Uploaded December 2025 | Updated September 2026, 2 weeks ago
#TeerthaVitthalaKshetraVitthala #Abhang #GuruNanak #Ragas #sikhhistory #Khalsa #waheguru #sikhteachings #gurunanak #spiritualjourney #punjabiculture
Sant Namdev (1270-1350)
Savour the melodic voice of Aruna Sairam as she performs Sant Namdev’s abhang ‘Teertha Vitthala, Kshetra Vitthala’; the power in her voice echoes the power in the message of the abhang- worshipping Vitthala, the beloved form of Krishna, is intimately personal and universally present. Accompanied by Momin Khan, Patri Kumar, Surdarshan Chana, Giridhar Udupa, and Gurdain Rayatt, this moving abhang reflects Guru Nanak’s message of peace: emphasising oneness, equality, and the importance of worship for everyone.
Sant Namdev (1270-1350) wrote this poem to reflect his personal relationship with Vitthala- the narrative voice of the abhang calls out to Vitthala, expressing a deep longing and joy for his presence. It is a beautiful reflection of God’s presence: universal, dwelling even amongst ordinary people, in the hearts of family members and friends. It reminds the listener that the path to God is easy to find, and one should never stray from it.
*TRANSLATION:*
*Teertha Vittala Kshetra Vittala Deva Vittala Devapuja*
Vittala Vitthala is a holy body of water, Vitthala is a holy land.
Vithtala is God and Vitthala is Worship
*Maathaa Vittala Pithaa Vittala Bandhu Vittala Gotra Vittala*
Vitthala is my mother and Vitthala is my father.
Vitthala is my friend and Vitthala is my clan
*Guru Vittala Gurudevataa Vittala Nidhaana Vittala Nirantara Vittala*
The supreme path of devotion to Lord Rama is open—why choose lesser paths?
*Naamaa Mhane Maja Vittala Saapadalaa Mhanuni Kalikaala Paata Naahi*
Namdev says ‘I have found sanctuary in Vitthala’.
‘Even in this Kali yuga, I can come to no harm!’
About the Project
Performance Date: 6 April 2025
Venue: Barbican Centre, London
This project explored how Guru Nanak’s timeless message of equality, compassion and spiritual awakening continues to resonate. Music was central to his mission—he travelled with Bhai Mardana, a Muslim rababi, using song to share spiritual wisdom beyond caste and creed. Darbar honoured this tradition by bringing musicians of diverse faiths onto one stage, spreading unity and peace.
Credits: -
Musicians
Aruna Sairam (carnatic vocals)
Zeeshan Ali (sufi vocals)
Bhai Anantvir Singh (kirtania)
Amrita Kaur (kirtania)
Momin Khan (sarangi)
Patri Satish Kumar (mridangam)
Giridhar Udupa (ghatam)
Surdarshan Chana (tabla & jori)
Gurdain Rayatt (tabla)
Beibei Wang (da ga drum)
Darbar Team:
Sandeep Virdee OBE (Artistic Director)
Simrat Lall (Darbar Festival Manager)
María Guardiola (Festivals and Events Manager)
Depesh Patel (Events Manager)
Jamie Craven (Head of Design)
Rahul Ravindran (Creative Video Editor)
Sana Ejaz (Marketing Executive)
Zahabiya Patharia (Marketing Executive)
Christoph Bracher (Head of Sound)
Filming Crew
Pritpal Sagoo (Digital Consultant)
Gurwinder Soor (Content Creator and Platform Manager)
Tom Grancia (Technical Production)
Carl Owen (Camera Operator)
Chris Connel (Camera Operator)
Anup Parmar (Camera Operator)
Nick Morchang (Camera Operator)
Technical Team
Phil Jones (Front of House Sound)
John Duckett (Sound Monitors)
Mark Gardner (Lighting Designer)
________________________________________________________________
Darbar believes in the power of Indian classical arts to stir and inspire. Since 2006, we have delivered live events, education, broadcasts and digital experiences, while supporting new talent from India and the UK.
© 2025 Darbar Arts Culture Heritage Trust. All Rights Reserved.
#TeerthaVitthalaKshetraVitthala #Abhang #GuruNanak #Ragas #sikhhistory #Khalsa #waheguru #sikhteachings #gurunanak #spiritualjourney #punjabiculture
Sant Namdev (1270-1350)
Savour the melodic voice of Aruna Sairam as she performs Sant Namdev’s abhang ‘Teertha Vitthala, Kshetra Vitthala’; the power in her voice echoes the power in the message of the abhang- worshipping Vitthala, the beloved form of Krishna, is intimately personal and universally present. Accompanied by Momin Khan, Patri Kumar, Surdarshan Chana, Giridhar Udupa, and Gurdain Rayatt, this moving abhang reflects Guru Nanak’s message of peace: emphasising oneness, equality, and the importance of worship for everyone.
Sant Namdev (1270-1350) wrote this poem to reflect his personal relationship with Vitthala- the narrative voice of the abhang calls out to Vitthala, expressing a deep longing and joy for his presence. It is a beautiful reflection of God’s presence: universal, dwelling even amongst ordinary people, in the hearts of family members and friends. It reminds the listener that the path to God is easy to find, and one should never stray from it.
*TRANSLATION:*
*Teertha Vittala Kshetra Vittala Deva Vittala Devapuja*
Vittala Vitthala is a holy body of water, Vitthala is a holy land.
Vithtala is God and Vitthala is Worship
*Maathaa Vittala Pithaa Vittala Bandhu Vittala Gotra Vittala*
Vitthala is my mother and Vitthala is my father.
Vitthala is my friend and Vitthala is my clan
*Guru Vittala Gurudevataa Vittala Nidhaana Vittala Nirantara Vittala*
The supreme path of devotion to Lord Rama is open—why choose lesser paths?
*Naamaa Mhane Maja Vittala Saapadalaa Mhanuni Kalikaala Paata Naahi*
Namdev says ‘I have found sanctuary in Vitthala’.
‘Even in this Kali yuga, I can come to no harm!’
About the Project
Performance Date: 6 April 2025
Venue: Barbican Centre, London
This project explored how Guru Nanak’s timeless message of equality, compassion and spiritual awakening continues to resonate. Music was central to his mission—he travelled with Bhai Mardana, a Muslim rababi, using song to share spiritual wisdom beyond caste and creed. Darbar honoured this tradition by bringing musicians of diverse faiths onto one stage, spreading unity and peace.
Credits: -
Musicians
Aruna Sairam (carnatic vocals)
Zeeshan Ali (sufi vocals)
Bhai Anantvir Singh (kirtania)
Amrita Kaur (kirtania)
Momin Khan (sarangi)
Patri Satish Kumar (mridangam)
Giridhar Udupa (ghatam)
Surdarshan Chana (tabla & jori)
Gurdain Rayatt (tabla)
Beibei Wang (da ga drum)
Darbar Team:
Sandeep Virdee OBE (Artistic Director)
Simrat Lall (Darbar Festival Manager)
María Guardiola (Festivals and Events Manager)
Depesh Patel (Events Manager)
Jamie Craven (Head of Design)
Rahul Ravindran (Creative Video Editor)
Sana Ejaz (Marketing Executive)
Zahabiya Patharia (Marketing Executive)
Christoph Bracher (Head of Sound)
Filming Crew
Pritpal Sagoo (Digital Consultant)
Gurwinder Soor (Content Creator and Platform Manager)
Tom Grancia (Technical Production)
Carl Owen (Camera Operator)
Chris Connel (Camera Operator)
Anup Parmar (Camera Operator)
Nick Morchang (Camera Operator)
Technical Team
Phil Jones (Front of House Sound)
John Duckett (Sound Monitors)
Mark Gardner (Lighting Designer)
________________________________________________________________
Darbar believes in the power of Indian classical arts to stir and inspire. Since 2006, we have delivered live events, education, broadcasts and digital experiences, while supporting new talent from India and the UK.
© 2025 Darbar Arts Culture Heritage Trust. All Rights Reserved.



 Parveen Sultana | Khayal Vocal | Music of India](https://i.ytimg.com/vi/jI2qPXpxWr8/mqdefault.jpg)

![Tabla vs Mridangam 🔥 A Rhythmic Duel You Must Hear
#mridangam #tabla #musicofindia
During the Darbar Festival 2022 at London’s Barbican, the stage came alive with an electrifying jugalbandi between mridangam maestro Patri Satish Kumar and tabla virtuoso Satyajit Talwalkar. What began as subtle rhythmic dialogue soon erupted into a breathtaking display of percussive mastery, where Carnatic precision met Hindustani flair in a seamless, exhilarating exchange. With uncanny chemistry, the two percussionists engaged in a dynamic conversation—trading intricate phrases, echoing each other’s patterns, and pushing the rhythmic boundaries of Raag Mishra with playful challenge and deep mutual respect. The mridangam’s tonal depth and rolling cadences intertwined with the crisp, resonant bols of the tabla, creating a rhythmic tapestry that both anchored and elevated the melodic flow. As their interplay intensified, so did the audience’s awe, culminating in a thunderous climax of tihais and konnakol that left listeners spellbound. This jugalbandi was not just a showcase of virtuosity—it was a profound, joyous celebration of two rhythmic traditions in perfect harmony.
Experience this unforgettable musical journey and witness the confluence of tradition and innovation. Dont forget to like, share, and subscribe for more soulful performances! 🎵
🎶 Enjoyed this performance? Watch the full concert and explore nearly 1000 curated raga performances on Darbar Player 👉 [https://tab.so/player]
Musicians -
Patri Satish Kumar (Mridangam)
Satyajit Tawalkar (tabla)
Recorded at Darbar Festival 2022
Darbar believes in the power of Indian classical arts to stir, thrill and inspire. Through shared experiences and digital connectivity, we ensure that one of the world’s finest art forms reaches the widest possible audience. Founded in 2006, we deliver premium quality live events, music education, broadcasts and online engagement through promoting artistic innovation and creative technology. We are also committed to providing a platform for new talent from India and the UK.
All Rights Reserved ©2025 Darbar Arts Culture Heritage Trust Tabla vs Mridangam 🔥 A Rhythmic Duel You Must Hear](https://i.ytimg.com/vi/jtJ2l0J-U58/mqdefault.jpg)


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All Rights Reserved ©2025 Darbar Arts Culture Heritage Trust Miyan Ki Malhar | Roopa Panesar| Music of India](https://i.ytimg.com/vi/kM5BKAQfAaQ/mqdefault.jpg)


