Uploaded August 2025 | Updated September 2026, 3 days ago
Fair Flowers of Fadie-O / Fair Flowers of Holly-O / Fine Flowers in the Valley / Doon By the Greenwood Sidie O / Greenwood Side / Down by the Greenwood Sidey-o / All Alone and a-Lonely-O / She's Leaned her Back / The Cruel Mither / The Cruel Mother (Child No. 20) - Sung by Mrs. Catherine "Kate" Bell Toney (1874–1944) in Kitchen, Logan County, West Virginia, USA. She was born in Wayne County. Recorded by Prof. Louis Watson Chappell on August 9, 1940.
Mrs. Toney was Prof. Chappell's most prolific traditional singer. On that one day in August he recorded seventy-nine of her songs. An article on her can be found here: https://omekas.lib.wvu.edu/home/s/folkmusic/page/kate-toney
00:00:00 Pretty Babes - Kate Toney
00:03:40 Fair Flowers of Fadie-O - Charles S. Brink
00:04:23 Little Babes - Rhoda Browning Nelson
00:05:00 Little Babes - Sarah Workman
Note by Kevin W.:
A traditional West Virginia version of The Cruel Mother (Child 20). The ballad is rare in America and texts are often fragmentary. It must've arrived in Virginia with the early settlers in the 1600s-1700s and was kept alive through generations of singers without the aid of printed texts. As far as I can tell the song was never published in songsters or broadsides in America, likely due to the dark subject matter.
An important detail lost in many American texts and likely not understood by the singers is that the mother kills her babies out of fear of being discovered by her family. She had an illegitimate relationship with her father's clerk, a man below her standing.
Three of the W. Virginia texts recorded by Louis W. Chappell include a variation on the following stanza:
She wiped her penknife on her shoe
Fine flowers of fin-die-o
The more she wiped the bloodier it grew
Down, down by the greenwood sidie-o
The more she wiped the bloodier it grew
Down, down by the greenwood sidie-o
Which preserves an old superstition that the blood from a murderer's weapon can't be washed off. This stanza is seldom found in traditional versions collected in the 20th century.
The "flowers in the valley" refrain originated in Scotland and has become rare, it survived mostly with northern US and Canadian texts, often displaying varying degrees of corruption.
Song transcription:
An evidently ancient text. Not entirely complete, but preserving beautiful rhymes and the rare "she wiped her penknife" stanza. It's sung to a fine and widespread ballad tune.
First she leaned against an oak
Fine flowers of fin-die-o
First it bent and then it broke
Down, down by the greenwood sidie-o
First it bent and then it broke
Down, down by the greenwood sidie-o
Next she leaned against a thorn
There them two pretty babes are born
She wiped her penknife on her shoe
(corrects herself)
She had a penknife keen and sharp
She pierced them two pretty babes to the heart
She wiped her penknife on her shoe
The more she wiped the bloodier it grew
She dropped her penknife in the well
She wished them two pretty babes in hell
She dug a grave both wide and deep
She buried them both without a sheet
The very next day she's going to church
There her two pretty babes appeared
Said, pretty babes if you were mine
(record skips)
I'd dress you in the silk so fine
Mother dear we once was yourn
(record skips)
You neither dressed us coarse nor fine
The very next day she's going to church
There them two pretty babes appeared
The first six months you'll ring a bell
The next six months you'll ring in hell
Charles S. Brink:
If those two little babes were mine,
Fair the flowers of Fadie-O,
I'd dress them up in silk so fine,
Down by the Greenwood Sidey-O.
When us two little babes were thine,
Fair the flowers of Fadie-O,
You neither dressed nor clothed us fine,
Down by the Greenwood Sidey-O.
But with your penknife keen and sharp,
Fair the flowers of Fadie-O,
You pierced us two babes to the heart,
Down by the Greenwood Sidey-O!
Rhoda Browning Nelson:
Oh little babes if you were mine
Fine flowers of fandy-o
I would dress you up in silk so fine
Down by the greenwood sidie-o
Oh mother dear we once was yours
Fine flowers of fandy-o
You'd neither give us coarse nor fine
Down by the greenwood sidie-o
You'd neither give us coarse nor fine
Down by the greenwood sidie-o
Sarah Workman:
Oh little babes if you were mine
Fine flowers of fin-die-o
I'd dress you in silk and satin so fine
Down, down by the greenwood sidie-o
Oh mother we were once yourn
Fine flowers of fin-die-o
You neither dressed us in coarse nor fine
Down, down by the greenwood sidie-o
She had a penknife keen and sharp
Fine flowers of fin-die-o
She pressed it through those little babe's hearts
Down, down by the greenwood sidie-o
She dropped her penknife in the well
Fine flowers of fin-die-o
She wished those two little babes in hell
Down, down by the greenwood sidie-o
Fair Flowers of Fadie-O / Fair Flowers of Holly-O / Fine Flowers in the Valley / Doon By the Greenwood Sidie O / Greenwood Side / Down by the Greenwood Sidey-o / All Alone and a-Lonely-O / She's Leaned her Back / The Cruel Mither / The Cruel Mother (Child No. 20) - Sung by Mrs. Catherine "Kate" Bell Toney (1874–1944) in Kitchen, Logan County, West Virginia, USA. She was born in Wayne County. Recorded by Prof. Louis Watson Chappell on August 9, 1940.
Mrs. Toney was Prof. Chappell's most prolific traditional singer. On that one day in August he recorded seventy-nine of her songs. An article on her can be found here: https://omekas.lib.wvu.edu/home/s/folkmusic/page/kate-toney
00:00:00 Pretty Babes - Kate Toney
00:03:40 Fair Flowers of Fadie-O - Charles S. Brink
00:04:23 Little Babes - Rhoda Browning Nelson
00:05:00 Little Babes - Sarah Workman
Note by Kevin W.:
A traditional West Virginia version of The Cruel Mother (Child 20). The ballad is rare in America and texts are often fragmentary. It must've arrived in Virginia with the early settlers in the 1600s-1700s and was kept alive through generations of singers without the aid of printed texts. As far as I can tell the song was never published in songsters or broadsides in America, likely due to the dark subject matter.
An important detail lost in many American texts and likely not understood by the singers is that the mother kills her babies out of fear of being discovered by her family. She had an illegitimate relationship with her father's clerk, a man below her standing.
Three of the W. Virginia texts recorded by Louis W. Chappell include a variation on the following stanza:
She wiped her penknife on her shoe
Fine flowers of fin-die-o
The more she wiped the bloodier it grew
Down, down by the greenwood sidie-o
The more she wiped the bloodier it grew
Down, down by the greenwood sidie-o
Which preserves an old superstition that the blood from a murderer's weapon can't be washed off. This stanza is seldom found in traditional versions collected in the 20th century.
The "flowers in the valley" refrain originated in Scotland and has become rare, it survived mostly with northern US and Canadian texts, often displaying varying degrees of corruption.
Song transcription:
An evidently ancient text. Not entirely complete, but preserving beautiful rhymes and the rare "she wiped her penknife" stanza. It's sung to a fine and widespread ballad tune.
First she leaned against an oak
Fine flowers of fin-die-o
First it bent and then it broke
Down, down by the greenwood sidie-o
First it bent and then it broke
Down, down by the greenwood sidie-o
Next she leaned against a thorn
There them two pretty babes are born
She wiped her penknife on her shoe
(corrects herself)
She had a penknife keen and sharp
She pierced them two pretty babes to the heart
She wiped her penknife on her shoe
The more she wiped the bloodier it grew
She dropped her penknife in the well
She wished them two pretty babes in hell
She dug a grave both wide and deep
She buried them both without a sheet
The very next day she's going to church
There her two pretty babes appeared
Said, pretty babes if you were mine
(record skips)
I'd dress you in the silk so fine
Mother dear we once was yourn
(record skips)
You neither dressed us coarse nor fine
The very next day she's going to church
There them two pretty babes appeared
The first six months you'll ring a bell
The next six months you'll ring in hell
Charles S. Brink:
If those two little babes were mine,
Fair the flowers of Fadie-O,
I'd dress them up in silk so fine,
Down by the Greenwood Sidey-O.
When us two little babes were thine,
Fair the flowers of Fadie-O,
You neither dressed nor clothed us fine,
Down by the Greenwood Sidey-O.
But with your penknife keen and sharp,
Fair the flowers of Fadie-O,
You pierced us two babes to the heart,
Down by the Greenwood Sidey-O!
Rhoda Browning Nelson:
Oh little babes if you were mine
Fine flowers of fandy-o
I would dress you up in silk so fine
Down by the greenwood sidie-o
Oh mother dear we once was yours
Fine flowers of fandy-o
You'd neither give us coarse nor fine
Down by the greenwood sidie-o
You'd neither give us coarse nor fine
Down by the greenwood sidie-o
Sarah Workman:
Oh little babes if you were mine
Fine flowers of fin-die-o
I'd dress you in silk and satin so fine
Down, down by the greenwood sidie-o
Oh mother we were once yourn
Fine flowers of fin-die-o
You neither dressed us in coarse nor fine
Down, down by the greenwood sidie-o
She had a penknife keen and sharp
Fine flowers of fin-die-o
She pressed it through those little babe's hearts
Down, down by the greenwood sidie-o
She dropped her penknife in the well
Fine flowers of fin-die-o
She wished those two little babes in hell
Down, down by the greenwood sidie-o
![The Broken Token (Roud 264) (1986) - Stanley Robertson (Scottish Traveller Traditional Singer)
A Pretty Fair Maid / A Lady in Her Fathers Garden / The Broken Token (Roud No. 264) - Sung by renowned storyteller, ballad singer and piper Stanley Robertson (1940-2009) of Aberdeen, Aberdeenshire, Scotland in an old cottage near the village of Lumphanan, Aberdeenshire. It was the longtime home of his aunt Margaret (Maggie) Stewart whom Stanley regarded as his adoptive grandmother. Stanley was born into a Traveller family in Aberdeen and he was the nephew of famous Scottish traditional singer Jeannie Robertson. Filmed and recorded by David Kotyk as part of the John D. Niles folklore research team for the Scottish Voices project in August 1986.
The original movie can be watched here:
https://search.library.wisc.edu/digital/AOL64MEVSBAW2A85
I used my knowledge on video editing to share the films on Youtube in the highest possible quality, I used manual video upscaling (no AI was used!) for this, to further document variants of traditional ballads and songs which has been my hobby for many years. I claim no ownership of the video, all the rights belong with the University of Wisconsin which houses the John D. Niles Collection.
Note by Kevin W.:
I was delighted to discover these videos of Scotlands great tradition bearers in the John D. Niles Collection. The often poorly treated Scottish Travellers honor the memories of their ancestors through songs, music and storytelling. They are proud of their culture and kept old traditions alive for hundreds of years. Many of our most gifted traditional singers and storytellers are Travellers.
Scottish Travellers are an indigenous ethnic minority in Scotland who live or traditionally lived a nomadic lifestyle and for centuries were unfairly shunned by the settled population. For that reason the singing culture of the Travelling people had not been well documented before the 20th century when non-Travellers with an interest in folklore visited and befriended Travellers and started recording their songs, music and stories.
Stanley sang this song, The Broken Token, spontaneously as he felt it was fitting for a return home, to the place of his childhood.
Song transcription:
A fair pretty maid in her garden walking
When a brisk young sailor came a-riding by.
He stepped up to her because he knew her.
Saying “Fair [maid, would you fancy I?”] *
“Tis seven long years since I loved a sailor,
Tis seven long years since he went away.
Perhaps he’s drownded, perhaps he’s married,
Perhaps he sails on the ocean blue.
For if he’s married, I wish him pleasure,
And if he’s drownded, I wish him rest.
But if he sails on yon sea, my sailor
He’ll come back home for tae marry me.”
“Oh do ye see, love, yon high high castle
All decorated wi lilies white?
I’ll gie you gold, love, I’ll gie you silver
If you will say you’ll be mine tonight.”
“Oh what care I for yer high high castle?
Or what care I for yer lilies white?
Or what care I for yer gold and silver
If my true love should come home tonight?
He put his fingers intae his pocket;
His fingers were both sharp an small.
He took a ring out it was between them
At seeing this for then she fell.
He picked her up in his loving arms,
He gied tae her a true love kiss,
Saying, “Im your Johnnie, I am your sailor,
And I’ve come home for tae marry you.”
* The end of the line is missing in the video, but thats how it usually ends. The Broken Token (Roud 264) (1986) - Stanley Robertson (Scottish Traveller Traditional Singer)](https://i.ytimg.com/vi/ZApkV5XuVUQ/mqdefault.jpg)









