to your sister Ann
My wedding dress that I have here
Tell her to wash it white and clean
For my heart's blood was never a-seen
High lily low
Roses sweet-high-o
And...
High lily low
Roses sweet-high-o
What do you will to your uncle dear
It's my house and furniture
I have here
High lily low
Roses sweet-high-o
What do you will to your grandmother dear
My golden books and silver spoon
High lily low
Roses sweet-high-o
What do you will to your grandfather dear
My cup and saucers that I have here
High lily low
Roses sweet-high-o
What do you will to your niece and dear
I will her my...
Take 2:
There was three ladies, ladies playing ball
There come three gentlemen for to court them all
High lily low
Roses sweet-high-o
The first one come was dressed in red
High lily low
Roses sweet-high-o
The next one come was dressed in white
High lily low
Roses sweet-high-o
The next one come was dressed in blue
High lily low
Roses sweet-high-o
It's drive on, drive on, to yondo's hill
Till I get down and make my will
High lily low
Roses sweet-high-o
It's what do you will to your father dear
High lily low
Roses sweet-high-o
I will him my horse, my bridle and saddle
That I have here
High lily low
Roses sweet-high-o
It's what do you will to your mother dear
My golden book and silver ring
High lily low
Roses sweet-high-o
It's what do you will to your sister Ann
It's my wedding dress that I have here
Tell her to wash it white and clean
For my heart's blood was never a-seen
High lily low
Roses sweet-high-o
What do you will to your brother dear
My bow and arrow that I have here
High lily low
Roses sweet-high-o
What do you will to your aunt
My golden book and silver spoon
That I have here
High lily low
Roses sweet-high-o
What do you will to your uncle dear
High lily...


![The Mouses Wedding to the Frog (Roud 16) (August 1986) - Duncan Williamson (Traditional Singer)
Frog he Would a Wooing Go / Kitty Alone / Mr. Frog / The Frogs Wedding / The Wedding of Frog and Mouse / Frog Went A-Courting (Roud No. 16) / The House that Jack Built (Roud No. 20584) / The Wind in the Sky / Ill Tell Me Ma / The Belle of Belfast City (Roud No. 2649) - Sung by Duncan Williamson (1928-2007), a Traveller of Furnace, Argyllshire, Scotland, later settled in Fife. Filmed and recorded by David Kotyk as part of the John D. Niles folklore research team for the Scottish Voices project at a rented house in Auchtermuchty in August 1986.
00:00:00 Sings The Mouses Wedding to the Frog
00:03:08 Sings The House that Jack Built
00:05:54 Sings The Wind in the Sky
00:06:52 Video Ends
The original movie can be watched here:
https://search.library.wisc.edu/digital/A3QUNVLUHBNVD38A
A biography of Duncan Williamson can be read here:
https://www.tobarandualchais.co.uk/person/4292?l=en
Linda Williamsons thesis on Scottish Traveller singing can be read here, its well worth your time if youre interested in Duncan Williamsons song repertoire: https://era.ed.ac.uk/handle/1842/8223
I used my knowledge on video editing to share the films on Youtube in the highest possible quality, I used manual video upscaling (no AI was used!) for this, to further document variants of traditional ballads and songs which has been my hobby for many years. I claim no ownership of the video, all the rights belong with the University of Wisconsin which houses the John D. Niles Collection.
Note by Kevin W.:
I was delighted to discover these videos of Scotlands great tradition bearers in the John D. Niles Collection. The often poorly treated Scottish Travellers honor the memories of their ancestors through songs, music and storytelling. They are proud of their culture and kept old traditions alive for hundreds of years. Many of our most gifted traditional singers and storytellers are Travellers.
Scottish Travellers are an indigenous ethnic minority in Scotland who live or traditionally lived a nomadic lifestyle and for centuries were unfairly shunned by the settled population. For that reason the singing culture of the Travelling people had not been well documented before the 20th century when non-Travellers with an interest in folklore visited and befriended Travellers and started recording their songs, music and stories.
The videos give us an impression of what Duncan Williamson was like as a person and they show us how he performed his songs and stories to an audience. The visual aspect of performance is completely missed when we listen to sound recordings.
My main interest are the songs and ballads from Traveller tradition which Duncan kept alive. His interest in folklore led him to seek out other Traveller singers and storytellers and learn songs and stories from them, many of which were on the verge of being lost forever. In a way Duncan was a folklore collector himself.
Song transcription:
A froggie would a-wooing ride
A froggie would a-wooing ride
With sword and buckle by his side,
Oh ho.
Oh first he came to a mouses den
Oh-ho, ho
First he came to a mouses den
He said, Miss Mouse, would you let me in?
Oh ho.
So he took Miss Mousie on his knee
Oh-ho, ho
He took Miss Mousie on his knee,
He said, Miss Mouse, will you marry me?
Oh ho.
She said, Where will the marriage service be?
Oh-ho, ho
Where will the marriage service be?
Down at the hollow by the old oak tree,
Oh ho.
She said, What will the marriage supper be?
Oh-ho, ho
What will the marriage supper be?
A slice of cake and a cup o tea,
Oh ho.
Then the first to come in was Mrs. Moth,
Oh-ho, ho
The first to come in was Mrs. Moth,
She come to lay the tablecloth,
Oh-ho, ho.
Then the next came in was Major Dick,
Oh-ho
[Spoken aside: Major Dick was a grasshopper.]
The next came in was Major Dick,
He et so much that he fell sick,
Oh-ho, ho.
So they had to send for Doctor Fly,
Oh ho
They had to send for Doctor Fly,
For fear that Major Dick would die,
Oh ho.
The next came in was a squirrel with a curly tail, tail,
The next came in was a squirrel with a curly tail,
He tore his head on a rusty nail,
Oh-ho, ho.
Next came in was a big big black brown snake,
Oh, next came in was a big brown snake,
He coiled himself roond the wedding cake,
Oh-ho, ho.
So they all went sailing down tae the lake,
Oh-ho, ho
They all went sailing tae down the lake,
They were gobbled up by a big fat drake,
Oh-ho, ho. The Mouses Wedding to the Frog (Roud 16) (August 1986) - Duncan Williamson (Traditional Singer)](https://i.ytimg.com/vi/XSCdAur9YTc/mqdefault.jpg)




![The Broken Token (Roud 264) (1986) - Stanley Robertson (Scottish Traveller Traditional Singer)
A Pretty Fair Maid / A Lady in Her Fathers Garden / The Broken Token (Roud No. 264) - Sung by renowned storyteller, ballad singer and piper Stanley Robertson (1940-2009) of Aberdeen, Aberdeenshire, Scotland in an old cottage near the village of Lumphanan, Aberdeenshire. It was the longtime home of his aunt Margaret (Maggie) Stewart whom Stanley regarded as his adoptive grandmother. Stanley was born into a Traveller family in Aberdeen and he was the nephew of famous Scottish traditional singer Jeannie Robertson. Filmed and recorded by David Kotyk as part of the John D. Niles folklore research team for the Scottish Voices project in August 1986.
The original movie can be watched here:
https://search.library.wisc.edu/digital/AOL64MEVSBAW2A85
I used my knowledge on video editing to share the films on Youtube in the highest possible quality, I used manual video upscaling (no AI was used!) for this, to further document variants of traditional ballads and songs which has been my hobby for many years. I claim no ownership of the video, all the rights belong with the University of Wisconsin which houses the John D. Niles Collection.
Note by Kevin W.:
I was delighted to discover these videos of Scotlands great tradition bearers in the John D. Niles Collection. The often poorly treated Scottish Travellers honor the memories of their ancestors through songs, music and storytelling. They are proud of their culture and kept old traditions alive for hundreds of years. Many of our most gifted traditional singers and storytellers are Travellers.
Scottish Travellers are an indigenous ethnic minority in Scotland who live or traditionally lived a nomadic lifestyle and for centuries were unfairly shunned by the settled population. For that reason the singing culture of the Travelling people had not been well documented before the 20th century when non-Travellers with an interest in folklore visited and befriended Travellers and started recording their songs, music and stories.
Stanley sang this song, The Broken Token, spontaneously as he felt it was fitting for a return home, to the place of his childhood.
Song transcription:
A fair pretty maid in her garden walking
When a brisk young sailor came a-riding by.
He stepped up to her because he knew her.
Saying “Fair [maid, would you fancy I?”] *
“Tis seven long years since I loved a sailor,
Tis seven long years since he went away.
Perhaps he’s drownded, perhaps he’s married,
Perhaps he sails on the ocean blue.
For if he’s married, I wish him pleasure,
And if he’s drownded, I wish him rest.
But if he sails on yon sea, my sailor
He’ll come back home for tae marry me.”
“Oh do ye see, love, yon high high castle
All decorated wi lilies white?
I’ll gie you gold, love, I’ll gie you silver
If you will say you’ll be mine tonight.”
“Oh what care I for yer high high castle?
Or what care I for yer lilies white?
Or what care I for yer gold and silver
If my true love should come home tonight?
He put his fingers intae his pocket;
His fingers were both sharp an small.
He took a ring out it was between them
At seeing this for then she fell.
He picked her up in his loving arms,
He gied tae her a true love kiss,
Saying, “Im your Johnnie, I am your sailor,
And I’ve come home for tae marry you.”
* The end of the line is missing in the video, but thats how it usually ends. The Broken Token (Roud 264) (1986) - Stanley Robertson (Scottish Traveller Traditional Singer)](https://i.ytimg.com/vi/ZApkV5XuVUQ/mqdefault.jpg)


