The Week I Review | Takashi Miike's Audition has lost much of its shock but none of its value @TheWeekIReview | Uploaded August 2019 | Updated October 2024, 1 hour ago.
Entry 51: Twenty years later, a movie hailed as one of the most disturbing films of all time saw a brief theatrical re-release. I went to see it on the big screen, in part because I wanted to see if that title has been retained all these years later. And then I wanted to talk about that.
I should also note that I think certain parts of this video may also be specifically inaccurate while being broadly true in the way that Asami is about Aoyama... so any "I have a single counter-example that therefore invalidates everything you say" responses will be ignored.
Offer recurring support: patreon.com/theweekireview
Or just the one time: paypal.me/theweekireview
Twitter/IG: @alecjkm
Letterboxd: letterboxd.com/twir
#audition #takashimiike #jhorror
Thanks to Aaron Belinfanti for the drums!
Entry 51: Twenty years later, a movie hailed as one of the most disturbing films of all time saw a brief theatrical re-release. I went to see it on the big screen, in part because I wanted to see if that title has been retained all these years later. And then I wanted to talk about that.
I should also note that I think certain parts of this video may also be specifically inaccurate while being broadly true in the way that Asami is about Aoyama... so any "I have a single counter-example that therefore invalidates everything you say" responses will be ignored.
Offer recurring support: patreon.com/theweekireview
Or just the one time: paypal.me/theweekireview
Twitter/IG: @alecjkm
Letterboxd: letterboxd.com/twir
#audition #takashimiike #jhorror
Thanks to Aaron Belinfanti for the drums!