Uploaded December 2025 | Updated September 2026, 2 weeks ago
Using the TAZM-O’s unique Octave CV input to create pseudo arpeggiator sounds via fast 1 octave transpositions across a 3 octave range of its core frequency.
👉 A rising saw wave is patched from Pam to the Octave CV input of the TAZM-O, causing the core frequency of the oscillator to jump in 1 octave increments as the CV rises.
👉 A x4 envelope is patched from Pam to control the level of the TAZM-O.
👉 To align the uneven octave changes with the envelope, a S&H Cross Operation is enabled on output 3 using the envelope from output 4 as the source.
👉 This adds steps to the rising saw to perfectly sync the octave transposition with the envelope.
👉 CV from the ASQ-1 is connected to the V/Oct input and a sequence is played in.
👉 The modifier of output 3 is changed to alter the pattern of octave transposition, i.e. the arpeggiator note pattern.
Using the TAZM-O’s unique Octave CV input to create pseudo arpeggiator sounds via fast 1 octave transpositions across a 3 octave range of its core frequency.
👉 A rising saw wave is patched from Pam to the Octave CV input of the TAZM-O, causing the core frequency of the oscillator to jump in 1 octave increments as the CV rises.
👉 A x4 envelope is patched from Pam to control the level of the TAZM-O.
👉 To align the uneven octave changes with the envelope, a S&H Cross Operation is enabled on output 3 using the envelope from output 4 as the source.
👉 This adds steps to the rising saw to perfectly sync the octave transposition with the envelope.
👉 CV from the ASQ-1 is connected to the V/Oct input and a sequence is played in.
👉 The modifier of output 3 is changed to alter the pattern of octave transposition, i.e. the arpeggiator note pattern.
