Uploaded December 2024 | Updated September 2026, 2 weeks ago
As scholars of genocide have shown, the genocidal process extends beyond the physical extinction of the targeted community to include the erasure, appropriation, or transfer of the community’s cultural assets. During the Armenian Genocide and its aftermath, sites associated with Armenian culture, particularly religious sites, were destroyed, repurposed, appropriated, sold, or transferred. Some became cultural heritage sites sundered from their connection to any remaining Armenian communities, while certain sacred objects were looted or relocated to museums far from the Armenian homeland. These sites and objects eventually acquire a "second life as heritage" and as works of art. This lecture considers the implications of genocide with the processes of making sites into patrimony and objects into museum pieces. It reflects on extinction and transformation into art and what this portends for art history and museums in the 21st century.
Heghnar Watenpaugh is professor of art history at the University of California, Davis. She researches the visual cultures of the Middle East, including issues of architectural preservation, museums, and cultural heritage.
Sponsored by the Getty Research Institute Council, the annual Thomas and Barbara Gaehtgens Lecture series is dedicated to highlighting leading research in the field of global art history.
Learn more: https://www.getty.edu/calendar/survivor-objects-captive-sites/
As scholars of genocide have shown, the genocidal process extends beyond the physical extinction of the targeted community to include the erasure, appropriation, or transfer of the community’s cultural assets. During the Armenian Genocide and its aftermath, sites associated with Armenian culture, particularly religious sites, were destroyed, repurposed, appropriated, sold, or transferred. Some became cultural heritage sites sundered from their connection to any remaining Armenian communities, while certain sacred objects were looted or relocated to museums far from the Armenian homeland. These sites and objects eventually acquire a "second life as heritage" and as works of art. This lecture considers the implications of genocide with the processes of making sites into patrimony and objects into museum pieces. It reflects on extinction and transformation into art and what this portends for art history and museums in the 21st century.
Heghnar Watenpaugh is professor of art history at the University of California, Davis. She researches the visual cultures of the Middle East, including issues of architectural preservation, museums, and cultural heritage.
Sponsored by the Getty Research Institute Council, the annual Thomas and Barbara Gaehtgens Lecture series is dedicated to highlighting leading research in the field of global art history.
Learn more: https://www.getty.edu/calendar/survivor-objects-captive-sites/
